{"id":38923,"date":"1999-05-13T00:00:00","date_gmt":"1999-05-13T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/low-down-and-up\/"},"modified":"1999-05-13T00:00:00","modified_gmt":"1999-05-13T00:00:00","slug":"low-down-and-up","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/low-down-and-up\/","title":{"rendered":"Low Down And Up"},"content":{"rendered":"<p>Something tells me that Toni Price learned something from<br \/>\nlabelmate Candye Kane.<\/p>\n<p>Price&#8217;s last effort, the live<br \/>\n<i>Sol Power<\/i>, showed an artist who seemed to champion acoustic<br \/>\ncountry with both touches of blues and twang in the music. Around<br \/>\nthe same time, on Kane&#8217;s<br \/>\n<i>Diva La Grande<\/i>, Price and Kane duetted on a twangy version<br \/>\nof Nancy Sinatra&#8217;s &#8220;These Boots Are Made For Walkin'&#8221;.<\/p>\n<p>Now, on Price&#8217;s latest studio effort<br \/>\n<i>Low Down And Up<\/i>, a lot of the country twang is gone (or at<br \/>\nleast is hidden very well), and has been replaced with a sound<br \/>\nthat&#8217;s almost lounge-like in tone &#8211; not unlike Kane&#8217;s sound. It&#8217;s a<br \/>\nchange that takes a long time to get used to, and it&#8217;s not the<br \/>\neasiest disc to sit through. But once you&#8217;re able to get through<br \/>\nit, Price proves to hold her own quite well in this department.<\/p>\n<p>The actual sound of this disc is incredibly soft &#8211; so soft, in<br \/>\nfact, that I found it almost impossible to concentrate on it if I<br \/>\nwere doing something else. It took me about seven attempted listens<br \/>\nto get through this whole disc once; that&#8217;s the kind of investment<br \/>\nof time I don&#8217;t think many listeners will have to invest, much less<br \/>\nbe willing to.<\/p>\n<p>Once you&#8217;ve broken past this first barrier, Price shows that she<br \/>\nseems to know what she&#8217;s doing with this stylistic move. Tracks<br \/>\nlike &#8220;Foolin&#8217; Around,&#8221; &#8220;Don&#8217;t You Think I Feel It To?&#8221;, &#8220;Remember<br \/>\nMe?&#8221; and &#8220;Lonesome Wind&#8221; all show that her vocal power isn&#8217;t<br \/>\ndiminished just because the volume knob has been turned down a<br \/>\nnotch or two.<\/p>\n<p>Yet there&#8217;s still a part of me that misses the gentle hillbilly<br \/>\nstyle of her music &#8211; and I use the term &#8220;hillbilly&#8221; in a positive<br \/>\nway. The music I heard on<br \/>\n<i>Sol Power<\/i> suggested that Price had tapped into a more rural<br \/>\nform of country-folk that isn&#8217;t often heard in the marketplace, and<br \/>\nwhile it was a sound that needed time to grow on the listener, it<br \/>\nwas a pleasant experience overall. Not that<br \/>\n<i>Low Down And Up<\/i> is a negative experience, but it sometimes<br \/>\nfeels like Price has purposely stepped away from those country-folk<br \/>\nroots. The closest I heard her come, on tracks like &#8220;Out The Front<br \/>\nDoor,&#8221; sounded a lot like Bonnie Raitt.<\/p>\n<p>Still, Price&#8217;s switch to a smoother sound could be the key to<br \/>\nwinning a broader fan base. Tracks like &#8220;Rusty Old Red River&#8221; and<br \/>\n&#8220;Loserville Blues&#8221; are sure to increase interest in her, and it<br \/>\nwouldn&#8217;t be unjustified.<\/p>\n<p>Price might no longer be the country balladeer that people grew<br \/>\nto know on<br \/>\n<i>Sol Power<\/i>, but she shows on<br \/>\n<i>Low Down And Up<\/i> that she is still a force to be dealt with<br \/>\nin the music industry.<\/p>\n","protected":false},"author":2,"featured_media":27548,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5922],"rating":[5615],"class_list":["post-38923","review","type-review","status-publish","has-post-thumbnail","artist-toni-price","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38923","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38923"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38923\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27548"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38923"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38923"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38923"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}