{"id":38957,"date":"1999-05-20T00:00:00","date_gmt":"1999-05-20T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/searching-for-jimi-hendrix\/"},"modified":"1999-05-20T00:00:00","modified_gmt":"1999-05-20T00:00:00","slug":"searching-for-jimi-hendrix","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/searching-for-jimi-hendrix\/","title":{"rendered":"Searching For Jimi Hendrix"},"content":{"rendered":"<p>So I&#8217;m listening to the &#8220;soundtrack&#8221; to the latest documentary<br \/>\nfrom director D.A. Pennebacker,<br \/>\n<i>Searching For Jimi Hendrix<\/i>, and I think to myself, &#8220;Do we<br \/>\nreally need another Hendrix cover album?&#8221;<\/p>\n<p>After all, it has only been about eight years since<br \/>\n<i>Stone Free<\/i> came out and did a respectable job of presenting<br \/>\nthe music of the legendary guitarist in a whole new light. (There<br \/>\nwas something satisfying about hearing artists like The Cure cover<br \/>\n&#8220;Purple Haze&#8221;.)<\/p>\n<p>But<br \/>\n<i>Searching For Jimi Hendrix<\/i> does something that<br \/>\n<i>Stone Free<\/i> didn&#8217;t: It presents a more diverse group of<br \/>\nartists, including some that you might never have heard of prior to<br \/>\nthis album. And while I can&#8217;t say that all the translations are<br \/>\ngreat, I&#8217;d like to think that the artists&#8217; hearts were in the right<br \/>\nplace.<\/p>\n<p>First, a warning: If you pick this disc up expecting to hear<br \/>\nclose-to-the-bone renditions of the songs, you&#8217;re gonna be real<br \/>\ndisappointed. Of course, this was not the overall goal for the<br \/>\nalbum; each artist got their own chance to interpret a Hendrix song<br \/>\n&#8211; not necessarily a well-known one either &#8211; in their own<br \/>\nmanner.<\/p>\n<p>Some of these work well. Taylor Dayne&#8217;s electronica-laden<br \/>\nversion of &#8220;The Wind Cries Mary&#8221; is surprisingly good, as is Laurie<br \/>\nAnderson&#8217;s rendition of &#8220;1983 (A Merman I Should Turn To Be)&#8221; &#8211; and<br \/>\nfrankly, I don&#8217;t like Anderson&#8217;s work in general, so this<br \/>\n<i>has<\/i> to be a kick-ass version.<\/p>\n<p>Artists who you&#8217;d never expect to be listening to, much less<br \/>\nplaying, Hendrix pull off the most convincing shockers on<br \/>\n<i>Searching For Jimi Hendrix<\/i>. Rosanne Cash&#8217;s version of &#8220;Manic<br \/>\nDepression&#8221; isn&#8217;t perfect, but it&#8217;s an interesting take. Likewise,<br \/>\nMark Isham possibly captures the jazziness of Hednrix&#8217;s songwriting<br \/>\nand playing the best with his cover of &#8220;Stone Free&#8221;. And, quite<br \/>\npossibly, we see the torch of Latin rock pass from Los Lobos (&#8220;Are<br \/>\nYou Experienced&#8221;) to Los Illegals (&#8220;Little Wing&#8221;).<\/p>\n<p>But there are disappointments on this disc as well. Charlie<br \/>\nMusselwhite tries to keep &#8220;Here My Train A-Comin'&#8221; close to the<br \/>\nblues roots, but it comes off sounding incredibly antiquated.<br \/>\nLikewise, Five Blind Boys From Alabama don&#8217;t quite pull it off with<br \/>\ntheir a capella version of &#8220;Drifting,&#8221; though I really wanted to<br \/>\nhear their contribution to this project. And Chuck D.&#8217;s<br \/>\n&#8220;Hendrix-inspired&#8221; rap on &#8220;Free At The Edge Of An Answer&#8221; &#8211; well,<br \/>\nI&#8217;m sorry, but this just doesn&#8217;t feel like it belongs on the<br \/>\nproject. (If I had to pick a song for Chuck to have done, I&#8217;d have<br \/>\nselected &#8220;Crosstown Traffic&#8221;.)<\/p>\n<p>\n<i>Searching For Jimi Hendrix<\/i> has highs and lows like any<br \/>\ntribute album, but it does hold its own weight well &#8211; and shows me<br \/>\nthat the world was indeed ready for another Hendrix tribute<br \/>\ndisc.<\/p>\n","protected":false},"author":2,"featured_media":27582,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5827],"rating":[5615],"class_list":["post-38957","review","type-review","status-publish","has-post-thumbnail","artist-various-artists","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38957","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38957"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38957\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27582"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38957"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38957"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38957"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}