{"id":38754,"date":"1999-03-01T00:00:00","date_gmt":"1999-03-01T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/migraine\/"},"modified":"1999-03-01T00:00:00","modified_gmt":"1999-03-01T00:00:00","slug":"migraine","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/migraine\/","title":{"rendered":"Migraine"},"content":{"rendered":"<p>Sometimes, it takes me a while to click with an album. There are<br \/>\ntimes in this job where I listen to something and develop certain<br \/>\nfeelings about it, but I feel that I&#8217;m missing something. This was<br \/>\nthe case with<br \/>\n<i>Migraine<\/i>, the latest release from Sacrifice Isaac, which<br \/>\nI&#8217;ve had on the shelves of the Pierce Memorial Archives now for<br \/>\nabout four months.<\/p>\n<p>About four weeks ago, I was all set to review this disc, but I<br \/>\ncouldn&#8217;t help but feeling that I was missing something important,<br \/>\ndespite several listens. So, I did the only logical thing: I walked<br \/>\naway from the disc &#8211; and damn near forgot about it until<br \/>\nrecently.<\/p>\n<p>So what did the time away from it reveal about this album?<br \/>\nSimple: Sacrifice Isaac is a band whom you&#8217;re going to have to put<br \/>\nsome extra attention into. While<br \/>\n<i>Migraine<\/i> is a very good record that merges the best of<br \/>\ngroups like Tool and Stabbing Westward, if you&#8217;re not listening<br \/>\nclosely to the disc, you&#8217;ll miss some solid efforts.<\/p>\n<p>The band &#8211; vocalist W.C. Mitchell, drummer Mark Coffin,<br \/>\nguitarist\/vocalist Paul Mitchell and bassist Gene Abramov &#8211; take<br \/>\nthe musical complexity and intensity of Tool and combine it with a<br \/>\ntouch of pop sensibility (the kind I&#8217;ve heard in groups like Local<br \/>\nH and Stabbing Westward). What comes out is a unique, exciting<br \/>\nsound that is original and fresh.<\/p>\n<p>From the opening notes of &#8220;1000 Years Worth&#8221;, you know this is<br \/>\ngoing to be a fun listen. Tracks like &#8220;Figure It Out,&#8221; &#8220;Re-Count&#8221;<br \/>\nand &#8220;Nobody But Me&#8221; all flash between pure musical intensity and &#8211;<br \/>\ndare I say it? &#8211; a gentler side. (Don&#8217;t worry, diehard alternative<br \/>\nrockers, I&#8217;m not talking ballad city here.) Mitchell knows when to<br \/>\nlet loose on the pipes and when to make the vocals more subdued;<br \/>\nnot many in this genre know how to do that.<\/p>\n<p>So why do I say that this disc needs extra concentration?<br \/>\nSimple: Some tracks like &#8220;Dollface,&#8221; &#8220;One Good Stick&#8221; and<br \/>\n&#8220;Bludgeoned&#8221; tend to blur together, making it hard to tell just<br \/>\nwhich track you may have liked or disliked. Even after about ten<br \/>\nlistens to this disc, I still had to keep an eye on the track<br \/>\nlisting and the CD player&#8217;s display just to make sure I knew which<br \/>\ntrack to match up the nuances with. (It&#8217;s not that these tracks are<br \/>\nbad by any means; but they are similar in style and tone, making it<br \/>\nhard to sometimes tell them apart.)<\/p>\n<p>If I had to level one criticism, it would be my usual pet peeve:<br \/>\nhidden tracks. This time around, Sacrifice Isaac wastes about six<br \/>\nminutes after &#8220;Hillbilly&#8221; (probably the only track on the disc I<br \/>\ndidn&#8217;t enjoy) in order to put on the uncredited song &#8211; which also<br \/>\nisn&#8217;t among the best on the disc. (Okay, I&#8217;m beggin&#8217; here: If<br \/>\nyou&#8217;re going to put bonus tracks on, fine&#8230; just don&#8217;t fill up the<br \/>\ndisc with all this friggin&#8217; dead air! I&#8217;m a busy man&#8230;)<\/p>\n<p>\n<i>Migraine<\/i> is an album that takes the best features of its<br \/>\nmusical genre and wraps them all into one disc. Sacrifice Isaac<br \/>\nmight not be major names in the world of alternative rock, but if<br \/>\nenough people get turned on to this disc, that all could change<br \/>\nsoon.<\/p>\n","protected":false},"author":2,"featured_media":27389,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7291],"rating":[5617],"class_list":["post-38754","review","type-review","status-publish","has-post-thumbnail","artist-sacrifice-isaac","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38754","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38754"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38754\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27389"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38754"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38754"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38754"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}