{"id":38989,"date":"1999-05-28T00:00:00","date_gmt":"1999-05-28T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/sylvia-hotel\/"},"modified":"1999-05-28T00:00:00","modified_gmt":"1999-05-28T00:00:00","slug":"sylvia-hotel","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/sylvia-hotel\/","title":{"rendered":"Sylvia Hotel"},"content":{"rendered":"<p>Eureka &#8211; I think I&#8217;ve found the female Loudon Wainwright<br \/>\nIII!<\/p>\n<p>New England-based folk artist Cheryl Wheeler is part balladeer,<br \/>\npart social critic, and part clown. When all three styles merge on<br \/>\nalbum, the results are sure to be memorable. Her latest release,<br \/>\n<i>Sylvia Hotel<\/i>, is a prime example of that &#8211; though the comic<br \/>\nmoments are the ones that stand out for me.<\/p>\n<p>As a balladeer, Wheeler&#8217;s work is pleasant enough to listen to,<br \/>\nbut it doesn&#8217;t have a sense of urgency that makes it stick out in<br \/>\nthe listener&#8217;s mind. Tracks like &#8220;Rainy Road Into Atlanta,&#8221;<br \/>\n&#8220;Lighting Up The Mighty Mississippi&#8221; and &#8220;His Hometown&#8221; are<br \/>\nexecuted well and written well, so you won&#8217;t find me trying to poke<br \/>\nholes into them. But it seems like it takes more than one listen<br \/>\nfor songs like these to really embed themselves into your head &#8211;<br \/>\nthough once they&#8217;re in there, it&#8217;s a nice sensation.<\/p>\n<p>As the social critic, Wheeler always runs the risk of mixing<br \/>\nhumor with a serious message. Prime example: &#8220;If It Were Up To Me,&#8221;<br \/>\na song that someone should call to Rosie O&#8217;Donnell&#8217;s attention.<br \/>\n(I&#8217;d appreciate it, if someone actually does tell her about it, to<br \/>\nadd in that we suggested it. I&#8217;ll do anything for a free promo on<br \/>\nnational TV.) If Wheeler wasn&#8217;t careful, the constant litany of<br \/>\n&#8220;Maybe it&#8217;s&#8230;&#8221; that make up the body of the song could quickly run<br \/>\ninto humorous veins. But when the message of the song finally shows<br \/>\nup, it&#8217;s a serious one: &#8220;If it were up to me, I&#8217;d take away the<br \/>\nguns.&#8221; (Don&#8217;t bother flaming me if you&#8217;re pro-gun;<br \/>\n<i>I<\/i> didn&#8217;t write the song.)<\/p>\n<p>As a clown, Wheeler is a lot of fun to listen to. I mean, who<br \/>\nelse would think of writing a song about the noble potato and<br \/>\nputting it to the tune of &#8220;Mexican Hat Dance&#8221;, all the while<br \/>\nplaying with the rhythmic structure of the word &#8220;potato&#8221;? Likewise,<br \/>\n&#8220;Unworthy&#8221; is a fun ditty that parodies how busy our lives are (and<br \/>\nhow we made them that way). On a lesser scale, &#8220;Meow&#8221; is a track<br \/>\nthat examines the pleasure and mystery of owning a cat. It&#8217;s not<br \/>\nknee-slap funny, but if you own or ever owned a cat, you&#8217;ll<br \/>\nunderstand.<\/p>\n<p>For all of this, Wheeler makes the huge mistake of going into<br \/>\n&#8220;hidden track&#8221; territory, a mistake made bigger by the fact that<br \/>\nthe track &#8211; a scathing, irreverent commentary about modern banking<br \/>\ntoday &#8211; is a track that didn&#8217;t deserve to be hidden. In future<br \/>\npressings of this album, I sure hope someone comes to their senses<br \/>\nand lists this track (as well as cuts out the two minutes of<br \/>\nsilence that preceeds it) and gives this song its well-earned day<br \/>\nin the sun.<\/p>\n<p>Like Wainwright, Wheeler has incredible talents that<br \/>\noccasionally get hidden by material that doesn&#8217;t stand out the way<br \/>\nthat it should. Still,<br \/>\n<i>Sylvia Hotel<\/i> is an album that is well worth your time and<br \/>\nmoney, and should (if there were justice in the world) catapault<br \/>\nWheeler into the mainstream.<\/p>\n","protected":false},"author":2,"featured_media":27614,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6820],"rating":[5617],"class_list":["post-38989","review","type-review","status-publish","has-post-thumbnail","artist-cheryl-wheeler","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38989","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38989"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38989\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27614"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38989"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38989"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38989"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}