{"id":38865,"date":"1998-04-25T00:00:00","date_gmt":"1998-04-25T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/shake-your-moneymaker\/"},"modified":"1998-04-25T00:00:00","modified_gmt":"1998-04-25T00:00:00","slug":"shake-your-moneymaker","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/shake-your-moneymaker\/","title":{"rendered":"Shake Your Moneymaker"},"content":{"rendered":"<p>The Black Crowes&#8217;s success can be summed up in a simple<br \/>\nsentence: They were in the right place at the right time.<\/p>\n<p>When their debut album<br \/>\n<i>Shake Your Moneymaker<\/i> came out in 1990, it provided a slap<br \/>\nin the face to the stagnating rock sound. Southern rock was back,<br \/>\nit had lost little of the boogie, and it even had gained a new<br \/>\nsense of introspection &#8211; all while being a touch trippy-hippie and<br \/>\nmysterious. It was exactly what the scene needed.<\/p>\n<p>Brothers Chris and Rich Robinson (on vocals and guitars,<br \/>\nrespectively) were a definite yin-yang duo on the lines of Ray and<br \/>\nDave Davies of The Kinks: creative as all get-out, but as explosive<br \/>\nas nitroglycerine. Drummer Steve Gorman, bassist Johnny Colt and<br \/>\nsecond guitarist Jeff Cease rounded out the group &#8211; and were just<br \/>\nas pivotal in creating the sound that put the Crowes on the<br \/>\nmap.<\/p>\n<p>It takes guts to cover such an r&#038;b classic as Otis Redding&#8217;s<br \/>\n&#8220;Hard To Handle&#8221; &#8211; and it takes talent to outdo the original. This<br \/>\nversion makes me want to get up and dance every time I hear it (but<br \/>\nI can&#8217;t stand the alternate version I occasionally hear on the<br \/>\nradio with the horns added).<\/p>\n<p>Of course, the other songs that are now well-grounded in radio<br \/>\nare still exciting to hear. &#8220;Twice As Hard&#8221; is a great way to kick<br \/>\noff the album, building from the guitar line into a crescendo of<br \/>\nthe whole band, topped with Chris Robinson&#8217;s<br \/>\noccasionally-unrecognizable vocals. Thing is, it works &#8211; and it<br \/>\nworks well. &#8220;Jealous Again&#8221; is a rolling number that sucks you into<br \/>\nthe beat and doesn&#8217;t let go. And &#8220;She Talks To Angels&#8221; is a<br \/>\nsurprisingly powerful ballad that seems to explore a darker picture<br \/>\nthan the lyrics originally suggest &#8211; the imagery is especially<br \/>\npowerful.<\/p>\n<p>But although 40 percent of<br \/>\n<i>Shake Your Moneymaker<\/i> has already been played to death on<br \/>\nradio, there still are many other good performances that have yet<br \/>\nto be truly &#8220;discovered&#8221; in the same way. &#8220;Seeing Things&#8221; is an<br \/>\nalmost spiritual ballad that always struck me as one of the better<br \/>\nsongs on the album, while &#8220;Sister Luck&#8221; is a track that should have<br \/>\nbeen a strong indicator of what we could have expected from the<br \/>\nband&#8217;s next release. Even the balls-out rocker &#8220;Thick N&#8217; Thin&#8221; has<br \/>\na lot of charm to it.<\/p>\n<p>Sure, there are a few songs that don&#8217;t hold their water as well,<br \/>\nlike the album&#8217;s closer &#8220;Stare It Cold&#8221; &#8211; but these are few and far<br \/>\nbetween.<\/p>\n<p>The biggest complaint I have with<br \/>\n<i>Shake Your Moneymaker<\/i> is that it&#8217;s very much a mood album &#8211;<br \/>\nthat is, whether you&#8217;re going to like it or not changes daily. Some<br \/>\ndays I&#8217;ll pick this one up and barely be able to stand it, but most<br \/>\ndays I feel as positive as everything I&#8217;ve said so far. If you find<br \/>\nthat you&#8217;re just not getting into the whole vibe, best advice is to<br \/>\nput it down for a few days, then try it again.<\/p>\n","protected":false},"author":2,"featured_media":27491,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5681],"rating":[5613],"class_list":["post-38865","review","type-review","status-publish","has-post-thumbnail","artist-the-black-crowes","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38865","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38865"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38865\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27491"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38865"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=38865"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38865"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38865"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}