{"id":38924,"date":"1998-05-14T00:00:00","date_gmt":"1998-05-14T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-end-of-the-innocence\/"},"modified":"1998-05-14T00:00:00","modified_gmt":"1998-05-14T00:00:00","slug":"the-end-of-the-innocence","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-end-of-the-innocence\/","title":{"rendered":"The End Of The Innocence"},"content":{"rendered":"<p>When I listen to a CD, I want a pleasant musical experience, not<br \/>\na lecture on human nature. I really wish that Don henley would<br \/>\nrealize this and get off his soapbox.<\/p>\n<p>It&#8217;s been a long time since I listened to his solo debut<br \/>\n<i>I Can&#8217;t Stand Still<\/i>, but he was up there back in 1982,<br \/>\nmocking the media with &#8220;Dirty Laundry&#8221;. (Too bad he didn&#8217;t wait<br \/>\nuntil the Jerry Springer-era of ooze we dare to call programming.)<br \/>\n<i>Building The Perfect Beast<\/i> wasn&#8217;t as preachy, but was just<br \/>\nas pretentious.<\/p>\n<p>In 1989, Henley was now pretentious, preachy, pompous and, worst<br \/>\nof all,<br \/>\n<i>boring<\/i>.<br \/>\n<i>The End Of The Innocence<\/i> would have ended up packed away<br \/>\ndeep in the Pierce Archives were it not for two songs that make the<br \/>\ntrip somewhat worth it.<\/p>\n<p>The title track, featuring Bruce Hornsby on keyboards, has lost<br \/>\nlittle of its fire after almost a decade. It&#8217;s not as rocky as I<br \/>\nmight have liked it, but it still provides lots of enjoyment every<br \/>\ntime I listen to it. And, although it is a bit preachy (and I&#8217;ve<br \/>\nnever been able to follow the advice Henley gives about letting go<br \/>\nof anger against someone who&#8217;s wronged you), &#8220;The Heart Of The<br \/>\nMatter&#8221; remains undoubtedly his prettiest and most poignant moment<br \/>\nas a solo artist. I have yet to grow tired of this particular<br \/>\nsong.<\/p>\n<p>Too bad that&#8217;s all on the album that&#8217;s worth wasting time on.<br \/>\nFor the remainder of<br \/>\n<i>The End Of The Innocence<\/i>, Henley is nothing more than a<br \/>\nwindbag with a stage to get his message across. &#8220;New York Minute&#8221;<br \/>\nis about as interesting as watching C-SPAN; the tempo drags on and<br \/>\non, kind of like the Carpenters on Valium. Another single off the<br \/>\nalbum, &#8220;The Last Worthless Evening,&#8221; shows no originality at all,<br \/>\nfalling into the boredom trap.<\/p>\n<p>And preachy? Geez, if I wanted to be taught a lesson, I&#8217;d go<br \/>\nback to living with my parents! From &#8220;How Bad Do You Want It?&#8221; to<br \/>\n&#8220;Little Tin God&#8221; to &#8220;If Dirt Were Dollars,&#8221; Henley spurts his spiel<br \/>\nineffectively, serving only to anger the listener. (Song title<br \/>\nbegging for me to slam-dunk it: &#8220;I Will Not Go Quietly.&#8221; You<br \/>\nprovide your own insult here.)<\/p>\n<p>In a sense, I think Henley got confused; he must have thought he<br \/>\nwas a folk musician. If I wanted a lesson, I&#8217;d listen to Phil Ochs<br \/>\nor The Kingston Trio &#8211; they might have preached, but at least they<br \/>\nwere interesting to listen to.<\/p>\n<p>Is it really worth sludging through<br \/>\n<i>The End Of The Innocence<\/i> for only two songs? Well, the songs<br \/>\nare at the start and the end of the album, so you really don&#8217;t have<br \/>\nto wade through muck too much. But these two songs do partially<br \/>\nredeem the whole listening experience, even if they don&#8217;t support<br \/>\nthe rest of the album (as well they shouldn&#8217;t have to).<\/p>\n<p>\n<i>The End Of The Innocence<\/i> might be considered Henley&#8217;s<br \/>\nmasterpiece, but if it weren&#8217;t for two very special songs, this<br \/>\nalbum would be worth next to nothing.<\/p>\n","protected":false},"author":2,"featured_media":27549,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5759],"rating":[5616],"class_list":["post-38924","review","type-review","status-publish","has-post-thumbnail","artist-don-henley","rating-rating-d"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38924","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38924"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38924\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27549"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38924"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38924"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38924"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}