{"id":38698,"date":"1999-02-25T00:00:00","date_gmt":"1999-02-25T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/day-14\/"},"modified":"1999-02-25T00:00:00","modified_gmt":"1999-02-25T00:00:00","slug":"day-14","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/day-14\/","title":{"rendered":"Day 14"},"content":{"rendered":"<p>There is something that&#8217;s often missing in the world of light<br \/>\npop &#8211; soul.<\/p>\n<p>I don&#8217;t mean to suggest that we need to hear Ray Charles or<br \/>\nAretha Franklin influences in pop. But a lot of what I hear on the<br \/>\nradio (and, in some cases, in what I review) sounds very sterile,<br \/>\nas if what I&#8217;m hearing was created in a lab, not in a recording<br \/>\nstudio.<\/p>\n<p>In the case of Ronna, her debut disc<br \/>\n<i>Day 14<\/i> suffers from this fate. To her credit, she does<br \/>\ndiscover some emotion and conveys it in some songs well, but by<br \/>\nthen it&#8217;s too late.<\/p>\n<p>When you have a disc produced by former Chicago bassist\/vocalist<br \/>\nPeter Cetera, one might expect the album to sound like his old<br \/>\ngroup. Fortunately, this is not the case; Ronna is allowed to<br \/>\ndevelop her own unique style and voice on this album. The problem<br \/>\nis, Ronna still is developing her style, so many of the<br \/>\nperformances on the first half of the disc sound tentative.<\/p>\n<p>Things start out well with &#8220;Heart Shaped World,&#8221; but Ronna soon<br \/>\nshows the weaknesses in her musical development. The very next<br \/>\ntrack, &#8220;Everything Comes To You,&#8221; is a major step down both<br \/>\nmusically (the rhythm seems very jagged) and lyrically (&#8220;Your<br \/>\ntwo-way mirror has got no doors&#8221;?) Other tracks, such as &#8220;13 Days<br \/>\nOf Daisy&#8221; and &#8220;Sweet Pretender&#8221;, almost seem like Ronna is trying<br \/>\nto turn each song&#8217;s verses into a novel &#8211; simplicity is sometimes<br \/>\nthe best path.<\/p>\n<p>There were one or two times where it seemed like Ronna was<br \/>\nhaving difficulties staying on-key &#8211; namely, the album&#8217;s closer<br \/>\n&#8220;Convince Me&#8221;, which admittedly has a weird chord progression from<br \/>\nthe bridge to the chorus.<\/p>\n<p>However, this isn&#8217;t to say that<br \/>\n<i>Day 14<\/i> is a bad album; it&#8217;s just that it often sounds like<br \/>\nRonna is not singing from the heart. Often, Ronna&#8217;s sound is<br \/>\nsimilar to that of Sheryl Crow, but Ronna&#8217;s voice just doesn&#8217;t seem<br \/>\nto emote the same way that Crow&#8217;s does.<\/p>\n<p>Finally, Ronna seems to wake up and kicks things into gear.<br \/>\nTracks like &#8220;Nowhereville&#8221; and &#8220;New York Rain&#8221; are among the best<br \/>\non<br \/>\n<i>Day 14<\/i>, and they highlight just how good her music can be<br \/>\nonce things start clicking. Too bad the energy level isn&#8217;t<br \/>\ncontinued on tracks like &#8220;Waiting For You&#8221; &#8211; though it picks up<br \/>\nagain on &#8220;One Fine Day&#8221;.<\/p>\n<p>Cutting an album is every musician&#8217;s dream, and Ronna is<br \/>\nobviously thrilled to be living out that dream on<br \/>\n<i>Day 14<\/i>. But while this album shows some promise, it also<br \/>\nshows that dreams need constant work &#8211; and she has her work cut out<br \/>\nfor her.<\/p>\n","protected":false},"author":2,"featured_media":27333,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7265],"rating":[5614],"class_list":["post-38698","review","type-review","status-publish","has-post-thumbnail","artist-ronna","rating-rating-c-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38698","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38698"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38698\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27333"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38698"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38698"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38698"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}