{"id":38664,"date":"1998-02-13T00:00:00","date_gmt":"1998-02-13T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/fools-parade\/"},"modified":"1998-02-13T00:00:00","modified_gmt":"1998-02-13T00:00:00","slug":"fools-parade","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/fools-parade\/","title":{"rendered":"Fools Parade"},"content":{"rendered":"<p>Blind Otis And The Lost Highway are a group which I find hard to<br \/>\ncategorize. Sounding like a cross between Lee Michaels, John<br \/>\nMellencamp and Bob Seger, their style of music is a mixture of<br \/>\nroots rock, moody pop and a touch of the blues.<\/p>\n<p>Sound like an interesting combination? Their second album,<br \/>\n<i>Fools Parade<\/i>, shows that this type of a mixture can indeed<br \/>\nwork &#8211; but it is a bit spotty.<\/p>\n<p>Otis is a passable singer and guitarist, though he seems more<br \/>\ncomfortable playing rhythm guitar or providing rhythm leads than<br \/>\nwhipping out a real solo. His hoarse vocal style fits many of the<br \/>\nnumbers well, but when the mood calls for him to do some crooning,<br \/>\nhe does this well.<\/p>\n<p>The radio-friendly track on this one, &#8220;Dirt,&#8221; is the one where<br \/>\nparallels between such artists like Mellencamp and even the Rolling<br \/>\nStones can be drawn; their influences on the music are clearly<br \/>\nheard. Bassist Jeff Downey provides a subtle but solid backbone to<br \/>\nthe music, while keyboardist Nick Jones and drummer Dave Hooper add<br \/>\na little more texture to the mix. (I do wish that Hooper had been<br \/>\nbrought forward a litle more in the final mix.)<\/p>\n<p>The band shows they are comfortable moving between solid rockers<br \/>\n(&#8220;Tomato Boogie&#8221;) and all-out ballads (&#8220;My Sweet Anodyne&#8221;), and<br \/>\nquite often the transition is smooth &#8211; but this is when the<br \/>\nmaterial is strong enough to withstand the switch. On a few<br \/>\noccasions, like &#8220;Synesthesia\/28 Candles&#8221; coming out of &#8220;Dirt,&#8221; the<br \/>\nfollowing song is weaker, and the change is quite noticeable.<\/p>\n<p>And there are a few occasions where I wish the songs had been a<br \/>\nlittle shorter &#8211; they would have been just as effective. The duo of<br \/>\n&#8220;Lady Strange&#8221; and &#8220;Dark Eyes&#8221; is a prime example &#8211; though in the<br \/>\nband&#8217;s defense, &#8220;Dark Eyes&#8221; does move more quickly than the<br \/>\nother.<\/p>\n<p>Still, there is a lot of strong material on<br \/>\n<i>Fools Parade<\/i> that makes it a very worthwhile listen.<br \/>\n&#8220;Guitars And Cadillacs&#8221; gives a slight tip of the hat to Dwight<br \/>\nYoakam, while &#8220;Fools Lament&#8221; and &#8220;Ode To Brisco&#8221; are very enjoyable<br \/>\nnumbers, the latter saluting those who make the music and labor<br \/>\naway in relative anonymity.<\/p>\n<p>Being on such a small label, there&#8217;s a good chance that if<br \/>\nyou&#8217;re located more than a couple stones&#8217; throws from Indianapolis<br \/>\n(where Surf Records is headquartered), you&#8217;ve probably never heard<br \/>\nof this group. While<br \/>\n<i>Fools Parade<\/i> shows there are still some rough edges that<br \/>\nneed to be sanded down in their music, it&#8217;s worth taking the 65<br \/>\nminutes this disc runs and getting to know them.<\/p>\n","protected":false},"author":2,"featured_media":27300,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7248],"rating":[5612],"class_list":["post-38664","review","type-review","status-publish","has-post-thumbnail","artist-blind-otis-and-the-lost-highway","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38664","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38664"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38664\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27300"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38664"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38664"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38664"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}