{"id":38794,"date":"1999-03-30T00:00:00","date_gmt":"1999-03-30T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-secret-handshake\/"},"modified":"1999-03-30T00:00:00","modified_gmt":"1999-03-30T00:00:00","slug":"the-secret-handshake","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-secret-handshake\/","title":{"rendered":"The Secret Handshake"},"content":{"rendered":"<p>I&#8217;ve often written before about how press releases can sometimes<br \/>\nscare me away from listening to a particular album for a time.<br \/>\nGeoff Muldaur&#8217;s latest effort,<br \/>\n<i>The Secret Handshake<\/i>, is another example of a disc that fell<br \/>\nto pre-listening bias. Reading through the liner notes intrigued me<br \/>\nenough, but the press releases &#8211; and the album&#8217;s own description of<br \/>\nitself as &#8220;Blues &#038; Gospel&#8221; &#8211; was enough to push this disc to<br \/>\nthe back of the &#8220;to be reviewed&#8221; pile in the Pierce Memorial<br \/>\nArchives.<\/p>\n<p>When will I learn? It seems the discs I&#8217;m the most scared of<br \/>\nlistening to turn out to be the better albums. Muldaur is not the<br \/>\nstrongest vocalist in the world, but his mastery of the material is<br \/>\nmore than enough to power<br \/>\n<i>The Secret Handshake<\/i> to being a great album.<\/p>\n<p>While one could see religious overtones in some of the songs<br \/>\n(&#8220;This World Is Not My Home,&#8221; &#8220;I Believe I&#8217;ll Go Back Home&#8221;), to<br \/>\nclassify this album as gospel is stylistically incorrect. I&#8217;d<br \/>\nrather classify it as &#8220;folk,&#8221; just because there are so many other<br \/>\ninfluences at work in the music at the same time that the songs<br \/>\nthemselves transcend any one strict boundary. (Maybe this is why<br \/>\nMuldaur calls the music on this album &#8220;American Music&#8221; on the back<br \/>\nof the CD cover.)<\/p>\n<p>Granted, it does take some time to really get into this disc &#8211;<br \/>\noften because Muldaur is not the world&#8217;s greatest singer.<br \/>\n(Counterpoint: he&#8217;s not bad, but you can hear limitations.) Tracks<br \/>\nlike &#8220;Alberta&#8221; and &#8220;This World Is Not My Home&#8221; seem to stretch on<br \/>\nforever &#8211; not the best way to start out the disc. (Actually, the<br \/>\ndisc&#8217;s opening track &#8220;The Wild Ox Moan&#8221; isn&#8217;t bad at all.)<\/p>\n<p>Things change for the better once you reach &#8220;Got To Find Blind<br \/>\nLemon &#8211; Part One&#8221;; this is where the natural folkiness of Muldaur<br \/>\nkicks in, and the album becomes much more listenable and fun.<br \/>\nThanks to a funky bass line provided by Bill Rich, &#8220;Chevrolet \/ Big<br \/>\nAlice&#8221; seems to fly by, even though it clocks in at well over seven<br \/>\nminutes.<\/p>\n<p>The only other difficult song to get through &#8211; at least for me,<br \/>\nbecause I&#8217;m not an afficionado of banjo music &#8211; was &#8220;Mistreated<br \/>\nMama&#8221;. Otherwise, Muldaur and his cast of musicians turn a<br \/>\nforgotten form of music (at least forgotten to the MTV generation)<br \/>\nand shows just how vital it is to both our past and our<br \/>\npresent.<\/p>\n<p>\n<i>The Secret Handshake<\/i> is an album that takes some time to<br \/>\nwarm up to, but is one that is, for the most part, worth the<br \/>\neffort.<\/p>\n","protected":false},"author":2,"featured_media":27427,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6518],"rating":[5617],"class_list":["post-38794","review","type-review","status-publish","has-post-thumbnail","artist-geoff-muldaur","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38794","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38794"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38794\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27427"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38794"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38794"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38794"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}