{"id":38670,"date":"1998-02-16T00:00:00","date_gmt":"1998-02-16T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/capricorn\/"},"modified":"1998-02-16T00:00:00","modified_gmt":"1998-02-16T00:00:00","slug":"capricorn","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/capricorn\/","title":{"rendered":"Capricorn"},"content":{"rendered":"<p>Mike Tramp wants you to forget about 1986. Forget that he was in<br \/>\nthe band White Lion, forget that he was often seen as one of<br \/>\nmetal&#8217;s &#8220;pretty boys&#8221; &#8211; forget even about the success his old band<br \/>\nhad with &#8220;Wait&#8221; and &#8220;When The Children Cry.&#8221;<\/p>\n<p>That was 1987 and a whole other life ago. Eleven years later,<br \/>\nTramp now sports tattoos and a nose ring in place of a mane of wild<br \/>\nblond hair, now has a guitar and harmonica strapped to him, and has<br \/>\nput the days of pop metal behind him. In its place he has left his<br \/>\nsolo debut,<br \/>\n<i>Capricorn<\/i>, a personal catharsis of sorts that takes the best<br \/>\naspects of AOR rock and brings them into the forefront. And if the<br \/>\nskeptics can put the past behind them, they&#8217;ll discover an<br \/>\nincredible album.<\/p>\n<p>The ten songs on this disc are incredibly personal, and somewhat<br \/>\nshocking from the pictures they paint. &#8220;Have You Ever,&#8221; a song<br \/>\nTramp calls a photo album of his life, displays a life that has had<br \/>\nits share of pain and disappointment, but also challenges those of<br \/>\nus who might be in the same situation to be willing to put the past<br \/>\nbehind us. It&#8217;s a song that is painfully beautiful, and I can&#8217;t<br \/>\nstop listening to it.<\/p>\n<p>In the same vein, &#8220;Love Will Come And Go&#8221; is a portrait of<br \/>\nconfronting the negatives of a relationship and its ending, but<br \/>\nalso looks toward the resiliency of each one of us and the fresh<br \/>\nstart each morning brings. &#8220;Already Gone&#8221; is a slightly<br \/>\nharder-edged song in the same vein, in which our hero questions why<br \/>\nthe woman he loves (and who doesn&#8217;t love him) is still with<br \/>\nhim.<\/p>\n<p>But not everything in<br \/>\n<i>Capricorn<\/i> is tears and beer. &#8220;Heart Of Every Woman&#8221; is one<br \/>\nof two logical choices for the leadoff single, combining powerful<br \/>\nlyrics and musicianship with another powerful message. The other<br \/>\nsong, &#8220;Had I Not Complained,&#8221; is an incredible performance that is<br \/>\nTramp&#8217;s declaration of independence from White Lion. (Never mind<br \/>\nthe fact that his old bandmate James Lomenzo adds a helping hand to<br \/>\nthe vocals and the CD booklet.)<\/p>\n<p>&#8220;Better Off,&#8221; a song about child abuse, borrows a page from<br \/>\nAerosmith&#8217;s &#8220;Janie&#8217;s Got A Gun&#8221; in which the victim kills his<br \/>\nabuser, but Tramp dares to ask the musical question, &#8220;Is he better<br \/>\noff now that his father is dead?&#8221; &#8211; in short, is the &#8220;solution&#8221;<br \/>\nreally a solution? Powerful stuff, indeed.<\/p>\n<p>\n<i>Capricorn<\/i> is an early front-runner for the best album of<br \/>\n1998 &#8211; and the sad thing is that many radio stations won&#8217;t want to<br \/>\ntake a chance with it because of Tramp&#8217;s White Lion image. I don&#8217;t<br \/>\nknow how many readers we get from mainstream radio, but I&#8217;d<br \/>\nchallenge them all to give<br \/>\n<i>Capricorn<\/i> a spin &#8211; and I mean listening to the whole album,<br \/>\nnot 15-second snippets &#8211; and testing a track or two on their<br \/>\nstations. I&#8217;ll bet the reaction you get is absolutely<br \/>\nincredible.<\/p>\n<p>If an old cynic like me can take an album like<br \/>\n<i>Capricorn<\/i> at face value and see how brilliant of a job Tramp<br \/>\nhas done, here&#8217;s hoping the rest of us, radio and consumer markets<br \/>\nincluded, can do the same.\u00a0<\/p>\n","protected":false},"author":2,"featured_media":27305,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7251],"rating":[5646],"class_list":["post-38670","review","type-review","status-publish","has-post-thumbnail","artist-mike-tramp","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38670","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38670"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38670\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27305"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38670"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38670"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38670"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}