{"id":38887,"date":"1999-04-04T00:00:00","date_gmt":"1999-04-04T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-blarney-pilgrim-celtic-fingerstyle-guitar-volume-two\/"},"modified":"1999-04-04T00:00:00","modified_gmt":"1999-04-04T00:00:00","slug":"the-blarney-pilgrim-celtic-fingerstyle-guitar-volume-two","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-blarney-pilgrim-celtic-fingerstyle-guitar-volume-two\/","title":{"rendered":"The Blarney Pilgrim: Celtic Fingerstyle Guitar Volume Two"},"content":{"rendered":"<p>A few months ago, we took a look at the first disc in Rounder&#8217;s<br \/>\n<i>Celtic Fingerstyle Guitar<\/i> series, featuring some of the<br \/>\nfinest acoustic guitar work I had heard in a long time. For some<br \/>\nreason, though, I found myself constantly locking in to only the<br \/>\nfirst disc<br \/>\n<i>Ramble To Cashel<\/i>, and I never really got around to listening<br \/>\nto<br \/>\n<i>The Blarney Pilgrim<\/i>, the conclusion of the two-disc<br \/>\nseries.<\/p>\n<p>After just one listen to this disc, I was kicking myself hard.<br \/>\nNot only is this disc an excellent collection of guitar work, but<br \/>\nit&#8217;s even better than the first volume in the series &#8211; and that was<br \/>\ngoing to be a difficult disc to top.<\/p>\n<p>The same group of guitarists who performed on<br \/>\n<i>Ramble To Cashel<\/i> perform on this album, taking traditional<br \/>\nIrish and Scottish music and pouring it into their instruments.<br \/>\nWhat comes out is not merely Irish or Scottish music; it&#8217;s<br \/>\nwonderful guitar arrangements that transcend any ethnic boundaries<br \/>\none might want to place on them.<\/p>\n<p>The work of two guitarists in particular I&#8217;d like to point out.<br \/>\nThese are the works that, when I heard them, made my jaw scrape the<br \/>\nfloor. First, Duck Baker&#8217;s performance on the medley &#8220;Miss Forbes<br \/>\nFarewell \/ Poll Halfpenny&#8221; completely blows me away. Not having the<br \/>\nvideo that this CD is the companion of, I have to guess that Baker<br \/>\nis performing this song on a 12 string guitar. The fingerpicking on<br \/>\nthe six-string is impressive enough, but Baker adds an incredibly<br \/>\nbass-rich tone to this song by switching to the 12-string that<br \/>\nmakes this track one of the best in the entire collection. (Maybe<br \/>\nthe next time, they&#8217;ll do a CD of fingerstyle guitar on only<br \/>\n12-string guitars. I&#8217;d buy it!)<\/p>\n<p>The second guitarist is Pierre Bensusan, who throws in<br \/>\nflourishes that one would never have expected in his three<br \/>\nselections. On tracks like &#8220;Sheebeg An Sheemor&#8221; and the medley of<br \/>\n&#8220;The Pure Drop\/The Flax In Bloom,&#8221; Bensusan brings out all of the<br \/>\nbeauty of these songs with the richness of his work on the acoustic<br \/>\nguitar &#8211; incredible!<\/p>\n<p>This is not to say that the performances of the other guitarists<br \/>\n&#8211; Pat Kirtley, Martin Simpson, Steve Baughman, Tom Long and El<br \/>\nMcMeen &#8211; is any less good. Each guitarist demonstrates similar<br \/>\namazing skills on the six-string to create music that is guaranteed<br \/>\nto lift your spirits and put a smile on your face, whether you have<br \/>\nany Celtic blood in you or not. (The only minor criticism: the<br \/>\nmicrophones for Long&#8217;s performances were very sensitive; if I&#8217;m<br \/>\nhearing right, I can hear him breathing, especially on the<br \/>\notherwise outstanding &#8220;Jenny Picking Cockles&#8221;.)<\/p>\n<p>\n<i>The Blarney Pilgrim<\/i> is one of the best guitar albums I have<br \/>\never listened to, and will amaze you with its technical beauty. I<br \/>\ndon&#8217;t think, though, I could watch the videos without wanting to<br \/>\nsmash my own guitars, knowing I&#8217;d never be as good as these<br \/>\nguitarists.<\/p>\n","protected":false},"author":2,"featured_media":27513,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5827],"rating":[5646],"class_list":["post-38887","review","type-review","status-publish","has-post-thumbnail","artist-various-artists","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38887","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38887"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38887\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27513"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38887"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38887"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38887"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}