{"id":38647,"date":"2005-12-09T00:00:00","date_gmt":"2005-12-09T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/where-do-i-begin\/"},"modified":"2005-12-09T00:00:00","modified_gmt":"2005-12-09T00:00:00","slug":"where-do-i-begin","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/where-do-i-begin\/","title":{"rendered":"Where Do I Begin?"},"content":{"rendered":"<p>After nine years and hundreds of reviews, I find myself more and<br \/>\nmore seeking out challenges.<\/p>\n<p>Case in point: I&#8217;m not a religious guy. Spiritual, yes;<br \/>\nreligious, no. There&#8217;s been too much intolerance and destruction<br \/>\nwaged &#8220;in the name of God&#8221; for me to put my faith in any human<br \/>\nbeing&#8217;s interpretation of the sacred. All of which makes the<br \/>\nfrankly evangelical Christian hard rock trio Mouthpiece a challenge<br \/>\nfor me to review.<\/p>\n<p>It&#8217;s one I&#8217;m up for, though, in large part because Devin<br \/>\nWilliams, the singer\/songwriter\/guitarist\/producer\/mastermind<br \/>\nbehind Mouthpiece, is clearly a talented guy. His sound could be<br \/>\ndescribed as Creed squared &#8212; a similar combination of fat guitar<br \/>\ncrunch, urgent melodies and spiritually-tinged lyrics, but with<br \/>\nsubstantially heavier music and more overtly religious lyrics.<br \/>\nListening to this disc, I was impressed with how well this<br \/>\ncombination works &#8212; faith is an intense, emotional subject that<br \/>\nmatches up surprisingly well with throbbing hard rock.<\/p>\n<p>The intensity of numbers like &#8220;Coming Home&#8221; and the dynamic<br \/>\nopener &#8220;The Rok&#8221; may in fact catch CCM listeners off guard.<br \/>\nWilliams may be preaching the gospel, but the dude still manages to<br \/>\nrock pretty formidably. The Creed parallel becomes clearer on more<br \/>\npower-ballad-y numbers like &#8220;Kiss The Son&#8221; (get it?), but far from<br \/>\ndominating the album, slower cuts are the exception. More typical<br \/>\nare muscular tracks like &#8220;Standing So Close&#8221; and the hammering<br \/>\ncloser &#8220;Can You Feel.&#8221;<\/p>\n<p>I can&#8217;t properly call myself a fan of Mouthpiece &#8212; these songs<br \/>\nare too relentlessly evangelical in perspective for my tastes &#8212;<br \/>\nbut I have a lot of respect for the quality and artistry of the<br \/>\nmusic, which is consistently powerful and well-crafted. Special<br \/>\nkudos to Williams and Chuck Butler on the production side, as this<br \/>\ndisc features a crystal-clean sound that amplifies the potency of<br \/>\nWilliams&#8217; huge riffs.<\/p>\n<p>Bottom line? Devin Williams is a very talented guitarist and<br \/>\nsinger, and<br \/>\n<i>Where Do I Begin?<\/i> is a dynamic, entertaining entree of hard<br \/>\nrock, with an extra-large side of New Testament. The lyrics might<br \/>\nnot have been my thing, but I sure didn&#8217;t suffer while cranking<br \/>\nthis disc up loud.<\/p>\n<p class=\"c1\">[For more information, visit<br \/>\n<a href=\"http:\/\/www.mouthpieceonline.net\" target=\"_blank\">www.mouthpieceonline.net<\/a>]<\/p>\n","protected":false},"author":12,"featured_media":27285,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[7241],"rating":[5617],"class_list":["post-38647","review","type-review","status-publish","has-post-thumbnail","artist-mouthpiece","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38647","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38647"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38647\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27285"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38647"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=38647"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38647"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38647"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}