{"id":38722,"date":"1999-02-06T00:00:00","date_gmt":"1999-02-06T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/dirty-work\/"},"modified":"1999-02-06T00:00:00","modified_gmt":"1999-02-06T00:00:00","slug":"dirty-work","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/dirty-work\/","title":{"rendered":"Dirty Work"},"content":{"rendered":"<p>Back in the mid-&#8217;80s, there were some people who honestly<br \/>\nbelieved that the Rolling Stones were past their prime and years<br \/>\npast when they should have retired.<\/p>\n<p>Of course, this was long before works of excellence like<br \/>\n<i>Bridges To Babylon<\/i>, which prove that Mick Jagger and crew<br \/>\ncan still kick it with the best. But digging back a bit in the<br \/>\nPierce Memorial Archives (long-time readers understand the name),<br \/>\none could understand why the critics were having a field day with<br \/>\nthe Stones.<\/p>\n<p>Two words:<br \/>\n<i>Dirty Work<\/i>. And while it has one or two semi-decent moments<br \/>\nto it, it often turns brutal.<\/p>\n<p>Just from the lead-off single &#8220;Harlem Shuffle,&#8221; you could tell<br \/>\nthat this album was in serious trouble. Granted, it was a change in<br \/>\ndirection from the all-out rock and roll that the Stones had tried<br \/>\nto do on albums like<br \/>\n<i>Undercover<\/i> and<br \/>\n<i>Emotional Rescue<\/i>, but it just wasn&#8217;t the greatest direction<br \/>\nthat the band could have moved in. Jagger, Keith Richards, Bill<br \/>\nWyman, Ron Wood and Charlie Watts sound downright uncomfortable on<br \/>\nthis track. (Though it&#8217;s been years since I saw the video, the<br \/>\n<i>Fritz The Cat<\/i>-like cartoons that went with the video didn&#8217;t<br \/>\nhelp matters much.)<\/p>\n<p>The other single, &#8220;One Hit (To The Body)&#8221;, holds the most<br \/>\npromise on the whole album, but even this is tainted by the overall<br \/>\nsound and feel of the album. A rocker in all senses of the term,<br \/>\nJagger gets a chance to sway like a rooster on this one, but it<br \/>\nhardly serves as a showcase for the rest of his bandmates.<\/p>\n<p>Even the two songs that Richards sings on<br \/>\n<i>Dirty Work<\/i>, &#8220;Too Rude&#8221; and &#8220;Sleep Tonight&#8221;, fall flat. The<br \/>\nformer is a poor attempt at reggae-flavored rock; the latter drags<br \/>\non far too long.<\/p>\n<p>Of course, one would think that the Rolling Stones couldn&#8217;t go<br \/>\nwrong on straight-out rock, right? Wrong. Cuts like &#8220;Fight,&#8221; &#8220;Had<br \/>\nIt With You&#8221; and the title track not only sound like they could<br \/>\nhave been outtakes from the Tattoo You sessions, but they hardly<br \/>\nqualify as the Stones&#8217;s best songwriting efforts. The sound on &#8220;Had<br \/>\nIt With You&#8221; is atrocious; I can&#8217;t make out one note that Wyman<br \/>\nplays. (Part of the blame here goes on co-producer Steve<br \/>\nLillywhite.)<\/p>\n<p>After experiencing an album like<br \/>\n<i>Dirty Work<\/i>, it&#8217;s easy to understand why one would think that<br \/>\nthe Stones were through. Even the moments of brilliance on<br \/>\n<i>Steel Wheels<\/i> three years later wouldn&#8217;t totally erase the<br \/>\ndoubts that some people had. The sad fact is,<br \/>\n<i>Dirty Work<\/i> is the one job that should have been left<br \/>\nunfinished.<\/p>\n<p>Oh, well, there is at least one bright spot &#8211; the band didn&#8217;t<br \/>\nrelease a live album of the shows supporting this disaster.<\/p>\n","protected":false},"author":2,"featured_media":27357,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5665],"rating":[5616],"class_list":["post-38722","review","type-review","status-publish","has-post-thumbnail","artist-the-rolling-stones","rating-rating-d"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38722","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38722"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38722\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27357"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38722"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38722"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38722"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}