{"id":38820,"date":"1999-03-09T00:00:00","date_gmt":"1999-03-09T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/all-over-you\/"},"modified":"1999-03-09T00:00:00","modified_gmt":"1999-03-09T00:00:00","slug":"all-over-you","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/all-over-you\/","title":{"rendered":"All Over You"},"content":{"rendered":"<p>The following paragraph is not the kind of thing a publicist is<br \/>\ngoing to want to see in the start of a review. When I first heard<br \/>\nLazy Lester as the blues coordinator of the campus radio station, I<br \/>\nwas hardly impressed. Granted, I was still very much in the process<br \/>\nof &#8220;getting my feet wet&#8221; in the blues, but what I heard on his<br \/>\nthen-recent release<br \/>\n<i>Harp And Soul<\/i> (which I rescued from the production studio)<br \/>\ndidn&#8217;t impress me. Needless to say, Lester didn&#8217;t get a lot of play<br \/>\non my show, unless I had already played too much B.B. King.<\/p>\n<p>Flash forward a decade, when one of the publicists I work with<br \/>\ninformed me that Lester had a new album,<br \/>\n<i>All Over You<\/i>, coming out. My first comment was, &#8220;He&#8217;s still<br \/>\naround?&#8221; This was followed by, &#8220;Yeah, go ahead and send it.&#8221;<br \/>\nDespite my previous experience, I was willing to give him another<br \/>\nchance.<\/p>\n<p>It&#8217;s interesting to note that this is Lester&#8217;s first album since<\/p>\n<p><i>Harp And Soul<\/i> &#8211; and it was a major eye-opener for me as a<br \/>\nfan of the blues. While Lester is not the strongest vocalist in the<br \/>\nbusiness, he delivers the blues with a down-home comfort level that<br \/>\nhe makes this album very approachable on many levels.<\/p>\n<p>Lester is best known as a harmonica player, and he shows his<br \/>\nskills on the harp early and often. Tracks like &#8220;I Need Money,&#8221;<br \/>\n&#8220;Strange Things Happen&#8221; (which sounds a little like Randy Newman at<br \/>\ntimes) and &#8220;Irene&#8221; all seem to mix in touches of old-fashioned<br \/>\nR&#038;B with the blues. This creates a unique sound for Lester, and<br \/>\nit&#8217;s one that suits his style of the blues very well.<\/p>\n<p>But what surprised me about<br \/>\n<i>All Over You<\/i> is that Lester also shows skills on the guitar;<br \/>\nhe is the sole performer on two tracks, &#8220;Nothing But The Devil&#8221; and<br \/>\n&#8220;My Home Is A Prison&#8221;. The latter track is a modern testament to<br \/>\nthe old-style performance of the blues, where the strict 12-bar<br \/>\nformula wasn&#8217;t always followed. While I would have called something<br \/>\nlike that sloppy in 1989, since discovering the joy of the late<br \/>\nRobert Johnson, I can now appreciate these deviances from the<br \/>\nstandard.<\/p>\n<p>Lester keeps things interesting through songs like &#8220;I&#8217;m A Lover<br \/>\nNot A Fighter,&#8221; &#8220;The Sun Is Shining&#8221; and &#8220;Hello Mary Lee,&#8221; all<br \/>\nmaking people like myself wonder why he&#8217;s only released three<br \/>\nalbums in the last 12 years. Lester could easily be one of the best<br \/>\nartists in the traditional blues style, though I still believe that<\/p>\n<p><i>Harp And Soul<\/i> (which I haven&#8217;t heard since leaving radio in<br \/>\n1991) didn&#8217;t do him justice.<\/p>\n<p>\n<i>All Over You<\/i> is one of the finest traditional blues albums<br \/>\nI&#8217;ve listened to in a long time, and it should cement Lester&#8217;s<br \/>\nimportance to the world of the blues. It&#8217;s well worth the time to<br \/>\nsearch this one out and listen to it.<\/p>\n","protected":false},"author":2,"featured_media":27452,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[7323],"rating":[5617],"class_list":["post-38820","review","type-review","status-publish","has-post-thumbnail","artist-lazy-lester","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38820","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38820"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38820\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27452"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38820"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=38820"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38820"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38820"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}