{"id":38899,"date":"1999-04-08T00:00:00","date_gmt":"1999-04-08T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/unplugged\/"},"modified":"1999-04-08T00:00:00","modified_gmt":"1999-04-08T00:00:00","slug":"unplugged","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/unplugged\/","title":{"rendered":"Unplugged"},"content":{"rendered":"<p>\n<i>Harvest Moon<\/i> saved Neil Young from popular obscurity. (I&#8217;ll<br \/>\nnow pause so Young&#8217;s diehard fans can fire up Netscape mail to<br \/>\nflame me.)<\/p>\n<p>There are undoubtedly fans of Young throughout the years who<br \/>\ncould name me at least one song on every album he&#8217;s done that have<br \/>\nremained in the public eye&#8230; and by no means am I ripping into<br \/>\nYoung. But<br \/>\n<i>Harvest Moon<\/i> did earn him significantly more airplay, and<br \/>\nhelped to attract a new fan base to his music. (One of these days,<br \/>\nwe&#8217;ll review<br \/>\n<i>Harvest Moon<\/i> here on &#8220;The Daily Vault&#8221;.)<\/p>\n<p>What it also helped to do was to introduce Young to the MTV<br \/>\ngeneration &#8211; a group that, as far as I know, last saw Young in the<br \/>\ndouble-time video for &#8220;Wonderin'&#8221; back in the &#8217;80s. His stint on<br \/>\n<i>MTV Unplugged<\/i> made sure that the words &#8220;Neil Young&#8221; and<br \/>\n&#8220;hip&#8221; could be used in the same sentence in the &#8217;90s without<br \/>\ncausing some people to laugh.<br \/>\n<i>Unplugged<\/i>, the 1993 souvenir from that TV performance, shows<br \/>\nYoung&#8217;s strengths, as well as a few limitations.<\/p>\n<p>As long as I have Young&#8217;s fans already pissed, let&#8217;s throw a<br \/>\nlittle more fuel on the fire, and get the negatives out of the way<br \/>\nearly. Young is not the strongest singer (something he&#8217;d probably<br \/>\nadmit cheerfully), though the emotion of his performances easily<br \/>\noutweighs any stylistic flaws in his voice. Likewise, Young&#8217;s<br \/>\nplaying is occasionally erratic; you can hear him blow a chord or<br \/>\ntwo on the opening song &#8220;The Old Laughing Lady&#8221; and while playing<br \/>\nthe pump organ on &#8220;Like A Hurricane&#8221;. (I&#8217;ll give Young credit for<br \/>\nnot going back and overdubbing these in the studio.)<\/p>\n<p>Now that we have some people hyperventilating with anger, let&#8217;s<br \/>\nquickly move to the positives about<br \/>\n<i>Unplugged<\/i>, of which there are many. If you&#8217;re not very<br \/>\nfamiliar with Young&#8217;s vast body of work, this album is a great<br \/>\nprimer for you. From story songs like &#8220;Pocahontas&#8221; (written well<br \/>\nbefore Disney&#8217;s venture) to the stark beauty of songs like &#8220;Mr.<br \/>\nSoul&#8221; and &#8220;Helpless,&#8221; Young proves often that he is a songwriter<br \/>\npar excellence, even if some of his best work was never appreciated<br \/>\nin its time.<\/p>\n<p>If you&#8217;re a diehard Young fan, hearing old standbys like &#8220;The<br \/>\nNeedle And The Damage Done&#8221; (one of the most powerful anti-drug<br \/>\nsongs ever recorded), &#8220;Like A Hurricane&#8221; and &#8220;Long May You Run&#8221;<br \/>\n(originally done by the Stills-Young Band) will put a smile on your<br \/>\nface that can&#8217;t be erased. Peppered into the mix are some of the<br \/>\nbest tracks from<br \/>\n<i>Harvest Moon<\/i> (which Young was promoting at the time of his<br \/>\nMTV appearance). &#8220;From Hank To Hendrix,&#8221; &#8220;Unknown Legend&#8221; and<br \/>\n&#8220;Harvest Moon&#8221; sound incredibly crisp &#8211; though my personal favorite<br \/>\nrendition of &#8220;Harvest Moon&#8221; was Young&#8217;s solo guitar performance on<br \/>\n<i>Saturday Night Live<\/i>.<\/p>\n<p>There are dozens of tracks I wish that Young had included in<br \/>\nthis set &#8211; what about &#8220;Cinnamon Girl&#8221;? &#8220;Lotta Love&#8221;? &#8220;Heart Of<br \/>\nGold&#8221;? Still,<br \/>\n<i>Unplugged<\/i> is a powerful set that shows the resurgence in<br \/>\nYoung&#8217;s popularity was no fluke.<\/p>\n","protected":false},"author":2,"featured_media":27525,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5692],"rating":[5617],"class_list":["post-38899","review","type-review","status-publish","has-post-thumbnail","artist-neil-young","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38899","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38899"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38899\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27525"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38899"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38899"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38899"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}