{"id":38753,"date":"1998-03-01T00:00:00","date_gmt":"1998-03-01T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/fresh-cream\/"},"modified":"1998-03-01T00:00:00","modified_gmt":"1998-03-01T00:00:00","slug":"fresh-cream","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/fresh-cream\/","title":{"rendered":"Fresh Cream"},"content":{"rendered":"<p>Back in 1967, the formation of Cream was big news. Three of<br \/>\nBritain&#8217;s best-known musicians, including two former members of<br \/>\nJohn Mayall&#8217;s Bluesbreakers, had assembled to form what was<br \/>\nconsidered the ultimate power trio. Guitarist Eric Clapton, bassist<br \/>\nJack Bruce and drummer Ginger Baker were one of the top stories in<br \/>\nthe world of rock.<\/p>\n<p>Now, 31 years later, their debut<br \/>\n<i>Fresh Cream<\/i> sounds incredibly dated, and I find myself<br \/>\nwondering as I listen to it in the halls of the Pierce Archives<br \/>\nwhat the big deal was really about. What was supposed to be a<br \/>\nshowpiece for all three musicians is more of a half-baked<br \/>\nmish-mash.<\/p>\n<p>For a group that was so rooted in the blues, thre isn&#8217;t that<br \/>\nmuch of it here. But two of the blues numbers, Robert Johnson&#8217;s<br \/>\n&#8220;Four Until Late&#8221; and Muddy Waters&#8217;s &#8220;Rollin&#8217; And Tumblin'&#8221; are the<br \/>\nstandout pieces on this album. The other number, &#8220;Sleepy Time<br \/>\nTime,&#8221; pales in comparison. But I wonder what would have happened<br \/>\nhad Cream made this album more blues-oriented rather than drifting<br \/>\ntowards some of the psychedelia that they performed elsewhere.<\/p>\n<p>And even a few of the more rock-oriented numbers aren&#8217;t<br \/>\nhalf-bad, like Bruce&#8217;s &#8220;N.S.U.&#8221; The cover of &#8220;Cat&#8217;s Squirrel,&#8221; a<br \/>\nsong which apparently all British bands in the &#8217;60s had to cover,<br \/>\nhas some interesting moments on it as well, though I admit I prefer<br \/>\nJethro Tull&#8217;s version.<\/p>\n<p>But for the most part, these numbers fall a bit flat &#8211; this was<br \/>\nstill a band looking for its direction and voice. Clapton still did<br \/>\nnot have the confidence in his singing that he needed (and would<br \/>\neventually gain, as heard on songs like &#8220;Badge&#8221; off<br \/>\n<i>Goodbye<\/i>). One other problem is there seemed to be<br \/>\nuncertainty in the musicianship as well. One critic, whose name<br \/>\nescapes me, claimed that Cream was nothing more than a showpiece<br \/>\nfor three virtuoso musicians. There was no band, just three lead<br \/>\ninstruments. In the case of the music on<br \/>\n<i>Fresh Cream<\/i>, even the leads were weak. Baker&#8217;s drum solo<br \/>\npiece &#8220;Toad&#8221;, well&#8230; let&#8217;s just say the princesses looking for a<br \/>\nprince should move to the next lily pad.<\/p>\n<p>Even some of the song selection is questionable. I admit I&#8217;ve<br \/>\nnever been a fan of Skip James&#8217;s &#8220;I&#8217;m So Glad,&#8221; but one wonders why<br \/>\nCream chose a song so damned simplistic in structure and lyrical<br \/>\ncontent. C&#8217;mon, these guys were better than the material they chose<br \/>\n&#8211; even originals like Bruce&#8217;s &#8220;Dreaming&#8221; suck.<\/p>\n<p>Blasphemy! &#8211; I can hear the call going out now. No, just truth.<br \/>\n<i>Fresh Cream<\/i> might have been innovative and exciting in 1967,<br \/>\nbut in 1998, it&#8217;s sour and curdled. These three proved at many<br \/>\nother times in their career together just how talented they really<br \/>\nwere; this debut album just isn&#8217;t the right vehicle for them.<\/p>\n","protected":false},"author":2,"featured_media":27388,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5995],"rating":[11204],"class_list":["post-38753","review","type-review","status-publish","has-post-thumbnail","artist-cream","rating-rating-c-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38753","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38753"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38753\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27388"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38753"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=38753"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38753"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38753"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}