{"id":38673,"date":"1999-02-16T00:00:00","date_gmt":"1999-02-16T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/macdougal-blues\/"},"modified":"1999-02-16T00:00:00","modified_gmt":"1999-02-16T00:00:00","slug":"macdougal-blues","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/macdougal-blues\/","title":{"rendered":"Macdougal Blues"},"content":{"rendered":"<p>My first real taste of Kevn Kinney and his music was,<br \/>\nsurprisingly, not with his band drivin&#8217; n cryin&#8217;. Instead, it was<br \/>\nduring a set on a syndicated program of acoustic music. Kinney and<br \/>\nR.E.M.&#8217;s Peter Buck sat in the studio and cranked through two or<br \/>\nthree songs off Kinney&#8217;s debut solo effort<br \/>\n<i>Macdougal Blues<\/i>.<\/p>\n<p>I have since lost the CD which has those performances, but a few<br \/>\nmonths ago, I happened to stumble upon a used copy of the album,<br \/>\nand decided to pick it up and give it a nostalgic listen.<\/p>\n<p>Kinney is not the greatest singer in the world &#8211; and I somehow<br \/>\nthink that he would be the first to support that claim. But his<br \/>\nstyle of songwriting reminds me of a cross between R.E.M. (who, not<br \/>\nsurprisingly, would partially adapt this style for<br \/>\n<i>Out Of Time<\/i>), the Grateful Dead and Matthew Sweet. It&#8217;s an<br \/>\ninteresting combination of humor, bleakness, folk, country and rock<br \/>\n&#8211; and, for the most part, it works.<\/p>\n<p>The title track &#8211; God, listen to the stream-of-consciousness<br \/>\nstyle that Kinney delivers his vocal lines in, and tell me that you<br \/>\ndon&#8217;t hear Sheryl Crow&#8217;s &#8220;All I Wanna Do&#8221;. (Crow should write a<br \/>\nthank-you note to Kinney for this.) The song is a darkly humorous<br \/>\npicture of trying to become part of a scene that, for the most<br \/>\npart, doesn&#8217;t exist in the manner that you thought it did.<\/p>\n<p>Kinney&#8217;s folksy side comes through in both the dark, depressing<br \/>\nnumbers (&#8220;Not Afraid To Die&#8221;) and the light, airy mandolin-laden<br \/>\nsongs (&#8220;Last Song Of Maddie Hope&#8221;). Both of these particular songs<br \/>\nare addictive &#8211; I found myself travelling in my car with nothing<br \/>\nbut this tape for about three days. Sue Kinney (his wife?) adds<br \/>\nharmony vocals to three songs &#8211; and her vocals are what make &#8220;Iron<br \/>\nMountain&#8221; so calming and powerful.<\/p>\n<p>This isn&#8217;t to say that there aren&#8217;t missteps on<br \/>\n<i>Macdougal Blues<\/i>. &#8220;Gotta Get Out Of Here&#8221; is a big one &#8211; and<br \/>\nthis is the song that I hear future R.E.M. references in. (It&#8217;s<br \/>\nworth noting that Buck and bandmate Mike Mills do add their talents<br \/>\nin certain areas of the album, including Buck&#8217;s production. Also,<br \/>\n&#8220;The House Above Tina&#8217;s Grocery&#8221; is a track that could have been<br \/>\nleft off.<\/p>\n<p>But for the most part,<br \/>\n<i>Macdougal Blues<\/i> is an album that I don&#8217;t think got the kind<br \/>\nof attention and praise that it deserved when it came out in 1990.<br \/>\nKinney might not have gotten rich off of this album, but he<br \/>\nhopefully realizes that this one album captures the spirit of<br \/>\nalternative and folk almost perfectly &#8211; and it should be revered as<br \/>\na bruised classic.<\/p>\n","protected":false},"author":2,"featured_media":27308,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7252],"rating":[5617],"class_list":["post-38673","review","type-review","status-publish","has-post-thumbnail","artist-kevn-kinney","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38673","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38673"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38673\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27308"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38673"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38673"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38673"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}