{"id":38876,"date":"1998-04-29T00:00:00","date_gmt":"1998-04-29T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/drown\/"},"modified":"1998-04-29T00:00:00","modified_gmt":"1998-04-29T00:00:00","slug":"drown","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/drown\/","title":{"rendered":"Drown"},"content":{"rendered":"<p>Recently, I&#8217;ve been getting a lot of industrial and electric<br \/>\nrock to review. I don&#8217;t know if the genre is making a comeback, or<br \/>\nis trying to reassert itself as the ship known as alternative rock<br \/>\nsinks faster than the<br \/>\n<i>Titanic<\/i> loaded with lead bars. Last week, we looked at one<br \/>\nband, Rorschach Test, who are doing a fine job at making sure that<br \/>\nalternative (and industrial) rock still has a pulse.<\/p>\n<p>A similar effort is being waged by Phoenix-based Nihil, whose<br \/>\ndebut album<br \/>\n<i>Drown<\/i> was just released. And though it&#8217;s harder to get into<br \/>\n(as well as through) than other albums in the same vein, it ends up<br \/>\nbeing a rather enjoyable work &#8211; as long as you&#8217;re willing to invest<br \/>\nthe effort into it.<\/p>\n<p>The brainchild of Scott Crowley (vocals\/guitars\/programming),<br \/>\nNihil&#8217;s lineup also includes keyboardist Vanessa Urso and bass<br \/>\nguitarist Tony Richey. Together, these three produce a kind of<br \/>\nindustrial\/electronic music that often reminds me of Front 242, if<br \/>\nnot nearly as danceable &#8211; but it does take time for the whole<br \/>\nmixture to get boiling.<\/p>\n<p>It&#8217;s not that songs like &#8220;Under Me&#8221; or &#8220;Nowhere To Hide&#8221; aren&#8217;t<br \/>\ngood, they just don&#8217;t suck you into the whole Nihil experience like<br \/>\nI would have expected them to. On several occasions, I found that I<br \/>\nhad become distracted from the songs, and had to start the disc<br \/>\nover again &#8211; the first few songs shouldn&#8217;t create that kind of a<br \/>\nresponse with the listener. (I can&#8217;t explain how this could have<br \/>\nbeen improved &#8211; it&#8217;s kind of a thing that you know when you hear<br \/>\nit.) And I will freely admit that &#8220;Hear Me&#8221; &#8211; both versions &#8211; are<br \/>\nquite good.<\/p>\n<p>The tide starts to turn for the better with the two-minute<br \/>\n&#8220;snippet&#8221; &#8220;God&#8221;, which segues into &#8220;Shift&#8221;. About this time,<br \/>\n<i>Drown<\/i> really takes off as an album and turns it into an<br \/>\nexperience. Cuts like &#8220;Should Die,&#8221; &#8220;Tear,&#8221; &#8220;Trust&#8221; and &#8220;Echo&#8221; show<br \/>\nthe power that this band has. It is creepy at times, intense at<br \/>\nothers, but for a good portion of<br \/>\n<i>Drown<\/i>, it rarely lets up.<\/p>\n<p>The only drawback to<br \/>\n<i>Drown<\/i>, besides the slow start? I don&#8217;t think you can deny<br \/>\nthat Nihil &#8211; just like may industrial\/electronic groups, for that<br \/>\nmatter &#8211; is an acquired taste. The first time you hear Crowley&#8217;s<br \/>\nvocal intensity, it might throw you for a loop, and you might not<br \/>\nwant to continue checking the disc out. It&#8217;s worth getting your<br \/>\nfeet wet with this one and giving it a chance to grow on you &#8211; on<br \/>\nrepeated listens, Nihil proves themselves to be quite talented<br \/>\nmusicians.<\/p>\n<p>\n<i>Drown<\/i> reminds me of learning how to swim: it splashes about<br \/>\nmadly in the beginning before it finds its groove and settles into<br \/>\na comfortable, approachable patterm. For a first effort, not bad at<br \/>\nall &#8211; and I have no doubts that future releases will be strong<br \/>\nefforts from cover to cover.<\/p>\n","protected":false},"author":2,"featured_media":27502,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[7351],"rating":[5612],"class_list":["post-38876","review","type-review","status-publish","has-post-thumbnail","artist-nihil","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38876","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38876"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38876\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27502"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38876"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=38876"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38876"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38876"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}