{"id":38679,"date":"1999-02-18T00:00:00","date_gmt":"1999-02-18T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/sonic-wave-love\/"},"modified":"1999-02-18T00:00:00","modified_gmt":"1999-02-18T00:00:00","slug":"sonic-wave-love","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/sonic-wave-love\/","title":{"rendered":"Sonic Wave Love"},"content":{"rendered":"<p>CMC International has a problem &#8211; namely, an image<br \/>\nproblem. Because they&#8217;ve dared to take chances with acts that other<br \/>\nlabels wouldn&#8217;t want to touch because they&#8217;re seen as being<br \/>\nunmarketable, they&#8217;ve been called a label where old acts go to die.<br \/>\n(This is all beside the fact that many of these groups have put out<br \/>\nworks that sound like new life has been breathed into them.)<\/p>\n<p>So, the time has come for CMC to sign their first new artist &#8211;<br \/>\nand the honor falls to Cutters, an Indiana-based quartet whose<br \/>\nmusic is a cross between Collective Soul, Edwin McCain and Live.<br \/>\nTheir debut album,<br \/>\n<i>Sonic Wave Love<\/i>, has many moments that show this is a band<br \/>\nto watch in the future, but one does find themselves withing that<br \/>\nthe band would try and develop their own unique voice.<\/p>\n<p>The group &#8211; vocalist\/guitarist Tommy Berry, bassist Ron Calder,<br \/>\nkeyboardist Bill Maki and drummer Pete Wilhoit &#8211; come out of the<br \/>\ngate strong with the first single &#8220;Satisfied&#8221;. The energy level and<br \/>\nsongwriting ability of the band is impressive, showing that Cutters<br \/>\nare more than just a cookie-cutter band mimicking the flavor of the<br \/>\nweek. The opening effects alone are worth the price of admission &#8211;<br \/>\n<i>Sonic<\/i> indeed!<\/p>\n<p>So where do some of the other artist comparisons I mentioned<br \/>\ncome into play? When I hear tracks like &#8220;Hero,&#8221; the flavor of<br \/>\nCollective Soul is heard in both the harmony of the vocals and the<br \/>\ntempos of the songs. When tracks like &#8220;Watching&#8221; come on, the<br \/>\nacoustic backbone of the song, combined with Berry&#8217;s vocals,<br \/>\nconjures up comparisons to Edwin McCain and &#8220;I&#8217;ll Be&#8221; (even though<br \/>\nI know that &#8220;Watching&#8221; is a faster tempoed number). On still others<br \/>\nlike &#8220;As I Fly,&#8221; the Live influence enters in with the jangly<br \/>\nguitars and the hints of more offbeat chords being used at<br \/>\ntimes.<\/p>\n<p>All of this is well and good, and other tracks like &#8220;Genie&#8221; and<br \/>\n&#8220;Gilgamesh&#8221; all serve as further testament to the talent that is in<br \/>\nCutters. But where<br \/>\n<i>Sonic Wave Love<\/i> eventually develops its weakness is that<br \/>\nCutters never do really develop their own unique style, even though<br \/>\nwhat they&#8217;re doing is by no means ripping off the other mentioned<br \/>\nartists.<\/p>\n<p>Developing a band&#8217;s own unique style and sound is possibly the<br \/>\ntoughest &#8220;growing pain&#8221; that any act has to go through &#8211; and I&#8217;ve<br \/>\nheard too many over the years, good and bad, who just were never<br \/>\nable to clear this hurdle. But this is where Cutters have an<br \/>\nadvantage; already an act with some road scars to talk about, I<br \/>\ndon&#8217;t think it will be long before the band will carve their own<br \/>\npath in the pop\/rock world.<\/p>\n<p>Until that day comes,<br \/>\n<i>Sonic Wave Love<\/i> is a pleasant enough starting point for the<br \/>\nband, and is an album that is worth your attention &#8211; as well as a<br \/>\nfighting chance to get heard on the radio.<\/p>\n","protected":false},"author":2,"featured_media":27314,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[7256],"rating":[5612],"class_list":["post-38679","review","type-review","status-publish","has-post-thumbnail","artist-cutters","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38679","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38679"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38679\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27314"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38679"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=38679"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38679"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38679"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}