{"id":38727,"date":"1999-02-09T00:00:00","date_gmt":"1999-02-09T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/aquemini\/"},"modified":"1999-02-09T00:00:00","modified_gmt":"1999-02-09T00:00:00","slug":"aquemini","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/aquemini\/","title":{"rendered":"Aquemini"},"content":{"rendered":"<p>Ok, Atlanta chumped big time at the Super Bowl. Starting with<br \/>\nEugene Robinson&#8217;s debacle with an undercover police officer and<br \/>\nending by the beginning of the second half of one of the most<br \/>\nboring games in recent memory, Atlanta may need some cheering up.<br \/>\nAnd it won&#8217;t come way by reading Tom Wolfe&#8217;s latest book, &#8220;A Man In<br \/>\nFull&#8221;, which depicts Atlanta in a semi-negative light, but no more<br \/>\nnegative than any big city.<\/p>\n<p>No, if you want a quick pick-me up in regards to what Atlanta<br \/>\nhas to offer, look no further than<br \/>\n<i>Aquemini<\/i>, the latest album by Outkast. The third album by<br \/>\nAtlanta rappers Big Boi and Andre Benjamin is as inventive and<br \/>\nout-there as their last album,<br \/>\n<i>Aliens<\/i>.<\/p>\n<p>The &#8220;which coast is better debate&#8221; is now ran its course for<br \/>\nrap. And it looks like the south rose in 1998 with the rise of<br \/>\nMaster P&#8217;s army at No Limit Records. However, the Outkast shine in<br \/>\ntheir region far brighter than anyone in the No Limit arsenal<br \/>\n(sorry, Snoop Dogg) for refusing to obey any set format. From the<br \/>\nreliable old-school funk of the 70s funk bands to obscure as hell<br \/>\nmusical additions for rap (harmonica),<br \/>\n<i>Aquemini<\/i> is full of diversity and more important, mad<br \/>\nflow.<\/p>\n<p>Yes, mad flow.<br \/>\n<i>Aquemini<\/i> is so good in some areas, it makes a total white<br \/>\nbread boy like myself use &#8220;mad flow&#8221; for the first time in any of<br \/>\nmy reviews. Highlights include the breathless word flow of songs<br \/>\nlike &#8220;Rosa Parks,&#8221; &#8220;The Art Of Storytellin&#8217; (Pts 1 and 2) and &#8220;Skew<br \/>\nIt On The Bar-B.&#8221; The entire album is so funky, I had trouble<br \/>\npicking out when the great George Clinton dropped in for a cameo<br \/>\nappearance (&#8220;Synthesizer&#8221;).<\/p>\n<p>But for all the fresh outlets that<br \/>\n<i>Aquemini<\/i> offers, it does resort to the typical &#8220;playa&#8221;<br \/>\nfantasy of many male-oriented rap albums released in the &#8217;90s.<br \/>\nMakin&#8217; dough, gettin&#8217; the honeys and keepin&#8217; your game in check are<br \/>\nall themes covered extensively in<br \/>\n<i>Aquemini<\/i>.<\/p>\n<p>But Outkast is not souly concerned with &#8220;makin&#8217; it.&#8221; They want<br \/>\nto enlighten your ignorant ass as well with different, mad beats,<br \/>\nas they say in one of their interludes. Unfortunately, my car<br \/>\nstereo is no more, so I only got a chance to listen to this album<br \/>\nabout three or four times. Which is all right,<br \/>\n<i>Aquemini<\/i> is well worth the price of a CD, and I&#8217;ll probably<br \/>\nshell out my $15 as soon as my state refund comes in. Until then,<br \/>\nI&#8217;ll have to deal with the hooks of &#8220;Chonkyfire&#8221; and the chorus of<br \/>\n&#8220;old school playas in new school fools\/Say I be Got damn it the<br \/>\ndone change the rules&#8221; going through my head. Beleive it, the album<br \/>\nis addictive, even for non-rap fans.<\/p>\n","protected":false},"author":7,"featured_media":27362,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6468],"rating":[5617],"class_list":["post-38727","review","type-review","status-publish","has-post-thumbnail","artist-outkast","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38727","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38727"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38727\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27362"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38727"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38727"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38727"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}