{"id":38762,"date":"1998-03-22T00:00:00","date_gmt":"1998-03-22T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/live-from-hell\/"},"modified":"1998-03-22T00:00:00","modified_gmt":"1998-03-22T00:00:00","slug":"live-from-hell","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/live-from-hell\/","title":{"rendered":"Live From Hell"},"content":{"rendered":"<p>Love him or hate him, the comedy world has yet to recover from<br \/>\nthe death of Sam Kinison.<\/p>\n<p>When Kinison was killed in a car crash in 1992, the scene lost<br \/>\none of its most vocal satirists. His abrasive, caustic style often<br \/>\ncalled our attention to subjects other comics didn&#8217;t want to tread<br \/>\non. (Ironically, Kinison ripped world hunger organizations on his<br \/>\ndebut album<br \/>\n<i>Louder Than Hell<\/i>; over the past two weeks, the<br \/>\n<i>Chicago Tribune<\/i> has run investigative reports on these<br \/>\nagencies. Too bad Kinison scooped them by a decade.)<\/p>\n<p>After his death,<br \/>\n<i>Live From Hell<\/i> was more than a scream beyond the grave &#8211; it<br \/>\nwas a fitting memorial to the comedian. And it&#8217;s an album I<br \/>\nconstantly find myself drawn back to, even though I&#8217;ve listened to<br \/>\nit over 50 times over the last five years.<\/p>\n<p>Recorded in Houston, Kinison is captured in non-stop rare form.<br \/>\nIf there were any golden calves left that Kinison hadn&#8217;t defrocked,<br \/>\nhe found them on this album. No one &#8211; from Captain Kangaroo to<br \/>\nJeffrey Dahmer &#8211; was safe from his often biting, often<br \/>\nobscenity-laden tirade. (Obviously, this one ain&#8217;t for the kids &#8211;<br \/>\nthough the adults should find this incredibly funny.)<\/p>\n<p>But there is a message behine the shock. Fresh off the incident<br \/>\nwhere Paul &#8220;Pee-Wee Herman&#8221; Reubens was arrested in an adult<br \/>\ntheater, Kinison calls for &#8220;Pee-Wee Herman&#8221; to be executed: &#8220;Make<br \/>\nan example of him to other people involved in children&#8217;s<br \/>\nprogramming.&#8221; And in one sense, you find yourself agreeing with the<br \/>\nhidden message that those who do children&#8217;s television should be<br \/>\nmore careful what they involve themselves in.<\/p>\n<p>Offended? Lighten up, gang &#8211; it&#8217;s a joke. Kinison no doubt was<br \/>\nkidding when he called for executing the homeless in America, but<br \/>\nhe did bring to light a more serious question: How can we allow<br \/>\npeople to be homeless in a country like America, the land of<br \/>\nopportuinity? When you&#8217;re not laughing, Kinison has you<br \/>\nthinking.<\/p>\n<p>Some of the comedy misses the mark &#8211; such as an alleged liaison<br \/>\nwith Penny Marshall and some of the barbs against the gay community<br \/>\n(though it is a little tamer than earlier routines). But Kinison<br \/>\nmanages to pull off a strong 50-minute routine with only a few<br \/>\nfluctuations &#8211; probably better than some of his detractors thought<br \/>\nhe would be able to do.<\/p>\n<p>If you&#8217;re looking for the traditional shouts that Kinison<br \/>\npeppered his act with, they&#8217;re not as sharp as they used to be &#8211;<br \/>\npossibly the only concession Kinison was making to age.<\/p>\n<p>\n<i>Live From Hell<\/i>&#8216;s most poignant moment comes at the end of<br \/>\nthe album, after Kinison has left the stage&#8230; a fan yells<br \/>\nout,&#8221;Sam! Where are you?&#8221; How true, indeed&#8230;<\/p>\n<p>Kinison&#8217;s style of comedy was definitely not for everyone, but<br \/>\nif you can get past the shock value of the material and enjoy it<br \/>\nfor what it is &#8211; biting, hilarious social commentary &#8211; then<br \/>\n<i>Live From Hell<\/i> is an album worth searching out. (For that<br \/>\nmatter, long-time fans of Kinison may wish to visit the<br \/>\n<a href=\"http:\/\/www.kinison.com\">official home page<\/a> and sign a<br \/>\npetition asking Warner Brothers to finally release<br \/>\n<i>Louder Than Hell<\/i> on compact disc.)<\/p>\n<p class=\"c4\">\u00a0<\/p>\n","protected":false},"author":2,"featured_media":27397,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6417],"rating":[5613],"class_list":["post-38762","review","type-review","status-publish","has-post-thumbnail","artist-sam-kinison","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38762","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38762"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38762\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27397"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38762"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38762"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38762"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}