{"id":38914,"date":"1999-05-11T00:00:00","date_gmt":"1999-05-11T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/home-2\/"},"modified":"1999-05-11T00:00:00","modified_gmt":"1999-05-11T00:00:00","slug":"home-2","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/home-2\/","title":{"rendered":"Home"},"content":{"rendered":"<p>The first time I ever heard the music of the BoDeans was in<br \/>\ncollege in 1989. The college I went to had its own TV station, and<br \/>\none girl who produced some of the shows used snippets of songs from<br \/>\nthe then-current release from Kurt Neumann, Sammy Llanas and crew,<br \/>\n<i>Home<\/i>, as the intro and outro music.<\/p>\n<p>Since I was then considering a double-major in Radio\/TV<br \/>\nbroadcasting and journalism, I spent a lot of time by the TV<br \/>\nstation, and thus heard the music a lot. (I soon dropped the<br \/>\nRadio\/TV major because I didn&#8217;t like working on the TV side &#8211; that,<br \/>\nand one of the faculty members was a complete asshole.) But the<br \/>\nmore I heard this music, the more I was intrigued by it &#8211; to the<br \/>\npoint where I eventually bought my own copy of<br \/>\n<i>Home<\/i>.<\/p>\n<p>While Neumann and Llanas weren&#8217;t big names when this record came<br \/>\nout, and this album didn&#8217;t send their stock rising through the<br \/>\nroofs, it does show how well they had refined their craft, and how<br \/>\nclose they were to being ready for the big time. (Sadly, they never<br \/>\nhave achieved superstardom; had it not been for placement of one<br \/>\nsong on<br \/>\n<i>Party Of Five<\/i>, they still would be one of rock&#8217;s best-kept<br \/>\nsecrets.)<\/p>\n<p>The two songs that always will stick out in my mind are the<br \/>\nopening track, &#8220;When The Love Is Good&#8221;, and &#8220;Hand In Hand&#8221;. Both<br \/>\nsolid rockers powered by an opening guitar riff, Neumann and Llanas<br \/>\neach add their own charm to these songs with their vocals<br \/>\n(Neumann&#8217;s are the smoother vocal leads, as on &#8220;When The Love Is<br \/>\nGood&#8221;; Llanas is the huskier lead as on &#8220;Hand In Hand&#8221;). There&#8217;s a<br \/>\nreason these tracks have stuck with me for 10 years &#8211; they&#8217;re damn<br \/>\ngood songs.<\/p>\n<p>These, however, are not the strongest cuts on<br \/>\n<i>Home<\/i>. You&#8217;ve got your roots-rockers that are dance-inspiring<br \/>\nlike &#8220;Good Work&#8221;, and you&#8217;ve got the songs that pull at your<br \/>\nheart-strings (though I don&#8217;t know if this was intentional) like<br \/>\n&#8220;Beautiful Rain&#8221; and &#8220;No One&#8221;.<\/p>\n<p>But the highlight of this album is what closes the album &#8211; the<br \/>\nlaid-back, acoustic performance of &#8220;Beaujolais,&#8221; a song that almost<br \/>\nmakes you feel like you&#8217;re spending an evening in Creole country.<br \/>\nThe gentle, quiet attack that the BoDeans take on this track make<br \/>\nit the perfect way to bring down the electric energy they charged<br \/>\nup for the album, and brings the listener back to a level of<br \/>\ntranquility. I don&#8217;t know if they could have chosen a better track<br \/>\nto close with had they tried.<\/p>\n<p>There are a few tracks that just don&#8217;t capture my attention like<br \/>\nthe bulk of<br \/>\n<i>Home<\/i> &#8211; &#8220;You Don&#8217;t Get Much,&#8221; a track I know once had<br \/>\nsingle-potential to the label, is one I just can&#8217;t get into no<br \/>\nmatter how hard I try. Others, like &#8220;Worlds Away&#8221; and &#8220;Red River,&#8221;<br \/>\nare good tracks, but are nothing spectacular. Still, these minor<br \/>\npoints don&#8217;t take away from the overall power of this album.<\/p>\n<p>\n<i>Home<\/i> is an album you might not know much about from a band<br \/>\nyou may not know much about. But if you want to discover more about<br \/>\nthe BoDeans than &#8220;Closer To Free,&#8221; then<br \/>\n<i>Home<\/i> is a great place to start.<\/p>\n","protected":false},"author":2,"featured_media":27539,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5778],"rating":[5617],"class_list":["post-38914","review","type-review","status-publish","has-post-thumbnail","artist-bodeans","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38914","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38914"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38914\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27539"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38914"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38914"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38914"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}