{"id":38880,"date":"1999-04-02T00:00:00","date_gmt":"1999-04-02T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/unassigned-territories\/"},"modified":"1999-04-02T00:00:00","modified_gmt":"1999-04-02T00:00:00","slug":"unassigned-territories","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/unassigned-territories\/","title":{"rendered":"Unassigned Territories"},"content":{"rendered":"<p>I have always been a sucker for good guitar work. Whether it was<br \/>\nthe &#8220;technical sloppiness&#8221; of Jimmy Page or Jerry Garcia, or the<br \/>\nacoustic show of force from Doug Smith, if the guitarist could make<br \/>\ntheir instrument really sing, I was hooked.<\/p>\n<p>So it&#8217;s not surprising that I was so interested in listening to<br \/>\n<i>Unassigned Territory<\/i>, the latest release from guitarist<br \/>\nDavid Pritchard. Not only is this disc filled with incredibly<br \/>\nwritten and played melodies, it is one of the best guitar albums<br \/>\nI&#8217;ve ever heard.<\/p>\n<p>The first thing that wows the listener to Pritchard&#8217;s playing<br \/>\nand style is listening to tracks like &#8220;Driven&#8221; and the title cut,<br \/>\nand later finding out that Pritchard performed all the guitar parts<br \/>\nhimself. Even though I am certain this is achieved through the<br \/>\nmiracle of multi-tracking, it still is amazing to hear how the<br \/>\nguitar parts interweave, creating a structure that is beautiful,<br \/>\nbut complicated enough to leave you in awe.<\/p>\n<p>The second thing that strikes the listener about<br \/>\n<i>Unassigned Territory<\/i> is the group of guitarists that<br \/>\nPritchard assembled for this album. Granted, I couldn&#8217;t pick out<br \/>\nPritchard, Joseph Jewell, Dale Turner or Jack Majdecki&#8217;s individual<br \/>\nperformances if my life depended on it. But what these guitarists<br \/>\ndo is combine their playing and styles so that, if you weren&#8217;t in<br \/>\nthe know, it could have all been performed by one guitarist using<br \/>\nmulti-tracking.<\/p>\n<p>The third &#8220;wow&#8221; that is in store is the sparing use of vocals,<br \/>\nprovided by Teri De Sario. If you&#8217;re thinking that name sounds<br \/>\nfamiliar and you ever owned a leisure suit, then yes, it&#8217;s that<br \/>\nTeri De Sario of disco music fame. Now, I know what you&#8217;re<br \/>\nthinkin&#8217;&#8230; and it was the same thing I thought too, going into<br \/>\nthis album for the first time. Put aside your &#8220;disco sucks&#8221;<br \/>\nprejudices, &#8217;cause what De Sario adds to this album is not what you<br \/>\nmight be expecting.<\/p>\n<p>De Sario&#8217;s vocals add another texture into the music, especially<br \/>\nnoted on the track &#8220;The Language Instinct&#8221;. Her vocals tend to<br \/>\nfloat above the music, and occasionally swim in the melodies coming<br \/>\nfrom four wood-and-metal-string boxes. You would not think that<br \/>\nmusic so enchantingly could be created so basically&#8230; but is can,<br \/>\nand it has been.<\/p>\n<p>There are rare moments in some songs where the paths that<br \/>\nPritchard and the other guitarists take seem to be a tad difficult,<br \/>\nbut these moments soon pass. But for these tiny cracks in the<br \/>\nsurface,<br \/>\n<i>Unassigned Territory<\/i> is a damn near perfect album, combining<br \/>\nthe worlds of light jazz, new age, and even a touch of classical,<br \/>\ninto a sound that is so unique that it begs to be heard.<\/p>\n<p>Indulge yourself, and take a walk into<br \/>\n<i>Unassigned Territory<\/i>. Chances are you won&#8217;t want to<br \/>\nleave.<\/p>\n","protected":false},"author":2,"featured_media":27506,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7353],"rating":[5613],"class_list":["post-38880","review","type-review","status-publish","has-post-thumbnail","artist-david-pritchard","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38880","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38880"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38880\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27506"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38880"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38880"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38880"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}