{"id":38925,"date":"1999-05-14T00:00:00","date_gmt":"1999-05-14T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/road\/"},"modified":"1999-05-14T00:00:00","modified_gmt":"1999-05-14T00:00:00","slug":"road","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/road\/","title":{"rendered":"Road"},"content":{"rendered":"<p>Before receiving a copy of<br \/>\n<i>Road<\/i> to review in the mail, I had never heard of James<br \/>\nKeelaghan. After listening to the Canadian folk singer&#8217;s latest<br \/>\nalbum, I wondered why I had never heard of him before.<\/p>\n<p>Keelaghan reminds me a lot of John Denver and Jim Croce in many<br \/>\nways: he&#8217;s a guitarist who uses his songs to tell stories that make<br \/>\nus think. Like his contemporary Gordon Lightfoot, Keelaghan has a<br \/>\nnatural style to his songwriting and playing. But unlike the<br \/>\npreviously named artists, Keelaghan has, for the most part, worked<br \/>\nin relative obscurity. If there&#8217;s any justice in this world,<br \/>\n<i>Road<\/i> will change that forever.<\/p>\n<p>Right from the opening track &#8220;Love What A Road,&#8221; Keelaghan sets<br \/>\nhimself apart as an artist worth paying close attention to. The<br \/>\nlayering of the vocal tracks helps to seal the emotional pull of<br \/>\nthe track, as does Keelaghan&#8217;s gentle touch on the six-string.<\/p>\n<p>The power of Keelaghan&#8217;s storytelling gift quickly becomes<br \/>\napparent. If you only glanced at the lyric sheet, &#8220;Number 37&#8221; might<br \/>\nseem to be a story of unrequited love as seen from afar. Instead,<br \/>\nit&#8217;s a surprisingly powerful tale of watching someone achieve their<br \/>\ngoals with kindness rather than harsh words and deeds. Likewise,<br \/>\n&#8220;Captain Torres&#8221; &#8211; geez, if this song doesn&#8217;t put a tear in your<br \/>\neye, you&#8217;re heartless or dead. Based on true events, you almost<br \/>\nfeel like you&#8217;re in the radio room as the crewmen make their calls<br \/>\nhome before going down with the ship &#8211; and you feel like you&#8217;re one<br \/>\nof the loved ones who come home to the &#8220;red lights blinking&#8221;,<br \/>\nhaving missed that chance to say goodbye. Ka-pow.<\/p>\n<p>Even on the tracks that he did not write, Keelaghan has a way of<br \/>\nmaking the tales his own. Whether it&#8217;s Sam Larkin&#8217;s wonderful<br \/>\n&#8220;Mirabeau Bridge&#8221; or Ewan MacColl&#8217;s moving &#8220;My Old Man,&#8221; Keelaghan<br \/>\nattacks these songs in his own style, almost to the point where<br \/>\nyou&#8217;d swear he wrote them.<\/p>\n<p>Even the weakest link in the chain has a message worth learning<br \/>\nand repeating. &#8220;Who Dies?&#8221; is a song that I thought could have used<br \/>\na little more development, but Keelaghan still is able to make his<br \/>\npoint get across to the listener: enjoy every minute you have,<br \/>\n&#8217;cause you never know which one is your last.<\/p>\n<p>If you&#8217;ve ever fallen in love with the works of Croce, Denver or<br \/>\nLightfoot, then<br \/>\n<i>Road<\/i> is a disc you&#8217;ll want to add to your collection. Even<br \/>\nif you&#8217;ve never really cared for folk music, Keelaghan has a way<br \/>\nabout him that will not only make you love this disc, but will make<br \/>\nyou want to further discover the genre. Easily, this is one of the<br \/>\nbest discs I&#8217;ve heard all year.<\/p>\n","protected":false},"author":2,"featured_media":27550,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7372],"rating":[5646],"class_list":["post-38925","review","type-review","status-publish","has-post-thumbnail","artist-james-keelaghan","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38925","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38925"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38925\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27550"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38925"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38925"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38925"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}