{"id":38758,"date":"1999-03-20T00:00:00","date_gmt":"1999-03-20T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-nu-nation-project\/"},"modified":"1999-03-20T00:00:00","modified_gmt":"1999-03-20T00:00:00","slug":"the-nu-nation-project","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-nu-nation-project\/","title":{"rendered":"The Nu Nation Project"},"content":{"rendered":"<p>I am not a fan of gospel music in general. Something about the<br \/>\nchoirs just doesn&#8217;t resonate with me usually.<\/p>\n<p>However, I do appreciate much of contemporary R&#038;B music.<br \/>\nKirk Franklin, to his credit, has consistently been about the task<br \/>\nof building a bridge between the gospel and contemporary Christian<br \/>\nmarkets as well as the secular R&#038;B and rap markets. His latest<br \/>\nalbum,<br \/>\n<i>The Nu Nation Project<\/i>, may well be the one that completes<br \/>\nthose bridges.<\/p>\n<p>This album is a winner in every sense of the word, specifically<br \/>\njudged the best contemporary soul gospel album recently by the<br \/>\nGrammy Awards.<\/p>\n<p>Over the years Franklin has been accused by some of &#8220;selling<br \/>\nout&#8221; traditional gospel music by grafting on to it elements of<br \/>\nR&#038;B, rap, and rock and roll. He&#8217;s been criticized for<br \/>\nrelationships he&#8217;s cultivated with secular music artists who have<br \/>\nbeen accused of having less than clean reputations.<\/p>\n<p>This is all hoo-ha, in my opinion. But, it&#8217;s &#8220;hoo-ha&#8221; that<br \/>\nFranklin has attacked head on in this disc by crafting two<br \/>\ninterludes that show how ridiculous those accusations are and by<br \/>\ninviting luminaries from nearly all genre&#8217;s of music to<br \/>\nparticipate.<\/p>\n<p>R. Kelly and Mary J. Blige appear from R&#038;B. U2&#8217;s frontman,<br \/>\nBono, shows up from rock and roll. Contemporary Christian music&#8217;s<br \/>\nCrystal Lewis lends her pipes and gospel&#8217;s reigning king, Fred<br \/>\nHammond, puts in a stunning appearance.<\/p>\n<p>Kelly, Blige, Bono and Lewis all appear on the ballad &#8220;Lean On<br \/>\nMe&#8221;, which was spotlighted on the recent Grammy telecast. This is<br \/>\nnot a remake of the Bill Withers tune of the same name. This song,<br \/>\nwith the four principals trading lead vocal chores back and forth,<br \/>\nis a call for believers to reach out to those who are suffering in<br \/>\nan effort to lead them to the One who can give them what they<br \/>\nreally need, Jesus Christ.<\/p>\n<p>Incidentally, Crystal Lewis and her record company Metro One,<br \/>\nwith Franklin&#8217;s blessing and encouragement, recorded a solo version<br \/>\nof this song that &#8212; unbelievably &#8212; outperforms the album version.<br \/>\nLewis&#8217; vocals are superb &#8211; among the best things she&#8217;s ever done.<br \/>\nIronically, the solo version was recorded to give the song more<br \/>\nexposure on contemporary Christian radio stations because it was<br \/>\nfeared program directors wouldn&#8217;t play a song that features Kelly,<br \/>\nBlige and Bono &#8211; all performers who&#8217;ve claimed to be Christian but<br \/>\ndon&#8217;t perform within the accepted realm of CCM music and who&#8217;s<br \/>\nlives sometimes have presented a questionable Christian image.<\/p>\n<p>Lewis&#8217; version of the song is only available on repackaged<br \/>\nversions of her<br \/>\n<i>Gold<\/i> project. Be sure to check the song listing to be<br \/>\ncertain you have the right version.<\/p>\n<p>Throughout, Franklin is ably backed as usual by his choirs, The<br \/>\nFamily, Nu Nation and God&#8217;s Property. On &#8220;Revolution&#8221; (not the<br \/>\nBeatles&#8217; song) Franklin and Rodney Jerkins slam it home to men who<br \/>\nare letting violence and lust rule their lives:<\/p>\n<p>&#8220;Sick and tired of my brothas\/Killing each other\/Sick and tired<br \/>\nof daddies leaving\/Babies with their mothers\/To every man who wants<br \/>\nto lay around and play around\/Listen potnah you should be man<br \/>\nenough to stay around&#8221;<\/p>\n<p>Franklin and Jerkins pull no punches in this song, telling these<br \/>\nmen that if they really want a revolution they need to turn their<br \/>\nlives over to Jesus.<\/p>\n<p>Just when you&#8217;ve settled into Franklin&#8217;s comfortable R&#038;B<br \/>\ngroove, along comes the song &#8220;Smile Again&#8221; which opens with<br \/>\nscreaming rock guitars. One of Franklin&#8217;s strengths as the leader<br \/>\nof the choir is picking just the right voices to sing his songs. On<br \/>\nthis song James Henderson and Donnie McClurkin share the vocal<br \/>\nchores, with Henderson starting things off rough and McClurkin<br \/>\ncoming along and smoothing things out.<\/p>\n<p>&#8220;My brother don&#8217;t you worry\/Storms don&#8217;t last always\/there&#8217;s a<br \/>\nman from glory\/Full of mercy and grace\/Keep your head up\/Smile<br \/>\nagain&#8221;<\/p>\n<p>Franklin, who wrote or co-wrote all of the songs, is not a<br \/>\npreacher. He&#8217;s an exhorter. His songs calls his listeners to their<br \/>\nbest. He provides his best and he wants the listeners to do the<br \/>\nsame. In the song &#8220;Hold Me Now&#8221;, he shares about his own<br \/>\nexperiences with being depressed and enduring suffering:<\/p>\n<p>&#8220;To every broken person that may hear this song\/To every boy or<br \/>\ngirl who feels their smile is gone\/I know exactly how it feels to<br \/>\nlay in bed at night\/And cry\/And cry\/Don&#8217;t you worry God is faithful<br \/>\nand He cares.&#8221;<\/p>\n<p>This is not a gospel album and yet it is a gospel album. This is<br \/>\nnot a contemporary Christian album, but it surely is. This is not a<br \/>\nrock and roll album, but it certainly has elements of rock blended<br \/>\nin.<\/p>\n<p>Franklin has created an album that everyone can enjoy and be<br \/>\nstretched &#8211; at least musically &#8211; by.<\/p>\n","protected":false},"author":20,"featured_media":27393,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7294],"rating":[5646],"class_list":["post-38758","review","type-review","status-publish","has-post-thumbnail","artist-kirk-franklin","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38758","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/20"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38758"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38758\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27393"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38758"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38758"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38758"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}