{"id":38696,"date":"1998-02-24T00:00:00","date_gmt":"1998-02-24T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/got-no-shadow\/"},"modified":"1998-02-24T00:00:00","modified_gmt":"1998-02-24T00:00:00","slug":"got-no-shadow","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/got-no-shadow\/","title":{"rendered":"Got No Shadow"},"content":{"rendered":"<p>Every so often, an album comes out that is so quirky and poppy<br \/>\nthat it instantly catches your ear and makes you want to hear more.<br \/>\nLiz Phair shocked us into that position a few years ago, Shawn<br \/>\nColvin warmed her way into our hearts last year with<br \/>\n<i>A Few Small Repairs<\/i>. Now, make way for Mary Lou Lord, whose<br \/>\ndebut<br \/>\n<i>Got No Shadow<\/i> takes the best parts of the two singers<br \/>\npreviously mentioned and works them into her own style.<\/p>\n<p>Presently best-known for performing in the Boston-area subways<br \/>\n(a situation which should soon change), Lord makes a powerful first<br \/>\nstatement with these 13 songs. Her songwriting abilities are well<br \/>\nabove average, and her voice is able to convey a whole gamut of<br \/>\nemotions without having to change volume.<\/p>\n<p>Of course, having a few friends in high places doesn&#8217;t hurt<br \/>\nthings; Colvin herself provides background vocals on &#8220;Subway,&#8221;<br \/>\nwhile Roger McGuinn &#8211; perhaps you&#8217;ve heard of him? &#8211; adds a little<br \/>\n12-string action in &#8220;Lights Are Changing,&#8221; a song which has &#8220;first<br \/>\nsingle&#8221; written all over it. And famed producer Tom Lord-Alge&#8217;s<br \/>\nmixing of &#8220;Some Jingle Jangle Morning&#8221; (to my ear, the best song on<br \/>\nthe disc) takes an already great track to new heights. If this one<br \/>\ndoesn&#8217;t have you turning your ear for a second listen, then I don&#8217;t<br \/>\nknow what will.<\/p>\n<p>But what really makes Lord stand out is her attention to detail<br \/>\nof the human condition &#8211; she uses the framework of a song like an<br \/>\nartist would use a new canvas. On &#8220;She Had You,&#8221; Lord takes a look<br \/>\nback at the area she grew up in&#8230; and broke out of: &#8220;I have<br \/>\nrespect now &#8211; I always knew I would \/ &#8216;Cause I had a passport &#8211; out<br \/>\nof the neighborhood.&#8221; On &#8220;Throng Of Blowtown,&#8221; she takes an<br \/>\noutsider&#8217;s look at a typical night in the life of the city she<br \/>\ncalls home, and touches on just a few of the million stories she<br \/>\nbears witness to. Even on &#8220;His Lamest Flame,&#8221; though Lord might be<br \/>\nsinging about herself and a lover she pines for, she makes it feel<br \/>\nlike that could be us she&#8217;s singing about.<\/p>\n<p>\n<i>Got No Shadow<\/i> has everything going for it, yet I still am<br \/>\ndisappointed that Lord is not credited with one guitar line on the<br \/>\nwhole album, despite posing for several pictures holding guitars.<br \/>\nIt&#8217;s not that performers like Elliott Smith or Nick Saloman are<br \/>\nbad, it&#8217;s just that for someone so touted as a performer, it would<br \/>\nhave been nice to hear even one cut with the raw, unrehearsed sound<br \/>\nof just Lord, her voice and guitar&#8230; and maybe a passing subway<br \/>\ntrain in the background.<\/p>\n<p>\n<i>Got No Shadow<\/i> is an album that proves the age of the<br \/>\nsinger\/songwriter is alive and well, and that Lord is poised to be<br \/>\nthe next big name on your radio dial, given the right breaks. Trust<br \/>\nme &#8211; she&#8217;s earned &#8217;em.<\/p>\n","protected":false},"author":2,"featured_media":27331,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[7264],"rating":[5613],"class_list":["post-38696","review","type-review","status-publish","has-post-thumbnail","artist-mary-lou-lord","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38696","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38696"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38696\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27331"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38696"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=38696"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38696"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38696"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}