{"id":38994,"date":"1998-05-02T00:00:00","date_gmt":"1998-05-02T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-bass-ic-collection\/"},"modified":"1998-05-02T00:00:00","modified_gmt":"1998-05-02T00:00:00","slug":"the-bass-ic-collection","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-bass-ic-collection\/","title":{"rendered":"The Bass-ic Collection"},"content":{"rendered":"<p>Jazz fusion can be a mixed bag; when it works, it captures the<br \/>\nthrill of both jazz and rock, but when it doesn&#8217;t, it sounds like a<br \/>\nwatered down combination of both. This new compilation of Stanley<br \/>\nClarke&#8217;s previous work, with two brand new songs added, has plenty<br \/>\nof examples of both good and bad fusion.<\/p>\n<p>The CD starts off well with the excellent &#8220;School Days.&#8221; This<br \/>\nsong starts off with a catchy bass riff amid some guitar squall<br \/>\nfrom Ray Gomez, then Clarke stretches out with some nice<br \/>\nimprovising. Clarke also rocks on &#8220;Hello Jeff&#8221; and &#8220;Rock And Roll<br \/>\nJelly&#8221; which feature former Yardbirds guitarist Jeff Beck. These<br \/>\ntwo songs show that Clarke can more than handle a straight rock<br \/>\nbass line, although it is Beck who really dominates here.<\/p>\n<p>The CD ends with a bang on the ambitious piece &#8220;Life Suite.&#8221;<br \/>\nThere are four parts on what can be called a fusion symphony.<br \/>\nClarke employs a brass and string section and features some nice<br \/>\nwork by drummer Tony Williams. The first part brings the whole<br \/>\norchestra together with a vocal by Clarke himself, the second part<br \/>\nhas Clarke and Bill Connors in a fast and furious bass and guitar<br \/>\nduel, the third part is very funky and boasts some inventive bass<br \/>\nlines, and the fourth part brings back the orchestra on a variation<br \/>\nof the original theme.<\/p>\n<p>However, the collection is dominated by funk-flavored tunes and<br \/>\nthey are a mixed bag. &#8220;The Mothership Connection&#8221; is a nifty little<br \/>\ntribute to George Clinton and his band Parliament. &#8220;Silly Putty&#8221;<br \/>\nand &#8220;Hot Fun&#8221; are funky but also leave room to feature Clarke&#8217;s<br \/>\nplaying. On the other hand, &#8220;We Supply&#8221; and &#8220;I Wanna Play For You&#8221;<br \/>\nare pretty lame, and not worthy of Clarke&#8217;s talents. &#8220;Wild Dog&#8221; is<br \/>\na little better only because it is unexciting instead of tacky.<\/p>\n<p>Even the two new tunes are a mixed bag. Both suggest that Clarke<br \/>\nhas been listening to new age music quite a bit. &#8220;Lost In Thought&#8221;<br \/>\nis a pretty,melodic tune, but the lifeless &#8220;Between Love &#038;<br \/>\nMagic&#8221; only proves that between love and magic, there is<br \/>\nboredom.<\/p>\n<p>Another problem with<br \/>\n<i>The Bass-ic Collection<\/i> is not so much what is onit as what<br \/>\nis missing. I would have liked to have heard a sample of Clarke<br \/>\ndoing straight jazz. Where, for example is his work with<br \/>\nsaxophonist Wayne Shorter or violinist Jean-Luc Ponty? And why did<br \/>\nthe people at Sony not add at least one cut from Clarke&#8217;s seminal<br \/>\nfusion band, Return To Forever?<\/p>\n<p>While<br \/>\n<i>The Bass-ic Collection<\/i> has some choice cuts, there is just<br \/>\nway too much fat on it with its emphasis on bland pop. For a better<br \/>\nintroduction to Clarke, I would suggest checking out his<br \/>\n<i>School Days<\/i> CD.<\/p>\n<p class=\"c4\">\u00a0<\/p>\n","protected":false},"author":17,"featured_media":27619,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7404],"rating":[5619],"class_list":["post-38994","review","type-review","status-publish","has-post-thumbnail","artist-stanley-clarke","rating-rating-c"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38994","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38994"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38994\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27619"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38994"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38994"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38994"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}