{"id":38944,"date":"1999-05-18T00:00:00","date_gmt":"1999-05-18T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/eyewitness\/"},"modified":"1999-05-18T00:00:00","modified_gmt":"1999-05-18T00:00:00","slug":"eyewitness","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/eyewitness\/","title":{"rendered":"Eyewitness"},"content":{"rendered":"<p>Power pop is not dead; it&#8217;s alive, well and has taken the form<br \/>\nof the Hoboken, New Jersey-based trio Shades Apart.<\/p>\n<p>After slugging it out for years on independent labels and<br \/>\nbuilding up a respectable discography, the band &#8211;<br \/>\nvocalist\/guitarist Marc V., bassist\/vocalist Kevin Lynch and<br \/>\ndrummer Ed Brown &#8211; have finally hit the big time with their major<br \/>\nlabel debut<br \/>\n<i>Eyewitness<\/i>, and they make their mark felt quickly and<br \/>\nrepeatedly. If there was one band I had to pick as the one to watch<br \/>\nin 1999, these would be the guys I&#8217;d choose in a heartbeat.<\/p>\n<p>Despite their punk rock leanings, Shades Apart is, at its core,<br \/>\na pop band who just happen to know how to put some barre-chorded<br \/>\nmuscle behind their music. Early into the album, one realizes this<br \/>\nas tracks like &#8220;Sputnik,&#8221; &#8220;Stranger By The Day&#8221; and &#8220;100 Days&#8221; all<br \/>\nunfold to show themselves as the gems they are.<\/p>\n<p>Normally, I&#8217;d be able to pick one song out of the bunch as the<br \/>\nhighlight, but in the case of Shades Apart, it&#8217;s impossible. Do I<br \/>\npoint out the reggae-like riffs melting into a frenzied chorus in<br \/>\n&#8220;100 Days&#8221;? Do I call attention to the tango-like beats of<br \/>\n&#8220;Stranger By The Day&#8221;, culminating in the classical guitar outro?<br \/>\nOr do I mention the all-out pop frenzy and spectacular guitar work<br \/>\non &#8220;Sputnik&#8221;? It&#8217;s impossible to choose, and I can&#8217;t &#8211; no, change<br \/>\nthat, I<br \/>\n<i>won&#8217;t<\/i>. They&#8217;re all too damn good.<\/p>\n<p>Just when you think that there are no more surprises on<br \/>\n<i>Eyewitness<\/i>, Shades Apart hits you upside the head with a<br \/>\ntwist from out of nowhere. There&#8217;s the opening guitar riff on the<br \/>\nfirst single &#8220;Valentine&#8221; that suggests someone watching old movies<br \/>\nand trying to reclaim a past that is not theirs to take anymore. I<br \/>\nswear, the first time I heard this song, I was almost in tears on<br \/>\nthat riff alone. Or maybe it&#8217;s the closing one-two punch of<br \/>\n&#8220;Gabrielle&#8221; and &#8220;Speed Of Light&#8221; that reminds the listener just how<br \/>\ngood this band is as they&#8217;re saying their goodbyes for the moment &#8211;<br \/>\nat least until you hit the &#8220;play&#8221; button on the CD player<br \/>\nagain.<\/p>\n<p>Is everything on<br \/>\n<i>Eyewitness<\/i> stellar? Honestly, no, but even the weaker<br \/>\nmoments aren&#8217;t anything to be ashamed of. Tracks like &#8220;Time<br \/>\nMachine&#8221; and &#8220;Second Chances&#8221; might not be on the same level as the<br \/>\nbulk of the material on<br \/>\n<i>Eyewitness<\/i>, but something tells me that these tracks would<br \/>\nhave stood out on any other album.<\/p>\n<p>Shades Apart is a band with a very bright future, and<br \/>\n<i>Eyewitness<\/i> is a first-person account of their first step<br \/>\ntowards superstardom.<\/p>\n","protected":false},"author":2,"featured_media":27569,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7384],"rating":[5613],"class_list":["post-38944","review","type-review","status-publish","has-post-thumbnail","artist-shades-apart","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38944","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38944"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38944\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27569"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38944"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38944"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38944"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}