{"id":38852,"date":"1999-04-01T00:00:00","date_gmt":"1999-04-01T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/another-lifetime\/"},"modified":"1999-04-01T00:00:00","modified_gmt":"1999-04-01T00:00:00","slug":"another-lifetime","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/another-lifetime\/","title":{"rendered":"Another Lifetime"},"content":{"rendered":"<p>If you are a diehard follower of The Who, the name Simon<br \/>\nPhillips will sound familiar; he became the band&#8217;s third drummer,<br \/>\nfilling the stool for the group&#8217;s 1989 reunion tour.<\/p>\n<p>If you&#8217;re a follower of progressive rock, you know the little<br \/>\nNew York-based Magna Carta Records as being one of the leaders in<br \/>\nits genre, supporting groups that you might not otherwise have<br \/>\nheard of.<\/p>\n<p>Put these two together, and you&#8217;ve got&#8230; jazz?!? Light<br \/>\njazz?!?<\/p>\n<p>Believe it. On<br \/>\n<i>Another Lifetime<\/i>, Phillips assembles a wonderful team of<br \/>\nmusicians who bring some of this album&#8217;s nine cuts to life. And<br \/>\nwhile a few portions of the disc drag, it will be a surprising<br \/>\nchange of pace for the listener &#8211; even if we shouldn&#8217;t be surprised<br \/>\nthat Phillips has chosen to go in such a direction.<\/p>\n<p>On this all-instrumental album, Phillips does the wise thing by<br \/>\nrelegating his role in the group to being part of the backbone, not<br \/>\nthe in-front leader. For that matter, it would be hard to call any<br \/>\nmember of this seven-piece group a leader. Each member &#8211; guitarists<br \/>\nAndy Timmons and Ray Russel, bassist Anthony Jackson, keyboardist<br \/>\nJeff Babko, saxophonist Wendell Brooks and percussionist Peter<br \/>\nMichael Escovedo &#8211; gets their own opportunity to shine at different<br \/>\njunctures on<br \/>\n<i>Another Lifetime<\/i>.<\/p>\n<p>It&#8217;s around the halfway point of the album, specifically on the<br \/>\ntrack &#8220;Kumi Na Moja,&#8221; that the band snaps into perfect formation,<br \/>\nand the music becomes one big groove. It sometimes feels like I&#8217;m<br \/>\nlistening to a group like Spyro Gyra or Weather Report as these<br \/>\nsongs develop, a feeling that is by no means a negative one. Even<br \/>\nif you entered this disc expecting the thunderous rock drumming or<br \/>\nspacey progressive rock, you&#8217;d be hard pressed to not be moved by<br \/>\nthese jams.<\/p>\n<p>Yes, it does take a little time for this whole concept to take<br \/>\nroot with the listener; tracks like &#8220;Jungleyes,&#8221; &#8220;Freudian Slip&#8221;<br \/>\nand &#8220;P.O.V.,&#8221; by no means bad tracks, are periods of adjustment for<br \/>\nthe listener. Don&#8217;t be surprised if you feel like you need a quick<br \/>\nbreather from the disc by the time &#8220;Eyes Blue For You&#8221; winds<br \/>\ndown.<\/p>\n<p>\n<i>Another Lifetime<\/i> is the kind of disc that is going to get<br \/>\npeople who wouldn&#8217;t otherwise listen to &#8220;smooth jazz&#8221; interested in<br \/>\nthe genre, for Phillips and his crew do an impressive job with this<br \/>\nmaterial. Don&#8217;t worry if you don&#8217;t feel like you appreciated it<br \/>\nafter the first listen; this is the kind of album that has to grow<br \/>\non you.<\/p>\n","protected":false},"author":2,"featured_media":27479,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7342],"rating":[5615],"class_list":["post-38852","review","type-review","status-publish","has-post-thumbnail","artist-simon-phillips","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38852","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38852"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38852\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27479"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38852"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38852"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38852"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}