{"id":38721,"date":"1998-02-06T00:00:00","date_gmt":"1998-02-06T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/vh1-crossroads\/"},"modified":"1998-02-06T00:00:00","modified_gmt":"1998-02-06T00:00:00","slug":"vh1-crossroads","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/vh1-crossroads\/","title":{"rendered":"VH1 Crossroads"},"content":{"rendered":"<p>For some, VH1 is somehow a recollection of what MTV used to be,<br \/>\nwith 24-hour rock\/pop videos varying in decade as well as artist.<br \/>\nFor others it&#8217;s a non-stop crapfest which shows the absolute worst<br \/>\ntendencies of top-40 production artists. Like it or not, there are<br \/>\nsome really good songs on this 1st album from the network, the 1995<br \/>\nrelease,<br \/>\n<i>VH1 Crossroads<\/i>.<\/p>\n<p>&#8220;Crossroads&#8221; started airing on VH1 in 1993, partially as the<br \/>\nnetworks answer to &#8220;Unplugged, &#8221; when they really didn&#8217;t need to<br \/>\nanswer. Since both networks are owned by Time-Warner, they aren&#8217;t<br \/>\nreally in direct competition. This sampler, much like<br \/>\n<i>The Unplugged Collection<\/i>, is a good overview of songs taken<br \/>\nfrom this series. (I don&#8217;t want to call them highlights.)<\/p>\n<p>It is also a pretty good map of top-40 pop from 1995 through<br \/>\n1997. The album opener, &#8220;Run-Around&#8221;, from Blues Traveler, is an<br \/>\nexample of a very well written song, which got bad after about the<br \/>\nthousandth time you heard it. The same could be said for Chris<br \/>\nIsaak&#8217;s &#8220;Somebody&#8217;s Crying,&#8221; Del Amitri&#8217;s &#8220;Roll to Me,&#8221; and Deep<br \/>\nBlue Something&#8217;s &#8220;Breakfast at Tiffany&#8217;s.&#8221; Each of these four songs<br \/>\nsuffers a similar curse. They would be great as album tracks, if<br \/>\nthe album was strong, but get somewhat tiresome when played every<br \/>\nfifteen minutes by some incompetent program director that doesn&#8217;t<br \/>\nlike any music other than the sound that the cash register makes as<br \/>\nit opens, overflowing with cash, as he drives his Jaguar home,<br \/>\nlooking very silly in it, and waiting to become station manager.<br \/>\nMeanwhile, he punishes us by playing &#8220;Who Will Save Your Soul&#8221;, ad<br \/>\nnauseum, while laughing in his corner office, waiting to se what<br \/>\nwe&#8217;ll swallow next! Sorry, I got carried away. Back to the<br \/>\nreview<\/p>\n<p>But speaking of Jewel, her &#8220;Foolish Games&#8221; is one of the<br \/>\nstronger tracks here. Other good songs include Edwin McCain&#8217;s<br \/>\n&#8220;Solitude,&#8221; and Gin Blossoms&#8217; &#8220;&#8216;Til I Hear it From You.&#8221; These are<br \/>\nsongs you are undoubtedly familiar with, and which are enhanced by<br \/>\na live format.<\/p>\n<p>The best track here is Tori Amos&#8217;s cover of the Springsteen<br \/>\nclassic, &#8220;I&#8217;m on Fire,&#8221; which, (dare I say it), just may be better<br \/>\nthan the version from<br \/>\n<i>Born In The USA<\/i>. Maybe it was a misstep to put it here,<br \/>\nbecause it reminds everyone involved of what a quality pop song<br \/>\nshould sound like. I need a fix, Bruce, please make the new album<br \/>\nsoon. Also, I find Goo Goo Dolls&#8217; &#8220;Name&#8221; to be one of the best<br \/>\nsingles in recent memory. It&#8217;s one of those teen-angst love songs<br \/>\nthat make you want to cry every time you hear it. That&#8217;s not a<br \/>\nproblem here, because with the concert version of then song, unless<br \/>\nyou are already familiar with it, you will not understand a word<br \/>\nuttered.<\/p>\n<p>The problem with much of the album is in the lack of flow. There<br \/>\nare some very popular songs here, and a few of them are even good.<br \/>\nIt&#8217;s just hard to listen to them in one sitting without wondering<br \/>\nwhy you aren&#8217;t listening to the radio. If you like a lot of the<br \/>\nsongs listed above, but didn&#8217;t want to buy the albums, here&#8217;s your<br \/>\nchance. If you are looking for another unplugged collection of<br \/>\ntunes, then look elsewhere. (The new Bryan Adams one is a<br \/>\nkiller.)<\/p>\n","protected":false},"author":14,"featured_media":27356,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5827],"rating":[5612],"class_list":["post-38721","review","type-review","status-publish","has-post-thumbnail","artist-various-artists","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38721","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38721"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38721\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27356"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38721"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38721"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38721"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}