{"id":38824,"date":"1998-04-11T00:00:00","date_gmt":"1998-04-11T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/big-windshield-little-mirror\/"},"modified":"1998-04-11T00:00:00","modified_gmt":"1998-04-11T00:00:00","slug":"big-windshield-little-mirror","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/big-windshield-little-mirror\/","title":{"rendered":"Big Windshield Little Mirror"},"content":{"rendered":"<p>Imitation, it is said, is often the most sincere form of<br \/>\nflattery. If this is the case, then Jason Teach and Foam must<br \/>\nreally be fans of Live. Their debut album Big Windshield Little<br \/>\nMirror contains some solid rock, but if you weren&#8217;t reading the CD<br \/>\ncase, you&#8217;d swear you were listening to Live, pre-Throwing<br \/>\nCopper.<\/p>\n<p>But I stop far short of calling this quartet a rip-off of Ed<br \/>\nKowalczyk and crew, as some may be inclined to do upon first<br \/>\nlisten. While Foam sounds a lot like Live, down to the groove of<br \/>\nthe music, they do have their own unique voice as well &#8211; the<br \/>\nproblem being that they haven&#8217;t been given a fair chance to develop<br \/>\nit yet.<\/p>\n<p>Rounded out by lead guitarist Scott Fisher, bassist Keith Palmer<br \/>\nand drummer Joel Weedy (who, for some strange reason, isn&#8217;t in the<br \/>\nalbum&#8217;s credits that I can find), Foam plow through eleven songs<br \/>\nthat do get me interested in the alternative rock scene again,<br \/>\nthough it takes a little time to build up initial<br \/>\ninterest.<\/p>\n<p>&#8220;Venus&#8221; says it all on Big Windshield Little Mirror; the groove<br \/>\nthese four musicians lay down is incredibly powerful without<br \/>\nresorting to distortion up the yin-yang. It may not be an original<br \/>\nsound, but it works on this number.<\/p>\n<p>But the biggest bone of contention with this album is, frankly,<br \/>\nit&#8217;s confusing. I&#8217;ve now listened to it several times, and I&#8217;m torn<br \/>\nbetween liking it and writing it off as a &#8220;first-effort&#8221;. Songs<br \/>\nlike &#8220;Head Not Love,&#8221; &#8220;I Can Hardly Wait&#8221; and &#8220;Memories&#8221; are almost<br \/>\nconstantly pleasing to the ears, while others like &#8220;Rollercoaster&#8221;<br \/>\nand &#8220;Ladybug&#8221; almost smack a little of R.E.M.&#8217;s pretentiousness of<br \/>\nlate. Still others like &#8220;If&#8221; just fail to get off the<br \/>\nground.<\/p>\n<p>Maybe the difficulty I have with deciding whether this album is<br \/>\ngood or not is the fact that Foam had to live up to some high<br \/>\nexpectations. They were signed to a recording contract without ever<br \/>\nhaving played outside of their home state, and now are expected to<br \/>\ndeliver the Great White Hope for the alternative world. Sorry,<br \/>\nkids, ain&#8217;t gonna happen &#8211; that&#8217;s far too much to ask of any band<br \/>\nrecording their first album together (much less a young group like<br \/>\nthis &#8211; Teach is only 24&#8230; boy, do I feel old).<\/p>\n<p>Fact is, these guys are still very much learning the ropes, and<br \/>\nhaven&#8217;t had the chance to fully develop their own style and sound<br \/>\nyet. Oh, there are shards of evidence that this sound is coming<br \/>\ntogether, such as on &#8220;Memories&#8221; and &#8220;Hands Of You,&#8221; but all the<br \/>\npieces just aren&#8217;t in place yet &#8211; this is nothing unusual. They<br \/>\nneed a little more time to slam through sets in clubs, as well as<br \/>\nsome time on the road to earn their stripes (and scars). Only then,<br \/>\nI think, will Foam truly come into its own and have a unique style<br \/>\nand sound of their own.<\/p>\n<p>So, after all my ramblings, I guess the final verdict on Big<br \/>\nWindshield Little Mirror is: You decide. It&#8217;s a pleasant enough<br \/>\nalbum to listen to, but like many first efforts I listen to, it<br \/>\nsmacks of what should be and could have been.<\/p>\n","protected":false},"author":2,"featured_media":27456,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7326],"rating":[5612],"class_list":["post-38824","review","type-review","status-publish","has-post-thumbnail","artist-foam","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38824","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38824"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38824\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27456"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38824"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38824"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38824"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}