{"id":38976,"date":"1999-05-25T00:00:00","date_gmt":"1999-05-25T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/terra-firma-2\/"},"modified":"1999-05-25T00:00:00","modified_gmt":"1999-05-25T00:00:00","slug":"terra-firma-2","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/terra-firma-2\/","title":{"rendered":"Terra Firma"},"content":{"rendered":"<p>There are times when I&#8217;m reviewing a particular album that I<br \/>\ncan&#8217;t get a certain thought out of my head. That happened just the<br \/>\nother day, while I was listening to the latest release from Swedish<br \/>\nhard rockers Terra Firma. The more I listened to this self-titled<br \/>\nrelease, I couldn&#8217;t help but think, &#8220;Can&#8217;t these guys play a song<br \/>\nin any chord except D?&#8221;<\/p>\n<p>Granted, they do know more than one chord, but there is a<br \/>\npainful lack of variety on this disc, which is otherwise<br \/>\nlistenable. In a sense, the band &#8211; vocalist Lord Chritus, guitarist<br \/>\nFreddie Eugene, bassist Nico Moosebeach and drummer Izmo Ledderfejs<br \/>\n&#8211; try to mimic the sound that their fellow labelmates Sheavy have<br \/>\nput forth, only with more mixed results.<\/p>\n<p>Terra Firma does have a very poppy Black Sabbath sound to their<br \/>\nmusic, though it often sounds like things haven&#8217;t quite jelled yet<br \/>\nwith the band. Tracks like &#8220;Rainbow Ride&#8221; and &#8220;Goatburn&#8221;, while<br \/>\ndecent enough to listen to on the first pass, show some weakness in<br \/>\nthe songwriting and attempted vocal layering, which doesn&#8217;t sync up<br \/>\nwell.<\/p>\n<p>The Sabbath influences come forth the strongest and the best on<br \/>\n&#8220;&#8230;And The 8th Seal Was Her&#8217;s&#8221;, a track that gives the term<br \/>\n&#8220;bombastic&#8221; a good name. This, along with the acoustic-veined<br \/>\n&#8220;Separate Graves&#8221;, dare to suggest promise for Terra Firma, and are<br \/>\nthe highlights of the album.<\/p>\n<p>But soon, it&#8217;s back to business as usual, as well as the<br \/>\nuniversal worship of the D chord on<br \/>\n<i>Terra Firma<\/i>. Tracks like &#8220;Spiral Guru&#8221; and &#8220;Nimbus&#8221; all tend<br \/>\nto blend together, simply because the band refuses to play any song<br \/>\nthat doesn&#8217;t have its roots in the D chord. (Note to the band: On<br \/>\n&#8220;Nimbus,&#8221; just because you play the D chord faster doesn&#8217;t mean the<br \/>\nkey has changed.)<\/p>\n<p>So why the lack of variety in the music? It certainly isn&#8217;t an<br \/>\nindication of Eugene&#8217;s guitar skills, &#8217;cause he proves he&#8217;s a<br \/>\nbetter musician than some of the music tends to lead one to<br \/>\nbelieve. Maybe, just maybe, it&#8217;s a limitation in Chritus&#8217;s vocal<br \/>\nrange &#8211; though I think there is something more to it than just<br \/>\nthat.<\/p>\n<p>And what is more disappointing about this is that<br \/>\n<i>Terra Firma<\/i>, otherwise, is a listenable album that is sure<br \/>\nto get people&#8217;s manes swinging to the beat more than once. But like<br \/>\na magician who knows only one trick, things get real old, real<br \/>\nfast.<\/p>\n<p>\n<i>Terra Firma<\/i> is an okay effort, and it does suggest bigger<br \/>\nand grander things for this band &#8211; but they need to start writing<br \/>\nsongs in more than one key if they&#8217;re going to keep my<br \/>\ninterest.<\/p>\n","protected":false},"author":2,"featured_media":27601,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7397],"rating":[5619],"class_list":["post-38976","review","type-review","status-publish","has-post-thumbnail","artist-terra-firma","rating-rating-c"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38976","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38976"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38976\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27601"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38976"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38976"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38976"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}