{"id":38859,"date":"1998-04-23T00:00:00","date_gmt":"1998-04-23T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/kim-lenz-her-jaguars\/"},"modified":"1998-04-23T00:00:00","modified_gmt":"1998-04-23T00:00:00","slug":"kim-lenz-her-jaguars","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/kim-lenz-her-jaguars\/","title":{"rendered":"Kim Lenz &#038; Her Jaguars"},"content":{"rendered":"<p>At one point in the not-too-distant past, rockabilly was the<br \/>\nflavor of the month. Artists like Shakin&#8217; Stevens and the Stray<br \/>\nCats were pompadouring their way onto the radio with hits that<br \/>\nsounded like they were carved right out of the mid-&#8217;50s. Nowadays,<br \/>\nthe Stray Cats have long left the alley, Carl Perkins has passed<br \/>\non, and even such stalwarts as the Paladins one hardly ever hears<br \/>\nabout anymore.<\/p>\n<p>So, into the void comes Kim Lenz and her Jaguars. With their<br \/>\nbare-bones sound and subject matter sounding like something from<br \/>\n<i>Happy Days<\/i>, their self-titled debut album is pleasant enough<br \/>\nto listen to, but sometimes, one wishes for a little bit of the<br \/>\nmodern splash of technology to wake up the sound.<\/p>\n<p>(Just a side note: Isn&#8217;t it ironic that a band whose main goal<br \/>\nis to promote the sound of rock&#8217;s earliest days is hip to<br \/>\ntechnology by having their own Web page? I found that kind of<br \/>\namusing.)<\/p>\n<p>While Lenz might be the focus of the group because of her<br \/>\nvocals, the fact is that this is a band in the truest sense of the<br \/>\nword. Mike Lester gets ample opportunity to strut his stuff as lead<br \/>\nguitarist, while Jake Erwin (on acoustic bass) and Robert Hamilton<br \/>\n(drums) definitely capture the feel of the &#8217;50s with their<br \/>\npared-down sound.<\/p>\n<p>Trouble is, I often wished that a little splash of digital<br \/>\ntechnology had been thrown into the mix to bring the instruments&#8217;<br \/>\ntrue sound out into the open. Let&#8217;s hear more of the thundering<br \/>\nplucking of the stand-up bass, let&#8217;s hear both Lenz&#8217;s and Lester&#8217;s<br \/>\nguitars really sing out. The disc was recorded live to a one-track<br \/>\nrecording &#8211; and while this might have been staying true to the<br \/>\ntechnology available in the &#8217;50s, it wouldn&#8217;t have been sacrilege<br \/>\nto &#8211; oh, I dunno &#8211; go to an eight-track recording.<\/p>\n<p>Be this as it may, Lenz proves herself to be a good songwriter<br \/>\nand singer. Tha album&#8217;s opener &#8220;Saturday Jump&#8221; is a quick reminder<br \/>\nof how good rockabilly can be. Other tracks like &#8220;Ten Cats Down,&#8221;<br \/>\n&#8220;Up To My Old Tricks Again&#8221; and &#8220;Havin&#8217; A Ball&#8221; also stand out on<br \/>\nthe disc. Lenz and crew successfully merge tinges of country and<br \/>\nold R&#038;B into the mix, creating an album that often is quite<br \/>\npleasing to the ears musically.<\/p>\n<p>But just like much of rockabilly,<br \/>\n<i>Kim Lenz And Her Jaguars<\/i> is an album that is best broken up<br \/>\ninto several listens. I don&#8217;t know what it is, but listening to the<br \/>\nalbum all the way through (never mind the fact it clocks in at<br \/>\nunder 40 minutes) is rather difficult. I don&#8217;t think this is the<br \/>\nfault of Lenz; maybe it all comes down to personal preference. If<br \/>\nyou grew up with this kind of music, then I guess fourteen songs is<br \/>\nstill not enough.<\/p>\n<p>\n<i>Kim Lenz And Her Jaguars<\/i> is a pleasant enough disc that<br \/>\nstays true to the roots of rockabilly, and is a nice disc for the<br \/>\nkids to pick up to hear a modern-day version of rock&#8217;s birth<br \/>\ncries.<\/p>\n","protected":false},"author":2,"featured_media":27485,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6175],"rating":[5612],"class_list":["post-38859","review","type-review","status-publish","has-post-thumbnail","artist-kim-lenz-the-jaguars","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38859","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38859"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38859\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27485"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38859"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=38859"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38859"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38859"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}