{"id":38905,"date":"1998-05-10T00:00:00","date_gmt":"1998-05-10T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/road-tested\/"},"modified":"1998-05-10T00:00:00","modified_gmt":"1998-05-10T00:00:00","slug":"road-tested","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/road-tested\/","title":{"rendered":"Road Tested"},"content":{"rendered":"<p>When is a jazz album not a jazz album?<\/p>\n<p>When Hank Crawford and Jimmy McGriff came together to record<br \/>\ntheir latest release<br \/>\n<i>Road Tested<\/i>, I&#8217;m sure their intentions were good enough.<br \/>\nCrawford&#8217;s alto sax and McGriff&#8217;s rolling organ lines were made to<br \/>\ngo together like Swiss cheese on a ham sandwich, but somewhere<br \/>\nalong the line, the jazz element was lost, replaced instead by a<br \/>\nlatent r&#038;b vein.<\/p>\n<p>Don&#8217;t complain&#8230; it works.<br \/>\n<i>Road Tested<\/i> contains some very entertaining music &#8211; but the<br \/>\nreal star of the album might not be the two credited musicians on<br \/>\nthe spine of the CD. But, more on that later&#8230;<\/p>\n<p>Right from the first cut, it feels like Crawford and McGriff are<br \/>\na natural pairing, each playing off the other to create some great<br \/>\nmusic. Surprisingly, many of the songs on this disc were written<br \/>\nwith lyrics, such as &#8220;I Only Have Eyes For You,&#8221; but Crawford uses<br \/>\nhis saxophone to substitute for the vocals. Sometimes it works<br \/>\nwell, but there are times that the limits of the instrument (not<br \/>\nthe performer) are exposed for all to see.<\/p>\n<p>An example of the limits? Take the cover of &#8220;Caravan&#8221; &#8211; and<br \/>\n<i>yes<\/i>, I know it&#8217;s always been an instrumental. As good as<br \/>\nCrawford is on the sax, there&#8217;s only so much the instrument can do,<br \/>\nand then it&#8217;s so much vibrato pumped into an instrument that I<br \/>\ndon&#8217;t think was ever meant to have vibrato. Again, that&#8217;s not<br \/>\nCrawford&#8217;s fault; this is something I&#8217;ve noticed more and more with<br \/>\njazz.<\/p>\n<p>But the lighthearted spirit of the sessions is what makes<br \/>\n<i>Road Tested<\/i> work so well. On songs like &#8220;Happy Feet,&#8221; &#8220;Mr.<br \/>\nP.C.&#8221; and the title track, this four-piece band swings like there&#8217;s<br \/>\nno tomorrow, often injecting touches of blues and soul into the<br \/>\nmusic. In a sense, they have created their own unique animal with<br \/>\nthis one &#8211; and it makes the hour it takes to listen to the disc fly<br \/>\nby.<\/p>\n<p>But the real hero of the sessions is neither Crawford nor<br \/>\nMcGriff. No, it&#8217;s guitarist Wayne Boyd, whose talents show from his<br \/>\nrhythmic fills to his controlled solos. If there&#8217;s anyone who<br \/>\ndeserved equal credit, it was Boyd, and I hope to hear more<br \/>\nperformances from him real soon. (Also worthy of note is drummer<br \/>\nBernard Purdie, who knows how to make a groove<br \/>\n<i>swing<\/i>.)<\/p>\n<p>It&#8217;s not often that I find it difficult to describe the<br \/>\nexperience I had listening to an album for review purposes. But in<br \/>\nthe case of<br \/>\n<i>Road Tested<\/i>, it&#8217;s really difficult to describe something<br \/>\nthat you have to hear and feel to understand. And frankly, if<br \/>\nyou&#8217;re looking at getting a quick, painless education in jazz<br \/>\n(especially if you&#8217;ve got your feet planted in r&#038;b), this is a<br \/>\ngreat disc to start with.<\/p>\n<p>Enough talk &#8211; slap this one on, and take it for a test drive<br \/>\nyourself.<\/p>\n<p class=\"c4\">\u00a0<\/p>\n","protected":false},"author":2,"featured_media":27531,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7362],"rating":[5615],"class_list":["post-38905","review","type-review","status-publish","has-post-thumbnail","artist-hank-crawford-jimmy-mcgriff","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38905","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38905"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38905\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27531"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38905"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38905"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38905"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}