{"id":38649,"date":"2005-12-12T00:00:00","date_gmt":"2005-12-12T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/see-you-on-the-other-side\/"},"modified":"2005-12-12T00:00:00","modified_gmt":"2005-12-12T00:00:00","slug":"see-you-on-the-other-side","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/see-you-on-the-other-side\/","title":{"rendered":"See You On The Other Side"},"content":{"rendered":"<p>Ten years ago, Korn were on top of the metal scene across the<br \/>\nglobe due largely to the fact that they offered something new to a<br \/>\nscene dominated by golden oldies and copycats. How the tides have<br \/>\nturned on the Californians since then.<\/p>\n<p>Their self-title first album threw a whole new type of sound at<br \/>\nthe disillusioned youth around the globe, and its follow-ups fed<br \/>\ntheir fan&#8217;s appetites well &#8211; until things started to slide with the<br \/>\nrelease of<br \/>\n<i>Untouchables<\/i>. The album, despite going platinum, was a<br \/>\nletdown as far as the media and weathered Korn fans were concerned.<br \/>\nThe wheels finally fell off the Korn bandwagon with the release of<br \/>\n<i>Take A Look In The Mirror<\/i>, which received minimal praise<br \/>\nfrom the band&#8217;s once-adoring flock of fans. &#8220;Korn are finished&#8221; was<br \/>\nthe general consensus and with good reason &#8212;<br \/>\n<i>TALITM<\/i> sounded forced and emotionless. The anger and pain,<br \/>\nwhich was so consistent in Korn&#8217;s earlier works, felt artificial,<br \/>\nand fans felt like getting their money back.<\/p>\n<p>However in music things can always get worse, and for Korn they<br \/>\ndid. Head, one of their guitarists, quit in order to dedicate his<br \/>\nlife to Christ. So in 2005, the band found themselves with a<br \/>\ndwindling fan base and a record company that didn&#8217;t seem to care,<br \/>\nas well as an ex-member building huts for the poor in Africa. Fair<br \/>\nplay to them- they didn&#8217;t give up and &#8220;See You On The Other Side&#8221;<br \/>\noffers them redemption.<\/p>\n<p>After teaming up with production teams Atticus Ross and The<br \/>\nMatrix, Korn were ready to offer something new. This album is their<br \/>\nmost exciting and dynamic output since<br \/>\n<i>Follow The Leader<\/i>. The major selling point is the sheer<br \/>\nvariation in styles; while not betraying their roots, Korn have put<br \/>\non songs that remind the listener of other artists, from Nine Inch<br \/>\nNails (&#8220;Love Song&#8221;) to System of a Down (&#8220;Hypocrites&#8221;). The album<br \/>\nis also far more lyrically driven than much of their previous<br \/>\nmaterial, with &#8220;Open Up&#8221; and &#8220;Love Song&#8221; containing masterfully<br \/>\ncomposed lyrics.<\/p>\n<p>Musically, this album also delivers with some of the most<br \/>\nmelodic choruses ever written by the nu-metalers. The single,<br \/>\n&#8220;Twisted Transistor,&#8221; is far from Korn&#8217;s best but you will find<br \/>\nyourself tapping your feet to the beat, typical of most of the<br \/>\nsongs here.<\/p>\n<p>Korn have turned a corner in terms of their sound. &#8220;Tearjerker,&#8221;<br \/>\nthe final track, is a testament to this change. Jon Davis (vocals)<br \/>\ndelivers heart-wrenching (if not a tad cheesy) lyrics to a sound<br \/>\nthat is far from the trashy, amp-bursting music they&#8217;re associated<br \/>\nwith. This new sound is indeed the key to this album being so<br \/>\nenjoyable.<\/p>\n<p>The one complaint Korn fans may have is that the band has<br \/>\nseriously cut down on the sludgy metal riffs and knife-sharp bass<br \/>\nlines that were once a major part of their appeal, but overall the<br \/>\nnow-quartet&#8217;s following will rejoice that the band is seemingly<br \/>\nreborn.<\/p>\n<p>With its pristine production wizardry and wide range of styles,<br \/>\npeople are undoubtedly set to take notice of Korn again. If metal&#8217;s<br \/>\nyour thing, go buy it! If not, you&#8217;ll still like half the<br \/>\nalbum.<\/p>\n","protected":false},"author":49,"featured_media":27286,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6187],"rating":[5617],"class_list":["post-38649","review","type-review","status-publish","has-post-thumbnail","artist-korn","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38649","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/49"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38649"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38649\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27286"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38649"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38649"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38649"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}