{"id":38984,"date":"1999-05-27T00:00:00","date_gmt":"1999-05-27T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/clawfinger\/"},"modified":"1999-05-27T00:00:00","modified_gmt":"1999-05-27T00:00:00","slug":"clawfinger","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/clawfinger\/","title":{"rendered":"Clawfinger"},"content":{"rendered":"<p>With this job, I listen to anywhere from 10 to 20 albums a week,<br \/>\non average. With such a busy schedule of listening to discs, one<br \/>\nwould think that it&#8217;s rare for me to be surprised by a new album.<br \/>\nGenerally, this is true, but there are those moments when I feel<br \/>\nI&#8217;m listening to something totally unique and different, that it<br \/>\nmakes me snap to attention.<\/p>\n<p>The latest band to do that to me was Clawfinger, a Swedish<br \/>\noutfit who could be hard rock&#8217;s answer to Public Enemy. Whatever<br \/>\npreconceived notion you may have about this band, you may as well<br \/>\ndrop them at the drawer of the CD player, &#8217;cause their self-titled<br \/>\nalbum takes you on a trip that even the Autobahn can&#8217;t match.<\/p>\n<p>The band, led by vocalist Zak Tell, is very much a hard rock<br \/>\noutfit, but the lyrics are often delivered in a format that<br \/>\nemulates, but doesn&#8217;t copy, rap music. It&#8217;s an interesting take on<br \/>\nthe scene, and is one that is remarkably fresh-sounding. Simply<br \/>\nput, Clawfinger is like nothing you&#8217;ve ever heard.<\/p>\n<p>From the opening moments of &#8220;Two Sides,&#8221; I found myself raising<br \/>\nmy head and asking, &#8220;What the hell was<br \/>\n<i>that<\/i>?!?&#8221; In this case, such a revelation is an excellent<br \/>\nthing, and Clawfinger make the most of their time in the CD<br \/>\nchanger. Songs like &#8220;Not Even You&#8221; and &#8220;Everybody Knows&#8221; are<br \/>\ncertain to blow away the listener.<\/p>\n<p>What is interesting is that the powerful music on<br \/>\n<i>Clawfinger<\/i> hides some occasionally strong lyrical content.<br \/>\nAgain, we need only look as far as the opening track &#8220;Two Sides&#8221;:<br \/>\n&#8220;There&#8217;s nothing a god can give to me that I can&#8217;t give to myself \/<br \/>\nI put my beliefs in the things I believe and a god can take care of<br \/>\nhimself.&#8221; If you take the time to read the lyric sheet, you might<br \/>\nbe surprised at some of the things that Tell has to say, but in a<br \/>\nway, I think that he needs to say them, whether or not the listener<br \/>\nagrees with them.<\/p>\n<p>\n<i>Clawfinger<\/i> is supposed to have one track which, when played<br \/>\nin your computer&#8217;s CD-ROM, allows you to mix it in whatever way you<br \/>\nchoose. I have not been able to find that song on my copy of the<br \/>\ndisc, so I can&#8217;t tell you if this is a good or bad feature.<br \/>\nWhatever the case, it is intriguing.<\/p>\n<p>So where does<br \/>\n<i>Clawfinger<\/i> fit into your album collection? Fact is, there&#8217;s<br \/>\nnot a clear-cut line, though the music does border on the hard rock<br \/>\nside enough times. What the listener will have to do with this disc<br \/>\nis to keep an open mind, and not try to pigeonhole Clawfinger into<br \/>\nany one category as the disc progresses. If you do, be prepared to<br \/>\nhave your mind changed within a few tracks.<\/p>\n<p>\n<i>Clawfinger<\/i> is an album that took its sweet time coming over<br \/>\nto this side of the world, but it is a welcome addition to American<br \/>\nmusic collections.<\/p>\n","protected":false},"author":2,"featured_media":27609,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7401],"rating":[5613],"class_list":["post-38984","review","type-review","status-publish","has-post-thumbnail","artist-clawfinger","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38984","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38984"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38984\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27609"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38984"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38984"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38984"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}