{"id":38689,"date":"1999-02-22T00:00:00","date_gmt":"1999-02-22T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/feels-so-good\/"},"modified":"1999-02-22T00:00:00","modified_gmt":"1999-02-22T00:00:00","slug":"feels-so-good","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/feels-so-good\/","title":{"rendered":"Feels So Good"},"content":{"rendered":"<p>Has it been just over 20 years since Chuck Mangione&#8217;s<br \/>\n<i>Feels So Good<\/i> first graced the musical airwaves? Long before<br \/>\nwhat is now known as &#8220;New Age Jazz&#8221; or &#8220;Smooth Jazz&#8221;, many jazz<br \/>\nartists like Mangione, Pat Metheny and David Sanborn were featuring<br \/>\njazz in a much different style as the contempary jazz artists, like<br \/>\nDuke Ellington, Ella Fitzgerald, and even different than big-band<br \/>\njazz.<\/p>\n<p>When Chuck Mangione&#8217;s song &#8220;Feels So Good&#8221; hit the airwaves, it<br \/>\nwas the biggest song of its time. His instrumental tunes were<br \/>\nfeatured in the Olympics, and many radio stations (including the<br \/>\nradio studio at my high school) were using his tunes as background<br \/>\nmusic for various commericals and advertisements.<\/p>\n<p>In listening to his 1977 album<br \/>\n<i>Feels So Good<\/i>, I can&#8217;t help but to listen to more of this<br \/>\nkind of music. While listening to the local Smooth Jazz Chicago<br \/>\nradio station (WNUA-FM 95.5), what makes this album (and this type<br \/>\nof music) is how they blend certain musical instruments. Two<br \/>\ninstruments in particular, one featured on Mangione&#8217;s album, is the<br \/>\nguitar (even though Mangione is famous as a trumpeter). The other<br \/>\nis keyboards and\/or synthesizers.<\/p>\n<p>While most people are familiar with Mangione&#8217;s title track tune,<br \/>\nits total length is clocked in close to 10 minutes long, and quite<br \/>\nfrankly, it is very different than the standard short version we<br \/>\nare all familiar with. It starts out very slow, and then kicks in<br \/>\nwith the beginning of what is known as the short version&#8217;s<br \/>\ninstrumental guitar licks. There are also different solos (both on<br \/>\nhorn and guitar) throughout. One thing in discovering long versions<br \/>\nof well-known songs is that you are just so used to the short<br \/>\nversions, it catches you off guard everytime. (Remember hearing the<br \/>\nlong version of The Doors&#8217; &#8220;Light My Fire&#8221; for the first time?)<\/p>\n<p>As much as Mangione&#8217;s featured trumpet (actually it&#8217;s the<br \/>\nfluegelhorn) is heard on this album (and throughout his career),<br \/>\nhis instrumentation with the guitar is simply phenoemenal. Even the<br \/>\nsong &#8220;Maui-Waui&#8221; received some radio airplay, as I remembered<br \/>\nhearing it for this review (or did I hear it as one of those<br \/>\ncommercial backgrounds way back when?). In either case, this song<br \/>\ntoo, is just as great as the title track.<\/p>\n<p>&#8220;Theme From Side Street&#8221; blends horns with guitar. They relate<br \/>\nto the Spanish Horns than any particular kind. &#8220;Hide and Seek<br \/>\n(Ready Or Not Here I Come)&#8221; is very jazzy and upbeat.<\/p>\n<p>&#8220;Last Dance&#8221; defines the true meaning of Smooth Jazz: It&#8217;s very<br \/>\nromantic in sound, and is very relaxing. Somehow romantic tunes<br \/>\nlike these can only be focused on the horn as the main key<br \/>\ninstrument. Even the brisk guitar touches are simply<br \/>\nmagnificent.<\/p>\n<p>&#8220;The XIth Commandment&#8221; (that&#8217;s the number 11 for those who don&#8217;t<br \/>\nknow) is very Olympic sounding. Yet it is moody, it changes tempo<br \/>\ntowards the end, and is a song that sets the pace for the Olympic<br \/>\nGames (which a lot of his music was featured, in later years).<\/p>\n<p>The title says it all:<br \/>\n<i>Feels So Good<\/i> is how &#8220;you&#8221; will feel after listening to this<br \/>\nalbum. Mostly all of the songs are quite long (the average is over<br \/>\neight minutes, the shortest just over two), but somehow I still<br \/>\nwant to hear more. And it also makes me want to explore other<br \/>\nsmooth jazz artists and their styles. What I didn&#8217;t know was that<br \/>\nthis kind of jazz was around since the late 1970s. This type of<br \/>\nmusic became more popular towards the end of the 1980s. Jazz wasn&#8217;t<br \/>\nas popular as rock and\/or pop music, until it became recognized,<br \/>\nalso in the late Eighties. This music is very well accepted today,<br \/>\nfrom its jazzy upbeat tunes like &#8220;Hide and Seek&#8221;, to the smooth<br \/>\narrangements in songs like &#8220;Feels So Good&#8221; and &#8220;Last Dance&#8221;, jazz<br \/>\nhas created another Chapter in the book of popular music, right<br \/>\nnext to Rock &#8216;n&#8217; Roll, Country, Pop, Alertnative, and far more<br \/>\ncategories of music. And that Chapter is &#8220;Smooth Jazz&#8221;.<\/p>\n<p>Somewhere, on one of those many &#8220;Smooth Jazz&#8221; radio stations,<br \/>\nChuck Mangione&#8217;s music is playing. We haven&#8217;t heard much of him in<br \/>\nthe main spotlight of popular music recently, because obviously,<br \/>\ntoday&#8217;s popular music is now being dominated by hip-hop, rap and<br \/>\nalternative. But somewhere in the jazz section, many people are<br \/>\ndiscovering or re-discovering Mangione&#8217;s music.<br \/>\n<i>Feels So Good<\/i> put him on the map as a promising jazz artist,<br \/>\nand opened the doors, like his fellow counterparts, to explore the<br \/>\nmusic of jazz into it&#8217;s next featured category: New Age Jazz.<br \/>\nExplore for yourself &#8212; It&#8217;s great to listen to, it&#8217;s relaxing and<br \/>\nromantic. New Age \/ Smooth Jazz is in, and will be here for a long<br \/>\ntime.<\/p>\n","protected":false},"author":11,"featured_media":27324,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7260],"rating":[5646],"class_list":["post-38689","review","type-review","status-publish","has-post-thumbnail","artist-chuck-mangione","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38689","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38689"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38689\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27324"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38689"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38689"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38689"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}