{"id":38666,"date":"1999-02-14T00:00:00","date_gmt":"1999-02-14T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/electric-youth\/"},"modified":"1999-02-14T00:00:00","modified_gmt":"1999-02-14T00:00:00","slug":"electric-youth","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/electric-youth\/","title":{"rendered":"Electric Youth"},"content":{"rendered":"<p>There are a whole slew of albums in the Pierce Memorial Archive<br \/>\nthat I bought for some reason or another that seemed like a good<br \/>\none at the time. Now, as I walk through the aisles, I wonder just<br \/>\nwhy I bought them in the first place.<\/p>\n<p>Take Debbie Gibson. When she was at the pinnacle of her fame, I<br \/>\nwas in high school, happily banging my head to all things metal. We<br \/>\nmacho men wouldn&#8217;t have been caught dead even looking at one of her<br \/>\nalbums at Sound Warehouse, much less owning one &#8211; we were just too<br \/>\ncool for that.<\/p>\n<p>So how do I explain having an album like her 1989 sophomore<br \/>\neffort<br \/>\n<i>Electric Youth<\/i> in my collection? Better still, how do I<br \/>\nexplain at the 10-year reunion later this year that there are some<br \/>\nsongs on it that I enjoy?<\/p>\n<p>Gibson had rocketed to fame with her debut effort<br \/>\n<i>Out Of The Blue<\/i>, containing syrupy-sweet but mostly harmless<br \/>\ndance-pop mall rock. With her second release, she starts to inject<br \/>\na little more maturity into the music, but the end result is still<br \/>\nthe same.<\/p>\n<p>I&#8217;ll get the major complaint out of the way first: I can<br \/>\nunderstand the use of synthesized drums on such an album, but do<br \/>\nyou have to rely on them for almost the<br \/>\n<i>whole fribbin&#8217; album<\/i>? Only one track uses live drums &#8211; and<br \/>\nI&#8217;m sorry, but I couldn&#8217;t tell that without reading the liner<br \/>\nnotes, almost like I was conditioned to hear the electronic<br \/>\nspurts.<\/p>\n<p>Gibson does move into the world of ballads well on<br \/>\n<i>Electric Youth<\/i> through the track &#8220;Lost In Your Eyes&#8221; &#8211; but<br \/>\nthe drum sequencing does ruin the mood. (Not that it was used in<br \/>\nthis case, but that it just wasn&#8217;t structured to fit the song.) And<br \/>\nwhile this is a decent enough effort, it wasn&#8217;t strong enough to<br \/>\nreally push Gibson into that direction with her music.<\/p>\n<p>But for the most part,<br \/>\n<i>Electric Youth<\/i> is really harmless fun for the teeny-bopper<br \/>\ncrowd. It&#8217;s non-threatening enough for the parents to listen to and<br \/>\nenjoy, and it&#8217;s poppy enough to keep Gibson&#8217;s fans happy. Tracks<br \/>\nlike &#8220;Love In Disguise,&#8221; &#8220;Helplessly In Love&#8221; (in which I swear I<br \/>\ncan hear a mandolin, even though I don&#8217;t see a credit for one) and<br \/>\nthe title track all capture the playfulness of Gibson&#8217;s music and<br \/>\nthe carefree feeling of youth.<\/p>\n<p>Maybe that&#8217;s the appeal I find in Gibson&#8217;s music. Instead of<br \/>\nworrying about how you&#8217;re going to meet all the bills for the<br \/>\nmonth, you hear Gibson singing about someone she&#8217;s fallen in love<br \/>\nwith but can&#8217;t be with, and you can&#8217;t help but to sympathize with<br \/>\nher. You don&#8217;t have to be female to know the feelings of unrequited<br \/>\nlove or giddiness of youth &#8211; and that&#8217;s what sucks the older<br \/>\nlistener in.<\/p>\n<p>Is<br \/>\n<i>Electric Youth<\/i> a masterpiece? No, but it&#8217;s a decent enough<br \/>\neffort to warrant some attention from the listener. Besides, the<br \/>\ntime between mallrat pop and Marilyn Manson is too short as it<br \/>\nis.<\/p>\n","protected":false},"author":2,"featured_media":27302,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5776],"rating":[5612],"class_list":["post-38666","review","type-review","status-publish","has-post-thumbnail","artist-debbie-gibson","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38666","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38666"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38666\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27302"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38666"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38666"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38666"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}