{"id":38719,"date":"1999-02-05T00:00:00","date_gmt":"1999-02-05T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/7-deadly-zens\/"},"modified":"1999-02-05T00:00:00","modified_gmt":"1999-02-05T00:00:00","slug":"7-deadly-zens","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/7-deadly-zens\/","title":{"rendered":"7 Deadly Zens"},"content":{"rendered":"<p>Question: How does a member of Styx make a solo album that<br \/>\ndoesn&#8217;t sound like a Styx record?<\/p>\n<p>It&#8217;s a tough job, that&#8217;s for sure. Tommy Shaw has been down this<br \/>\nroad before, with<br \/>\n<i>What If<\/i> (Pop quiz: anyone remember what film the title track<br \/>\nwas used in?<br \/>\n<a href=\"mailto:christopher_thelen@yahoo.com\">E-mail<\/a> me with<br \/>\nthe answer.) and<br \/>\n<i>Girls With Guns<\/i> &#8211; two albums I admittedly don&#8217;t own. But on<br \/>\nhis latest disc,<br \/>\n<i>7 Deadly Zens<\/i>, Shaw is able to create his own unique voice<br \/>\nby almost purposely staying away from the same songwriting formula<br \/>\nhe&#8217;s used in previous bands.<\/p>\n<p>In a sense, it&#8217;s not fair to pigeonhole Shaw as just the<br \/>\nguitarist\/vocalist for Styx. He&#8217;s also played with Ted Nugent in<br \/>\nDamn Yankees, a band that definitely had its own unique voice. So,<br \/>\nit would have been easy for Shaw to fall back on old songwriting<br \/>\nhabits and write songs in the vein of both those bands.<\/p>\n<p>Ah, but he didn&#8217;t do that! Instead, he decided to somehow plow<br \/>\nnew ground and create a record in a style that some might not have<br \/>\nexpected from him. As a result, you can&#8217;t tell when guests like<br \/>\nNugent and fellow Damn Yankees member Jack Blades enter the mix, or<br \/>\nwhen Styx drummer Todd Sucherman takes over on the skins.<\/p>\n<p>Shaw hits the ground running with &#8220;Ocean,&#8221; a solid rocker<br \/>\n(featuring, on guest vocals, Ed Roland of Collective Soul) that is<br \/>\njust a fun song to listen to. From then on, Shaw keeps listeners on<br \/>\ntheir toes by changing styles often, but not making radical enough<br \/>\nchanges to make people sit up and wonder what is going on.<\/p>\n<p>From the light rock styles of &#8220;Stop Knockin'&#8221; (with an<br \/>\ninteresting harmony vocal that sounds like it&#8217;s being pumped<br \/>\nthrough a distortion pedal) and &#8220;What Do You Want From This Life&#8221;<br \/>\nto the shuffle of &#8220;All In How You Want To Say It&#8221; to the<br \/>\nmostly-acoustic duet with Allison Krause &#8220;Half A Mind&#8221;, Shaw<br \/>\npleasantly surprises the listener as<br \/>\n<i>7 Deadly Zens<\/i> unfolds.<\/p>\n<p>But with all the strengths that are on this disc, there is one<br \/>\nmajor stumbling point. On a few occasions, Shaw decides to fall<br \/>\ninto the trap of making rather bizarre interludes. Big mistake &#8211;<br \/>\nmoments like &#8220;Mona Lisa&#8221; and &#8220;Need Water&#8221; end up distracting from<br \/>\nall the ground Shaw gains with &#8220;Inspiration&#8221; and &#8220;Who I Am&#8221;,<br \/>\nrespectively. And the untitled 13th track, which seems to be a<br \/>\nrendition of the album title&#8217;s subject matter, is a complete waste<br \/>\nof time.<\/p>\n<p>Also, while I didn&#8217;t spend a lot of time on the multimedia part<br \/>\nof this enhanced CD, I wasn&#8217;t very impressed with what it had to<br \/>\noffer. Still, to each their own.<\/p>\n<p>Still, the music on<br \/>\n<i>7 Deadly Zens<\/i> is very good &#8211; even surprisingly good if you<br \/>\nenter into this disc expecting to hear watered-down Styx. Fact is,<br \/>\nthis is a vice that you won&#8217;t mind indulging in &#8211; though Shaw<br \/>\nshould have watched out for &#8220;the eighth Zen&#8221;with the interludes:<br \/>\noverindulgence.<\/p>\n","protected":false},"author":2,"featured_media":27354,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7276],"rating":[5615],"class_list":["post-38719","review","type-review","status-publish","has-post-thumbnail","artist-tommy-shaw","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38719","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38719"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38719\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27354"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38719"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38719"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38719"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}