{"id":38903,"date":"1999-04-09T00:00:00","date_gmt":"1999-04-09T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/slip-this-on-and-rock-hard\/"},"modified":"1999-04-09T00:00:00","modified_gmt":"1999-04-09T00:00:00","slug":"slip-this-on-and-rock-hard","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/slip-this-on-and-rock-hard\/","title":{"rendered":"Slip This On And Rock Hard"},"content":{"rendered":"<p>Last year, I had the good fortune to be invited to a showcase<br \/>\nconcert for Slipdisc Records in Chicago. As I was walking in,<br \/>\nsomeone at the label was there throwing copies of<br \/>\n<i>Slip This On And Rock Hard<\/i>, a compilation album of acts on<br \/>\nthe label, into the hands of concert attendees. (They were also<br \/>\nhanding out &#8211; I swear, I&#8217;m not making this up &#8211; condoms that had<br \/>\nthe same packaging as the cover image. When asked if I wanted a<br \/>\nfew, I said, &#8220;I&#8217;m married. What would I need these for?&#8221;)<\/p>\n<p>Only recently did I re-discover this disc in the hallowed halls<br \/>\nof the Pierce Memorial Archives, and decided to do as the title<br \/>\nsuggested. If you&#8217;re interested in finding out what the<br \/>\nindustrial\/alternative scene is like these days, this disc would be<br \/>\na great place to start.<\/p>\n<p>The seven bands featured on this disc cannot easily be shoved<br \/>\ninto one particular category. The Clay People are just as much hard<br \/>\nrock as they are industrial; the same could be said for Rorschach<br \/>\nTest (who happened to be the band that impressed me the most at the<br \/>\nshow that night), who check in on this album with &#8220;Satan&#8221; (a great<br \/>\ncut off their<br \/>\n<i>Unclean<\/i> disc) and a remix of &#8220;Sex&#8221; (originally done by<br \/>\nBerlin). As for The Clay People, the live rendition of &#8220;Car Bomb&#8221;<br \/>\nis killer; this was another performance that stood out in my mind<br \/>\nthat evening.<\/p>\n<p>But industrial music is more than just heavy electronics and<br \/>\nscreaming; many of the other bands featured on<br \/>\n<i>Slip This On And Rock Hard<\/i> demonstrate this. 13 Mg.<br \/>\nimpresses with &#8220;Way Down&#8221;, and even though a 12-minute &#8220;beat mix&#8221;<br \/>\nof &#8220;Sinister&#8221; might scare some people off, the time passes rather<br \/>\nquickly. (That being said, I think it still could have been lopped<br \/>\ndown a couple of minutes.)<\/p>\n<p>Other bands waiting to make their acquaintances with you on this<br \/>\ndisc are N17 (&#8220;Version 1.2,&#8221; &#8220;Kontrol&#8221;), Nihil (&#8220;Nowhere To Hide,&#8221;<br \/>\n&#8220;Under Me&#8221;), Mary&#8217;s Window (&#8220;Penny Red,&#8221; &#8220;Strychnine&#8221;) and Final<br \/>\nCut (&#8220;It Comes Too,&#8221; &#8220;Shake&#8221;).<\/p>\n<p>But as good as these performances are, I&#8217;d be hard-pressed to<br \/>\nsay that any of them would have inspired me to go out and purchase<br \/>\ntheir corresponding albums. Sure, I loved the two Rorschach Test<br \/>\ncuts and Final Cut impresses with &#8220;Shake&#8221; &#8211; but for me, this<br \/>\nsampler is just enough to satisfy my tastes. If you&#8217;re big into the<br \/>\nalternative or industrial world, then this disc might just make you<br \/>\nwant to pick up the full albums. (Then again, chances are you would<br \/>\nalready have them.)<\/p>\n<p>\n<i>Slip This On And Rock Hard<\/i> is just enough industrial to keep<br \/>\nany listener going for a while &#8211; and somehow, I don&#8217;t think that<br \/>\nwas the intention of the record company.<\/p>\n","protected":false},"author":2,"featured_media":27529,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5827],"rating":[5612],"class_list":["post-38903","review","type-review","status-publish","has-post-thumbnail","artist-various-artists","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38903","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38903"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38903\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27529"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38903"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38903"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38903"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}