{"id":38997,"date":"1999-05-02T00:00:00","date_gmt":"1999-05-02T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/half-mad-moon\/"},"modified":"1999-05-02T00:00:00","modified_gmt":"1999-05-02T00:00:00","slug":"half-mad-moon","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/half-mad-moon\/","title":{"rendered":"Half Mad Moon"},"content":{"rendered":"<p>What would happen if the Indigo Girls went rockabilly?<\/p>\n<p>The answer might lie in the debut release from The Damnations<br \/>\nTX,<br \/>\n<i>Half Mad Moon<\/i>. This Texas-based quartet hits the target on<br \/>\nsome tracks, but they often show the growing pains a young band<br \/>\ngoes through.<\/p>\n<p>The group &#8211; vocalist\/bassist Amy Boone, vocalist\/guitarist<br \/>\nDeborah Kelly, guitarist\/vocalist Rob Bernard and drummer Keith<br \/>\nLangford &#8211; maintain a country air to their music without turning<br \/>\ntheir backs on alternative rock or folk. The mixture is one that<br \/>\nwould, on paper, seem to be an interesting amalgam, at the very<br \/>\nleast.<\/p>\n<p>Opening with the country-rock mixture of &#8220;Unholy Train,&#8221; there<br \/>\nquickly seems to be some promise to The Damnations TX, even though<br \/>\nI would have liked to have heard the band stretch things out a<br \/>\nlittle bit with even a rudimentary guitar solo. Still, simplicity<br \/>\nisn&#8217;t a bad way to introduce one&#8217;s self to the populace.<\/p>\n<p>There are times on this relatively short album (the 12 tracks<br \/>\nclock in at under 40 minutes) that things seem to keep going the<br \/>\ngroup&#8217;s way. &#8220;Commercial Zone Blues&#8221; is a quirky, catchy number<br \/>\nthat is one you&#8217;re sure to keep returning to. &#8220;Kansas&#8221; and &#8220;Down<br \/>\nThe Line&#8221; are captivating in their rollicking style, while &#8220;No Sign<br \/>\nOf Water&#8221; is one track that reminds me a lot of the Indigo Girls,<br \/>\nespecially in Boone and Kelly&#8217;s harmony vocals.<\/p>\n<p>Unfortunately, there are many songs on<br \/>\n<i>Half Mad Moon<\/i> that show this band needs to tighten up their<br \/>\nsongwriting a bit. &#8220;Spit And Tears&#8221; just leaves a bad taste in my<br \/>\nmouth, and needed a little more development and less key changes.<br \/>\n&#8220;Jack&#8217;s Waltz&#8221; is a track that had a lot of promise in the<br \/>\nbeginning, but quickly unraveled into a disappointing country<br \/>\nwaltz. (Not that country waltzes are bad; this song needed another<br \/>\ncoat of paint or two to really be better.)<\/p>\n<p>In the end, the overall feeling you might walk away with from<br \/>\n<i>Half Mad Moon<\/i> is indifference. For each killer track like<br \/>\n&#8220;Things I Once Adored&#8221; or quirky but enjoyable number like &#8220;Half<br \/>\nMad Moon,&#8221; there is an equally disappointing track like &#8220;Black<br \/>\nWidow&#8221;. The solution seems to be giving The Damnations TX a chance<br \/>\nto grow as musicians and as songwriters, something that only comes<br \/>\nwith time together and experience. I do hear a lot of promise in<br \/>\nthis group; unfortunately, they&#8217;re not always able to deliver the<br \/>\ngoods on<br \/>\n<i>Half Mad Moon<\/i>.<\/p>\n<p>There are enough good moments on<br \/>\n<i>Half Mad Moon<\/i> that make me say this is a group worth<br \/>\nwatching in the years to come. But this album is kind of like<br \/>\nwalking through a horse&#8217;s stable barefoot. The good moments are<br \/>\nlike feeling cool, fresh grass under your feet. I&#8217;ll let you<br \/>\ncomplete the metaphor.<\/p>\n","protected":false},"author":2,"featured_media":27622,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[7407],"rating":[5619],"class_list":["post-38997","review","type-review","status-publish","has-post-thumbnail","artist-the-damnations-tx","rating-rating-c"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38997","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38997"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38997\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27622"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38997"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=38997"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38997"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38997"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}