{"id":39008,"date":"1999-05-03T00:00:00","date_gmt":"1999-05-03T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/bad-luck-streak-in-dancing-school\/"},"modified":"1999-05-03T00:00:00","modified_gmt":"1999-05-03T00:00:00","slug":"bad-luck-streak-in-dancing-school","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/bad-luck-streak-in-dancing-school\/","title":{"rendered":"Bad Luck Streak In Dancing School"},"content":{"rendered":"<p>How does one follow up a hit that defined a career? For Warren<br \/>\nZevon, that was the question he had to face in 1980. He had opened<br \/>\npeople&#8217;s eyes to his work thanks to &#8220;Warewolves Of London&#8221; on<br \/>\n<i>Excitable Boy<\/i>, his 1978 album. What would he do for an<br \/>\nencore?<\/p>\n<p>The answer,<br \/>\n<i>Bad Luck Streak In Dancing School<\/i>, left more questions than<br \/>\nanswers. Moving away from a &#8220;top 40&#8221; style, Zevon hunkered down<br \/>\nwith a string section and the usual cast of celebrities, including<br \/>\nLinda Ronstadt, Joe Walsh, Glenn Frey and &#8211; as a songwriter, not a<br \/>\nperformer &#8211; Bruce Springsteen.<\/p>\n<p>It was a risky gamble, to say the least, and for Zevon, it<br \/>\ndidn&#8217;t pay off in the dividends one would have hoped for. There are<br \/>\na few numbers that have a catchy hook to them, but many others will<br \/>\nleave you wondering if this is the same artist that wowed them just<br \/>\ntwo years prior.<\/p>\n<p>Zevon &#8211; a songwriter not exactly known for a happy-go-lucky<br \/>\ndemeanor &#8211; seems to take a trip to an even darker side on some of<br \/>\nthe tracks. Through the songs of lost love (&#8220;Empty-Handed Heart&#8221;<br \/>\nand the title track) and the tales of trying to find hope where<br \/>\nthere may be none (&#8220;Bed Of Coals&#8221;), Zevon dares to bring the<br \/>\nlistener on a voyage that doesn&#8217;t suggest a happy ending.<\/p>\n<p>Musically,<br \/>\n<i>Bad Luck Streak In Dancing School<\/i> runs aground by moving<br \/>\naway from a radio-friendly atmosphere. Granted, songs like<br \/>\n&#8220;Lawyers, Guns And Money&#8221; and &#8220;Excitable Boy&#8221; aren&#8217;t exactly<br \/>\n&#8220;top-of-the-pops&#8221; tracks at first glance, but at least they had a<br \/>\nbeat that caught the listener&#8217;s ear and kept them hooked throughout<br \/>\nthe song. On this album, such a beat isn&#8217;t present as often as one<br \/>\nwould like. &#8220;Jeannie Needs A Shooter,&#8221; co-written with Springsteen,<br \/>\ndoes fall into this category.<\/p>\n<p>At times, it also seems like Zevon is pushing himself to write<br \/>\nsongs in the mode of the sarcastic clown. &#8220;Gorilla, You&#8217;re A<br \/>\nDesperado&#8221; is an example of this, a song that I&#8217;m sure was written<br \/>\nwith good intentions, but ends up sounding forced. A better example<br \/>\n(if a less pop-friendly number) is &#8220;Play It All Night Long&#8221;, a song<br \/>\nwhich does have some disturbing images &#8211; which I think was Zevon&#8217;s<br \/>\npoint all along.<\/p>\n<p>In a sense, it&#8217;s almost like Zevon was thumbing his nose at the<br \/>\nsuccess he enjoyed with<br \/>\n<i>Excitable Boy<\/i>, and wanted to create an album that was as far<br \/>\nremoved from that vein as possible. In that manner, he succeeded &#8211;<br \/>\nbut what a price to pay.<\/p>\n<p>\n<i>Bad Luck Streak In Dancing School<\/i> is an album that can be<br \/>\ncalled a &#8220;for the fans&#8221; disc, and regrettably might have left<br \/>\npeople wondering if Zevon was a one-hit wonder. Unfortunately, this<br \/>\nalbum does nothing to remove that suggestion.<\/p>\n","protected":false},"author":2,"featured_media":27633,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5674],"rating":[5619],"class_list":["post-39008","review","type-review","status-publish","has-post-thumbnail","artist-warren-zevon","rating-rating-c"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39008","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=39008"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/39008\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/27633"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=39008"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=39008"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=39008"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}