{"id":38787,"date":"1999-03-29T00:00:00","date_gmt":"1999-03-29T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/sculpture\/"},"modified":"1999-03-29T00:00:00","modified_gmt":"1999-03-29T00:00:00","slug":"sculpture","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/sculpture\/","title":{"rendered":"Sculpture"},"content":{"rendered":"<p>Any time that a form of music that was once &#8220;in vogue&#8221; is primed<br \/>\nto make a comeback into the spotlight, it faces one major hurdle:<br \/>\nHow do musicians inject some level of new blood into the genre<br \/>\nwithout forgetting the roots that first made it popular? It&#8217;s too<br \/>\neasy to just re-strap on the instruments and pretend that things<br \/>\nare the same as they were before&#8230; but if that&#8217;s done, not only<br \/>\ndoes the music sound out of place, but the genre is almost<br \/>\nsentenced to a quick publicity death.<\/p>\n<p>Leave it to the German metal quartet Sculpture to figure out<br \/>\njust how to do it. Injecting a bit of Gothic and progressive<br \/>\nflavors into the mix, and you have a self-titled debut album that,<br \/>\nquite frankly, is often fun to listen to.<\/p>\n<p>The band &#8211; vocalist Stefan, guitarist\/keyboardist Lotte, bassist<br \/>\nHans and drummer Thomas &#8211; have a very natural sound to their music,<br \/>\nalmost as if they have been playing together since metal&#8217;s birth<br \/>\ncries were heard. Unlike many metal bands, Sculpture adds something<br \/>\nunique to their music: texture. Proving that you don&#8217;t need to play<br \/>\nguitar solos at 800 miles an hour or have the volume cranked up to<br \/>\neardrum-splitting range, Sculpture seem to carve out their own<br \/>\nunique niche.<\/p>\n<p>The opening tracks, &#8220;Over&#8221; and &#8220;Deniers&#8221;, set the tone for the<br \/>\nwhole album very well. &#8220;Deniers&#8221; often had me feeling like I was<br \/>\nlistening to Manowar in their heyday, but Sculpture never lost<br \/>\ntheir own unique signature at those times. Stefan&#8217;s vocals prove<br \/>\ntheir power comes from solid delivery of the lyrics without needing<br \/>\nto resort to usual metal vocal trickery, while Lotte&#8217;s guitar and<br \/>\nkeyboard work shaped the mood of the tracks well. (It&#8217;s also<br \/>\ninteresting to note that, had I not read the liner notes or the<br \/>\npress kit, I never would have suspected that this was a German<br \/>\nband.)<\/p>\n<p>From tracks like &#8220;I&#8217;m Free&#8221; to &#8220;Why&#8221; to &#8220;Spring Of Wonder,&#8221;<br \/>\n<i>Sculpture<\/i> remains an album that highlights the best of the<br \/>\nheavy metal genre while redefining the scene. The songwriting,<br \/>\nperformance and production levels of quality always remain high,<br \/>\neven though the listeners may find themselves emotionally drained<br \/>\nby the end of the album. &#8220;Whatever&#8221; and &#8220;Down The Ages&#8221; are by no<br \/>\nmeans bad tracks, but they do come at the tail end of a musical<br \/>\njourney that asks you to comprehend a lot.<\/p>\n<p>If any one band is going to help to redefine what heavy metal is<br \/>\nas we approach the next millenium, Sculpture is definitely at the<br \/>\ntop of the list to lead the charge. This album is a refreshing<br \/>\nchange of pace, and is one that you&#8217;re sure to have difficulties<br \/>\nremoving from your CD changer.<\/p>\n","protected":false},"author":2,"featured_media":27420,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7308],"rating":[5613],"class_list":["post-38787","review","type-review","status-publish","has-post-thumbnail","artist-sculpture","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38787","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38787"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38787\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27420"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38787"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38787"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38787"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}