{"id":38782,"date":"1999-03-28T00:00:00","date_gmt":"1999-03-28T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/son-of-altered-beast\/"},"modified":"1999-03-28T00:00:00","modified_gmt":"1999-03-28T00:00:00","slug":"son-of-altered-beast","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/son-of-altered-beast\/","title":{"rendered":"Son Of Altered Beast"},"content":{"rendered":"<p>If Matthew Sweet wasn&#8217;t recognized as an artist with his first<br \/>\ntwo solo albums, then his works like<br \/>\n<i>Girlfriend<\/i> and<br \/>\n<i>Altered Beast<\/i> set the record straight for a lot of people.<br \/>\nTracks like &#8220;Girlfriend,&#8221; &#8220;Time Capsule&#8221; and &#8220;Devil With The Green<br \/>\nEyes&#8221; got significant alternative radio attention &#8211; though,<br \/>\nstrangely, his first two albums have still been ignored. (I&#8217;ll<br \/>\nfreely admit I have yet to buy them &#8211; hey,<br \/>\n<b><br \/>\n<i>you<\/i><br \/>\n<\/b> try running this on a budget of zero!)<\/p>\n<p>Whether<br \/>\n<i>Son Of Altered Beast<\/i> was meant to be a stop-gap until Sweet<br \/>\ncould deliver the next full-length album or was supposed to be a<br \/>\nthank-you release for the fans is a moot point. What this<br \/>\nseven-song EP does is re-affirm Sweet&#8217;s power as a songwriter and<br \/>\nas a performer.<\/p>\n<p>The one previously released track, &#8220;Devil With The Green Eyes,&#8221;<br \/>\nis still a great song, though I honestly can&#8217;t tell much of a<br \/>\ndifference between the original version and this &#8220;remix&#8221;. It also<br \/>\nhas been some time since I dug<br \/>\n<i>Altered Beast<\/i> out of the Pierce Memorial Archives, so I&#8217;ll<br \/>\ngladly plead a little ignorance on this part. The interchange of<br \/>\nSweet&#8217;s vocals and rhythm guitar lines with the solo work of Robert<br \/>\nQuine is what captures this track for me. (Also not to be taken<br \/>\nlightly is Sweet&#8217;s bass work.)<\/p>\n<p>The only other studio track on Son Of Altered Beast,<br \/>\n&#8220;Ultrasuede,&#8221; is a song that is a lot of fun to listen to, but is<br \/>\nalso one that honestly wouldn&#8217;t have fit in with the mood that made<br \/>\nup<br \/>\n<i>Altered Beast<\/i>. Maybe it would have made the cut on<br \/>\n<i>Girlfriend<\/i>, but that&#8217;s just speculation. It&#8217;s not the<br \/>\ngreatest track that Sweet has written and performed, but it&#8217;s<br \/>\nhardly one that deserved to stay in the can.<\/p>\n<p>The remainder of<br \/>\n<i>Son Of Altered Beast<\/i> shows the power of Sweet&#8217;s live shows,<br \/>\nwith tracks taken from San Juan Capistrano and Washington, DC.<br \/>\n&#8220;Superdeformed&#8221; is performed so well, I wouldn&#8217;t have thought it<br \/>\nwas a live track until I heard the crowd noise at the end of the<br \/>\ntrack. Also deserving of your attention are &#8220;I Wanted To Tell You&#8221;<br \/>\nand &#8220;Knowing People&#8221;.<\/p>\n<p>&#8220;Don&#8217;t Cry No Tears&#8221; is an okay track, but is not one I would<br \/>\nrank as a must-include on a live album. (I would have been more<br \/>\ninterested to hear a live version of &#8220;Time Capsule&#8221;, to be honest.)<br \/>\nThe other track, &#8220;Someone To Pull The Trigger,&#8221; is a surprise<br \/>\ninclusion, as it is a more plodding, dark track that seems to sap<br \/>\nthe energy from the moment. Had it been put later on the album, it<br \/>\nmight have been more memorable; but to have it follow two strong<br \/>\ntracks, it tends to do the tape an injustice.<\/p>\n<p>\n<i>Son Of Altered Beast<\/i> is one of those albums that can be<br \/>\ncalled a &#8220;for diehard fans only&#8221; release; it enhances Sweet&#8217;s<br \/>\ndiscography rather than bulks it up. But if you even mildly enjoyed<br \/>\nSweet&#8217;s work up to that point in his career, then adding<br \/>\n<i>Son Of Altered Beast<\/i> to your collection is a pretty good<br \/>\nmove.<\/p>\n","protected":false},"author":2,"featured_media":27416,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5888],"rating":[5612],"class_list":["post-38782","review","type-review","status-publish","has-post-thumbnail","artist-matthew-sweet","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38782","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38782"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38782\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27416"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38782"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38782"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38782"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}