{"id":38683,"date":"1998-02-20T00:00:00","date_gmt":"1998-02-20T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/out-of-the-mist\/"},"modified":"1998-02-20T00:00:00","modified_gmt":"1998-02-20T00:00:00","slug":"out-of-the-mist","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/out-of-the-mist\/","title":{"rendered":"Out Of The Mist"},"content":{"rendered":"<p>It&#8217;s not often a disc leaves me speechless&#8230; for the wrong<br \/>\nreasons.<\/p>\n<p>As open-minded as I try to be about music genres I don&#8217;t know<br \/>\nmuch about, there are times that the product leaves me scratching<br \/>\nmy head and asking, &#8220;What the hell was<br \/>\n<b><br \/>\n<i>that<\/i><br \/>\n<\/b> ?!?&#8221; Experimental improvisational musicians Joseph Jarman<br \/>\n&#038; Leroy Jenkins have done this to me with their recent<br \/>\ncollaboration<br \/>\n<i>Out Of The Mist<\/i>, a disc that is quite painful to listen to<br \/>\nat times.<\/p>\n<p>I don&#8217;t know why these two musicians have been pigeonholed as<br \/>\n&#8220;new age&#8221;; I don&#8217;t even know what category they accurately fall<br \/>\nunder. More of a tonal headache than anything else, they take the<br \/>\nspirit of new age music and crush it under the weight of their own<br \/>\nidealistic plans.<\/p>\n<p>Oh, sure, there are moments that stand out as exceptional &#8211; but<br \/>\nthey don&#8217;t reveal themselves until the second spin of the disc.<br \/>\n&#8220;Opening&#8221; is one such track, a mixture of kalimba (or thumb piano),<br \/>\nchime and penny whistle (which is provided by Lindsey Horner &#8211; she<br \/>\nalso plays the bass) takes a bit of time to get used to. Once<br \/>\nyou&#8217;re in the mood, it almost sounds like something you&#8217;d hear deep<br \/>\nin Tibet, and is often pretty. Likewise, the album&#8217;s closer &#8220;Chant&#8221;<br \/>\nhas some interesting moments as voices, chimes and gongs blend in<br \/>\nto create a spiritual tone.<\/p>\n<p>But often the downfall of<br \/>\n<i>Out Of The Mist<\/i> is the pairing of instruments that don&#8217;t<br \/>\nbelong together played with no idea where the tune is going.<br \/>\n&#8220;Hands&#8221; features Jenkins on harmonica &#8211; and the resulting cacophony<br \/>\nmade me long for some semblance of musical order. Somehow, mixing<br \/>\nthe harmonica with lsan, cowbells and piano just doesn&#8217;t work&#8230;<br \/>\nnot in this case.<\/p>\n<p>Maybe more of the problem with<br \/>\n<i>Out Of The Mist<\/i> is the fact it sounds like it was recorded<br \/>\nwithout a musical script. Jarman and Jenkins tend to deviate from<br \/>\nany chordal structure often &#8211; worse yet, they seem to revel in the<br \/>\ndischordance they produce. &#8220;Prayer At Sea&#8221; could have been such a<br \/>\nwonderful track, but often the Peruvian clay flute (Jarman), voice<br \/>\n(Jenkins) and piano (provided by Myra Melford) sound like they&#8217;re<br \/>\nplaying three different songs at once. &#8220;Riding Currents&#8221; features<br \/>\nviola and bass clarinet, both sounding as if they have different<br \/>\nobjectives in the song. This is not art&#8230; this is madness.<\/p>\n<p>No doubt there are some people to whom this might appeal to, but<br \/>\nanyone who turns to this disc expecting new age music a la Yanni &#8211;<br \/>\nor even jazz a la Thelonious Monk &#8211; are going to be in for one hell<br \/>\nof a disappointment&#8230; not that Yanni would have been any<br \/>\nbetter.<\/p>\n<p>It would be easy to sit at the keyboard and take potshots at<br \/>\n<i>Out Of The Mist<\/i>, but the music speaks for itself much louder<br \/>\nthan any criticism I could level at it. Jarman and Jenkins are near<br \/>\nlegends in ambient jazz &#8211; too bad this disc isn&#8217;t anything close to<br \/>\nmusic.<\/p>\n","protected":false},"author":2,"featured_media":27318,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7258],"rating":[5616],"class_list":["post-38683","review","type-review","status-publish","has-post-thumbnail","artist-joseph-jarman-leroy-jenkins","rating-rating-d"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38683","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38683"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38683\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27318"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38683"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38683"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38683"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}