{"id":38946,"date":"1999-05-19T00:00:00","date_gmt":"1999-05-19T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/taste\/"},"modified":"1999-05-19T00:00:00","modified_gmt":"1999-05-19T00:00:00","slug":"taste","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/taste\/","title":{"rendered":"Taste"},"content":{"rendered":"<p>Despite my coming into your home or office each day and ranting<br \/>\nabout such and such group or album, there&#8217;s still a lot about music<br \/>\nthat I don&#8217;t think I will ever understand. I&#8217;ll never understand<br \/>\nhow a label can botch the promotion of an artist&#8217;s best album ever<br \/>\nto the point where the disc is considered a failure. I&#8217;ll never<br \/>\nunderstand why certain types of music take off in popularity, then<br \/>\ndie.<\/p>\n<p>And, in the case of Australian singer\/songwriter Margot Smith,<br \/>\nI&#8217;ll never understand how someone can totally eschew the<br \/>\ncommercialistic trappings of music and release an album that is not<br \/>\nonly from the heart, but is fun to listen to as well. Such is the<br \/>\ncase with her most recent album<br \/>\n<i>Taste<\/i>.<\/p>\n<p>With the help of Steve Kilbey &#8211; best known for his work with The<br \/>\nChurch &#8211; Smith streaks through 14 songs in what seems like a few<br \/>\nminutes. For Smith, the art of songwriting is simple: Say what you<br \/>\nhave to, then move on to the next piece. It&#8217;s an interesting<br \/>\nconcept that would never last more than a second in the offices of<br \/>\nthe major labels, where if the song isn&#8217;t four minutes long, it&#8217;s<br \/>\nnot worth thinking about. But it&#8217;s a concept that works well for<br \/>\nSmith in the context of<br \/>\n<i>Taste<\/i>.<\/p>\n<p>It&#8217;s not that Smith is incapable of writing songs that would fit<br \/>\non the radio. Tracks like &#8220;Fight It Out In Heaven&#8221; and &#8220;Bleedmore&#8221;<br \/>\nhave that special twinkle to them that are poppy enough to fall<br \/>\nunder radio&#8217;s umbrella.<\/p>\n<p>But what sets Smith apart is the raw, melancholic honesty that<br \/>\npours from her songs. Tracks like &#8220;Hope&#8221; (&#8220;I hope you choke \/ Your<br \/>\ndreams go up in smoke \/ You regret the words you spoke \/ Like I<br \/>\ndo&#8221;), &#8220;Creature&#8221; and &#8220;Everything&#8221; (&#8220;All my dreams are made up of<br \/>\nthousands of \/ dreams torn from somebody else&#8217;s life&#8221;) carry a<br \/>\npowerful punch that is sure to move the listener.<\/p>\n<p>Sure, we&#8217;ve had our share of raw emotion female singers of late,<br \/>\nlike Liz Phair. (Part of me wanted to compare Smith to Ani<br \/>\nDiFranco, but the musical styles are not similar.) But Smith<br \/>\ndoesn&#8217;t seem to be concerned about whether her single will hit the<br \/>\ntop of the charts; it&#8217;s almost like the music is therapy to her,<br \/>\nand each song a particular demon being exorcised.<\/p>\n<p>It&#8217;s a quick listen, but not always an easy one. Still,<br \/>\n<i>Taste<\/i> is worth searching out (it has yet to be released in<br \/>\nAmerica), and suggests that these shores will be hearing more from<br \/>\nSmith in the very near future.<\/p>\n","protected":false},"author":2,"featured_media":27571,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7385],"rating":[5617],"class_list":["post-38946","review","type-review","status-publish","has-post-thumbnail","artist-margot-smith","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38946","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38946"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38946\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27571"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38946"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38946"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38946"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}