{"id":38700,"date":"1998-02-26T00:00:00","date_gmt":"1998-02-26T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/standing-hampton\/"},"modified":"1998-02-26T00:00:00","modified_gmt":"1998-02-26T00:00:00","slug":"standing-hampton","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/standing-hampton\/","title":{"rendered":"Standing Hampton"},"content":{"rendered":"<p>Sammy Hagar has always seemed like he was a man torn by his two<br \/>\npassions. On one hand, he can be a very powerful singer addressing<br \/>\nmore sensitive issues &#8211; well, issues you probably wouldn&#8217;t expect<br \/>\nto find in the world of hard rock. On the other hand, he seems to<br \/>\nwant to be a typical screamer who bangs his head faster than the<br \/>\nTasmanian Devil on crystal meth.<\/p>\n<p>The two worlds collided on his 1981 effort<br \/>\n<i>Standing Hampton<\/i>, which turned out to be a great half-album<br \/>\n&#8211; and it isn&#8217;t the duality which sinks it, it&#8217;s the<br \/>\nsongwriting.<\/p>\n<p>Hagar displays the more thoughtful side on the album&#8217;s opening<br \/>\ntrack, &#8220;I&#8217;ll Fall In Love Again,&#8221; a song which has enough muscle to<br \/>\nappeal to the rock fan, but the lyrics are incredibly powerful. I&#8217;m<br \/>\nwilling to bet that most people who listen to this song will be<br \/>\nable to relate to Hagar&#8217;s cleaning up a broken heart.<\/p>\n<p>When Hagar gets thoughtful, he creates some of his best music.<br \/>\n&#8220;Can&#8217;t Get Loose&#8221; is an example of trying to conquer that which<br \/>\nholds you down, backed with a building melody. It might take a<br \/>\nlisten or two to get into it, but it&#8217;s worth the effort.<\/p>\n<p>But Hagar can&#8217;t deny his own roots, and often wants to go<br \/>\nballs-out in his delivery. Songs like &#8220;There&#8217;s Only One Way To<br \/>\nRock&#8221; and &#8220;Heavy Metal&#8221; are examples of this, and despite titles<br \/>\nwhich smack of cliches, they are decent efforts. (However, there is<br \/>\none portion of &#8220;There&#8217;s Only One Way To Rock&#8221; where the chord used<br \/>\nin the vocals doesn&#8217;t sound like it meshes with the guitar chord.<br \/>\nOh, well.)<\/p>\n<p>The first half of<br \/>\n<i>Standing Hampton<\/i> is an incredible 21 minutes of rock and<br \/>\nroll to feed both your brain and your adrenaline. Unfortunately, it<br \/>\nseems like Hagar blew his load at the conclusion of the side; the<br \/>\nremaining four original songs just don&#8217;t hold up as well. &#8220;Sweet<br \/>\nHitchhiker&#8221; and &#8220;Baby, It&#8217;s You&#8221; just don&#8217;t hold their water that<br \/>\nwell when compared to the first half of the album.<\/p>\n<p>The big mistake here is &#8220;Piece Of My Heart,&#8221; a cover of the old<br \/>\nBig Brother And The Holding Company bong-fest theme. Hagar tries to<br \/>\nmake the song his own, and tries to inject a bit of heavy metal<br \/>\nseasoning into the track. Sorry, Sammy, but you&#8217;re tampering with a<br \/>\nlegend, and it just doesn&#8217;t fly. I constantly found myself waiting<br \/>\nfor Janis Joplin to start singing, especially in the chorus, and<br \/>\nthe guitar work just isn&#8217;t the same. It&#8217;s really hard to re-create<br \/>\na mood 15 years after it ended.<\/p>\n<p>So is<br \/>\n<i>Standing Hampton<\/i> a success or a failure? In one sense, it<br \/>\nreally doesn&#8217;t fail; it still is an entertaining way to spend the<br \/>\nbetter part of an hour, and I can think of worse albums you could<br \/>\nselect. If you&#8217;re a Hagar fan or enjoyed his stay with Van Halen,<br \/>\nthen you&#8217;ll get a kick out of this one for sure. But more often<br \/>\nthan not you start wondering about what this album could have been,<br \/>\nhad the songwriting remained solid throughout. Still, it&#8217;s not a<br \/>\nbad album &#8211; just approach it with a bit of caution.<\/p>\n","protected":false},"author":2,"featured_media":27335,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5845],"rating":[5612],"class_list":["post-38700","review","type-review","status-publish","has-post-thumbnail","artist-sammy-hagar","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38700","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38700"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38700\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27335"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38700"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38700"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38700"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}