{"id":38974,"date":"1999-05-25T00:00:00","date_gmt":"1999-05-25T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/greens-from-the-garden\/"},"modified":"1999-05-25T00:00:00","modified_gmt":"1999-05-25T00:00:00","slug":"greens-from-the-garden","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/greens-from-the-garden\/","title":{"rendered":"Greens From The Garden"},"content":{"rendered":"<p>I have a problem with Corey Harris.<\/p>\n<p>You see, Harris is signed to a blues label, yet he eschews being<br \/>\ncalled a blues artist, and the influences in his music are often<br \/>\nanything but the blues. His latest release,<br \/>\n<i>Greens From The Garden<\/i>, is further evidence of this, and one<br \/>\ncan&#8217;t help but think that calling Harris strictly a bluesman would<br \/>\nbe like asking Motorhead to perform Beethoven&#8217;s Sixth.<\/p>\n<p>Sound like I&#8217;m slamming Harris? Actually, I&#8217;m not; Harris, with<br \/>\nthis album, releases one of the more quirky and curious albums of<br \/>\nthe year, though I question whether or not the album would have<br \/>\nbeen tighter without numerous asides peppered throughout. More on<br \/>\nthat in a minute.<\/p>\n<p>Harris stays true to his love of juju music, thanks to a stint<br \/>\nin Cameroon in 1991. While this might not be the typical angle one<br \/>\nwould expect from an artist on a blues label, it is a natural fit<br \/>\nfor Harris. Tracks like &#8220;Eh La Bas&#8221; (hmm, second album I&#8217;ve heard<br \/>\nthis song on in weeks, though Harris&#8217;s sounds much closer to the<br \/>\nbone) and &#8220;Pas Parlez&#8221; shimmer with excitement; you can hear the<br \/>\nexuberance that Harris and his bandmates have in these<br \/>\nperformances. (Note to whoever&#8217;s in charge of these things at<br \/>\nAlligator: putting the artist credits behind the CD tray makes them<br \/>\nmuch harder to read.)<\/p>\n<p>But while Harris might not be strictly a blues musician, its<br \/>\nroots can still be clearly heard in tracks like &#8220;Basehead,&#8221; &#8220;Sweet<br \/>\nBlack Angel,&#8221; &#8220;Nola Rag&#8221; and &#8220;Lynch Blues&#8221;. With a wide variety of<br \/>\nmusicians (far too many to list here, and to try to list just a few<br \/>\nwouldn&#8217;t do the whole crew justice), Harris is able to to create a<br \/>\nstyle of the blues that is both modern and &#8211; dare I say it? &#8211; fun<br \/>\nto listen to. Even for someone like myself who loves the blues,<br \/>\n<i>Greens From The Garden<\/i> is a disc that is a refreshing<br \/>\neye-opener, though it does take some time to get used to.<\/p>\n<p>For all of this, Harris makes only two mistakes. First is a<br \/>\nreggae-tinged version of &#8220;Just A Closer Walk With Thee,&#8221; a song<br \/>\nthat would have been better had it been shorter &#8211; but I don&#8217;t see<br \/>\nthis as a major mistake. The other is that Harris tries to follow<br \/>\nthrough with the theme of the album&#8217;s title by putting in snippets<br \/>\nabout greens featuring family members (?), friends and<br \/>\nacquaintances of Harris. Problem is that you get hit with these far<br \/>\ntoo often; I don&#8217;t think more than three songs elapse before &#8211;<br \/>\nwham! &#8211; another interlude. One word: Overkill.<\/p>\n<p>Still,<br \/>\n<i>Greens From The Garden<\/i> makes for a tasty, but unusual, dish<br \/>\nto lay in front of a blues fan that you might know. And while<br \/>\nHarris does succeed in the overall picture, be warned that this<br \/>\nplate is an acquired taste.<\/p>\n","protected":false},"author":2,"featured_media":27599,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7396],"rating":[5615],"class_list":["post-38974","review","type-review","status-publish","has-post-thumbnail","artist-corey-harris","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38974","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38974"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38974\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27599"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38974"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38974"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38974"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}