{"id":38966,"date":"1998-05-23T00:00:00","date_gmt":"1998-05-23T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/bring-on-the-night\/"},"modified":"1998-05-23T00:00:00","modified_gmt":"1998-05-23T00:00:00","slug":"bring-on-the-night","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/bring-on-the-night\/","title":{"rendered":"Bring On The Night"},"content":{"rendered":"<p>For the record: The record <i>Bring On The Night<\/i> spawned the movie, not the other way around.<\/p>\n<p>Despite Sting&#8217;s history with The Police, his solo career in 1986 was all of one album; to release a double live album seemed to be a strange decision. Whether it was ambition or arrogance, well, we could debate this for days. But whatever the reason, backed with a crack team of musicians, Sting produced <i>Bring On The Night<\/i>, a live set that left me wondering how he ever became a superstar with material so boring.<\/p>\n<p>The backing band that the artist formerly known as Gordon Sumner put together for this reads like a who&#8217;s who of modern jazz: Omar Hakim, Kenny Kirkland, Branford Marsalis, Darryl Jones, and so on. Sting&#8217;s talents on the guitar are surprising, especially when he was best known as a bassist.<\/p>\n<p>But when it comes to the actual music on <i>Bring On The Night<\/i>, there are only a few moments where everything seems to click for the band. Despite stretching out a little too far, the interweaving of the title track and &#8220;When The World Is Running Down You Make The Best Of What&#8217;s Still Around,&#8221; complete with a killer Kirkland solo and a rap (!) by Marsalis, the two songs do represent a wonderful merge of rock and jazz that isn&#8217;t often heard these days. Likewise, &#8220;Consider Me Gone&#8221; is a pleasant surprise that is included on this set. (I did like the new rendition of &#8220;Tea In The Sahara&#8221; as well.)<\/p>\n<p>Then, there are the near misses, such as &#8220;Children&#8217;s Crusade&#8221; and the medley of &#8220;One World&#8221; and &#8220;Love Is The Seventh Wave&#8221;. These are songs that aren&#8217;t bad per se, but something in the performance just didn&#8217;t click the way I would have expected them to. &#8220;Children&#8217;s Crusade&#8221; is an emotionally-charged song that is delivered rather deadpan; a little more emotion in the vocal would have helped this song in a major way. As for the medley, two words: razor blade.<\/p>\n<p>I would like to say there is a third category, complete failures, but only one song really falls into this description: &#8220;Demolition Man&#8221;. After hearing all the jazz-tinged rock (or is that rock-tinged jazz?), to hear the band go balls-out is as big a shock as dropping a radio in the bathtub.<\/p>\n<p>But while many of the tracks on <i>Bring On The Night<\/i> aren&#8217;t bad when it comes to the music itself, the performances tend to do them in. It just doesn&#8217;t feel like there is that much emotion in the playing and the singing a lot of the time. And when you&#8217;re taking on such an ambitious project like this to really get your name out there as a serious musician in another genre, you can&#8217;t take the emotional side of the music too lightly.<\/p>\n<p>Sting, of course, would rebound from this less-than-satisfactory experiment with&#8230; egads, another double album, <i>&#8230;Nothing Like The Sun<\/i>, an album I&#8217;ll reserve comment on since it&#8217;s been about five years since I pulled it out of the Pierce Archives. But <i>Bring On The Night<\/i> is an album I would have to recommend only for the diehard Sting fans. (If the movie is anything like this album, I&#8217;m really going to regret buying it on the used table at Blockbuster last year.)<\/p>\n","protected":false},"author":2,"featured_media":27591,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6137],"rating":[5619],"class_list":["post-38966","review","type-review","status-publish","has-post-thumbnail","artist-sting","rating-rating-c"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38966","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38966"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38966\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27591"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38966"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38966"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38966"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}