{"id":38937,"date":"1999-05-17T00:00:00","date_gmt":"1999-05-17T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/can-you-live-without\/"},"modified":"1999-05-17T00:00:00","modified_gmt":"1999-05-17T00:00:00","slug":"can-you-live-without","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/can-you-live-without\/","title":{"rendered":"Can You Live Without"},"content":{"rendered":"<p>The more I get into this job, the more artists I get a chance to<br \/>\nhear. And the more I hear, the more I&#8217;m getting convinced that<br \/>\nanother revival of folk music is just around the corner (even if it<br \/>\nwouldn&#8217;t be a commercially feasible idea, I&#8217;d be all for it).<br \/>\nArtists like David Wilcox and James Keelaghan have all shown me<br \/>\nthat good folk music is alive, well and being practiced all<br \/>\naround.<\/p>\n<p>Now comes another artist who is carrying that torch &#8211; in more<br \/>\nways than one, judging by the album cover. Guy Forsyth&#8217;s latest<br \/>\ndisc<br \/>\n<i>Can You Live Without<\/i> is a surprisingly fresh approach to an<br \/>\nold, classic sound to folk that is a wonderful thing to<br \/>\nexperience.<\/p>\n<p>Just the sound of the album&#8217;s opening track &#8220;Calico Girl&#8221; lets<br \/>\nyou know that whatever preconceived notion you had about this album<br \/>\nis probably wrong. With the help of band members like percussionist<br \/>\n&#8220;Mambo&#8221; John Treanor, bassist The Mighty Gil &#8220;T&#8221; and drummer Chris<br \/>\nSearles just to name a few, Forsyth creates a mood that has one<br \/>\nfoot firmly planted in the roots of this music and the other in<br \/>\n1999.<\/p>\n<p>With tracks like &#8220;New Monkey King,&#8221; &#8220;If I Was Sick&#8221; and the<br \/>\ntitle track, Forsyth starts to break Antone&#8217;s out of the mold of<br \/>\nbeing strictly a blues label and moves them into new territories.<br \/>\nAnd while Forsyth&#8217;s music can&#8217;t be simply labeled as blues (or<br \/>\nlabeled at all, for that matter), there is a splash of the blues<br \/>\nincorporated into his music that ties all the different styles<br \/>\ntogether into one neat package.<\/p>\n<p>The centerpiece of the album is &#8220;Heart Of Sawdust,&#8221; a tale about<br \/>\nlosing grasp of one&#8217;s past and the innocence of youth, and trying<br \/>\nto look at an adult world through the eyes of a past childhood just<br \/>\none more time. It&#8217;s a moving track, and one that reminds me a lot<br \/>\nof the work of artists like Wilcox due to its touching, gentle<br \/>\nbeauty.<\/p>\n<p>If<br \/>\n<i>Can You Live Without<\/i> is guilty of anything, it&#8217;s guilty of<br \/>\nnot having more moments like &#8220;Heart Of Sawdust&#8221; on it. It&#8217;s not<br \/>\nthat tracks such as &#8220;Don&#8217;t You Mind People Grinnin&#8217; In Your Face&#8221;<br \/>\nor &#8220;Children Of Jack&#8221; are bad; it&#8217;s just that they don&#8217;t have as<br \/>\nmuch staying power as &#8220;Heart Of Sawdust&#8221;. If there were more tracks<br \/>\nin this vein, I truly believe this would have been an unstoppable<br \/>\nalbum.<\/p>\n<p>Still, the 12 tracks on<br \/>\n<i>Can You Live Without<\/i> are a pleasant enough way to spend the<br \/>\nbetter part of an hour, and Forsyth impresses me as a musician and<br \/>\nartist who has a very bright future ahead of him. It will be<br \/>\ninteresting to see if he takes the lessons of this album to heart;<br \/>\nif he does, something tells me I&#8217;ll be proclaiming his next album<br \/>\nas the best of that year.<\/p>\n","protected":false},"author":2,"featured_media":27562,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[7379],"rating":[5617],"class_list":["post-38937","review","type-review","status-publish","has-post-thumbnail","artist-guy-forsyth","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38937","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38937"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38937\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27562"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38937"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=38937"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38937"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38937"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}